September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carries …and finds herself caught in a dilemma that compels her to confront the truth about the assumptions she’s made. Will what she learns devastate her or free her?  September 2011. On Manhattan’s Upper West Side, widow Taryn Michaels has convinced herself that she is living fully, working in a charming specialty fabric store and raising her daughter alone. Then a long-lost photograph appears in a national magazine, and she is forced to relive the terrible day her husband died in the collapse of the World Trade Towers …the same day a stranger reached out and saved her. Will a chance reconnection and a century-old scarf open Taryn’s eyes to the larger forces at work in her life?

    . .Colin Hancock is giving his second chance his best shot. With a history of violence and bad decisions behind him and the threat of prison dogging his every step, he's determined to walk a straight line. To Colin, that means applying himself single-mindedly toward his teaching degree and avoiding everything that proved destructive in his earlier life. Reminding himself daily of his hard-earned lessons, the last thing he is looking for is a serious relationship.Maria Sanchez, the hardworking daughter of Mexican immigrants, is the picture of conventional success. With a degree from Duke Law School and a job at a prestigious firm in Wilmington, she is a dark-haired beauty with a seemingly flawless professional track record. And yet Maria has a traumatic history of her own, one that compelled her to return to her hometown and left her questioning so much of what she once believed.A chance encounter on a rain-swept road will alter the course of both Colin and Maria's lives, challenging deeply held assumptions about each other and ultimately, themselves. As love unexpectedly takes hold between them, they dare to envision what a future together could possibly look like . . . until menacing reminders of events in Maria's past begin to surface.Rich in emotion and fueled with suspense, SEE ME reminds us that love is sometimes forged in the crises that threaten to shatter us . . . and that those who see us for who we truly are may not always be the ones easiest to recognize.

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    And they're a happy family. Johnny's wife, Jessie - who has the most money - insists on it.Under the surface, though, conditions are murkier. While some people clash, other people like each other far too much . . .Everything stays under control until Ed's wife Cara, gets concussion and can't keep her thoughts to herself. One careless remark at Johnny's birthday party, with the entire family present, starts Cara spilling out all their secrets.In the subsequent unravelling, every one of the adults finds themselves wondering if it's time - finally - to grow up?

    A disorganized cutlery drawer ranks high on her list of unforgivable sins. She is not one to judge others—no matter how ill-mannered, unkempt, or morally suspect they might be. It’s just that sometimes people interpret her helpful suggestions as criticisms, which is certainly not her intention. But hidden inside the socially awkward, fussy busybody is a woman who has more imagination, bigger dreams, and a warmer heart that anyone around her realizes.When Britt-Marie walks out on her cheating husband and has to fend for herself in the miserable backwater town of Borg—of which the kindest thing one can say is that it has a road going through it—she finds work as the caretaker of a soon-to-be demolished recreation center. The fastidious Britt-Marie soon finds herself being drawn into the daily doings of her fellow citizens, an odd assortment of miscreants, drunkards, layabouts. Most alarming of all, she’s given the impossible task of leading the supremely untalented children’s soccer team to victory. In this small town of misfits, can Britt-Marie find a place where she truly belongs?

    One of them never left, still farming the family's land that's been tilled for generations. Others did leave, went farther afield to make good, with varying degrees of success; as a rock star, commodities trader, rodeo stud. And seamlessly woven into their patchwork is Beth, whose presence among them—both then and now—fuels the kind of passion one comes to expect of love songs and rivalries.Now all four are home, in hopes of finding what could be real purchase in the world. The result is a shared memory only half-recreated, riddled with culture clashes between people who desperately wish to see themselves as the unified tribe they remember, but are confronted with how things have, in fact, changed.There is conflict here between longtime buddies, between husbands and wives — told with writing that is, frankly, gut-wrenching, and even heartbreaking. But there is also hope, healing, and at times, even heroism. It is strong, American stuff, not at all afraid of showing that we can be good, too — not just fallible and compromising. Shotgun Lovesongs is a remarkable and uncompromising saga that explores the age-old question of whether or not you can ever truly come home again — and the kind of steely faith and love returning requires.

    As Hiro tentatively decides to reenter the world, he spends his days observing life around him from a park bench. Gradually he makes friends with Ohara Tetsu, a middle-aged salaryman who has lost his job but can't bring himself to tell his wife, and shows up every day in a suit and tie to pass the time on a nearby bench. As Hiro and Tetsu cautiously open up to each other, they discover in their sadness a common bond. Regrets and disappointments, as well as hopes and dreams, come to the surface until both find the strength to somehow give a new start to their lives. This beautiful novel is moving, unforgettable, and full of surprises. The reader turns the last page feeling that a small triumph has occurred.

    . .Nombeko Mayeki was never meant to be a hero. Born in a Soweto shack, she seemed destined for a short, hard life. But now she is on the run from the world ‘s most ruthless secret service, with three Chinese sisters, twins who are officially one person and an elderly potato farmer. Oh, and the fate of the King of Sweden - and the world - rests on her shoulders.As uproariously funny as Jonas Jonasson’s bestselling debut, this is an entrancing tale of luck, love and international relations.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew. Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.

    These stories of escape, war, and violence intermingle with the interpreter’s own reading: a his­tory of an ancient Persian war; letters sent to his son “Nebuchadnezzasaurus,” ruler of a distant, imaginary childhood empire; and the diaries of a Russian singer who lived through Russia’s wars and revolutions in the early part of the twentieth century, and eventually saw the Soviet Union’s dissolution. Mikhail Shishkin’s Maidenhair is an instant classic of Russian literature. It bravely takes on the eternal questions—of truth and fiction, of time and timeless­ness, of love and war, of Death and the Word—and is a movingly luminescent expression of the pain of life and its uncountable joys.

    . .In the heyday of the British Raj, eleven-year-old Anahita, from a noble but impoverished family, forms a lifelong friendship with the headstrong Princess Indira, the privileged daughter of Indian royalty. As the princess's official companion, Anahita accompanies her friend to England just before the outbreak of World War I. There, she meets young Donald Astbury—reluctant heir to the magnificent, remote Astbury Estate—and his scheming mother.Ninety years later, Rebecca Bradley, a young American film star, has the world at her feet. But when her turbulent relationship with her equally famous boyfriend takes an unexpected turn, she's relieved that her latest role, playing a 1920s debutante, will take her away from the glare of publicity to a distant corner of the English countryside. Shortly after filming begins at the now-crumbling Astbury Hall, Ari Malik, Anahita's great-grandson, arrives unexpectedly, on a quest for his family's past. What he and Rebecca discover begins to unravel the dark secrets that haunt the Astbury dynasty . . .A multilayered, heartbreaking tale filled with unforgettable characters caught in the sweep of history, The Midnight Rose is Lucinda Riley at her most captivating and unforgettable.

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message." This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.