In it he posed the fundamental question: What makes us human? Now director Mark Romanek (One Hour Photo), writer Alex Garland and DNA Films bring Ishiguro's hauntingly poignant and emotional story to the screen. Kathy (Oscar nominee Carey Mulligan, An Education), Tommy (Andrew Garfield, Boy A, Red Riding) and Ruth (Oscar nominee Keira Knightley, Pride & Prejudice, Atonement) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.

    A world of speakeasies and dancing girls where a gambler or bootlegger is perfectly normal and respectable in every way. Those familiar with "Guys and Dolls" know what to expect!

    As his three adult children sort through a lifetime of hoarded mementos and junk, they collide over clutter, debt, and a contentious family history. But after a disturbing discovery surfaces among their father's possessions, the reunion takes a turn for the explosive, unleashing a series of crackling surprises and confrontations.Winner of the 2014–2015 Obie Award for Best New American Play.

    When he’s asked to be the best man at their wedding, should he speak up, or forever hold his peace? Lifestyle hacker Kaylah Westwood’s engagement brings her a step closer to the kind of life she’s dreamed of, full of love and family. Her fiancé is a good guy. It’s a shame it’s his brother who’s the one who makes her pulse rate skittle. Jonah would never betray the brother who’s always been there for him. With just two days to go before the wedding, can he let the woman he loves marry his brother? But when Jonah confesses his feelings to Kaylah, a mind-blowing kiss has her rethinking her commitment. She thought she’d fallen for the right man. But is he the best man for her?

    Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.

    . . to have your life change forever.Joplin Missouri, 1933, Kathryn Nash believes that her life has finally changed for the better. Her abusive husband of eighteen years, Clayton, has passed away suddenly and she has met an intriguing handsome stranger, John Stevens. Will a dark secret from Kathryn’s distant past surface and place Kathryn at odds with everyone in her world and set her life on a collision course with destiny that threatens her very life and the lives of those she loves the most? The Great Depression, The Great Midwestern Crime Spree, and the early incarnations of the Ku Klux Klan all converge on the small town and shape not only history, but the very course of Kathryn’s life. One Mississippi is a fast paced work of historical fiction that will keep you wondering what could possibly happen next and eager to find out just what can really happen in the time it takes to say the word “Mississippi.”

    Those trapped inside the castle are used to dealing with the volatile mix of light-fingered teens and obnoxious tourists; less so a truckload of explosives and a hidden agenda. For Catherine and her team, it's a recipe for a potentially deadly day off. Tense, twisted and laugh-out-loud funny, Siege Mentality is a day-trip you won't forget. For more from Catherine McLeod, read the Jasmine Sharp trilogy, beginning with Where the Bodies are Buried , a sample from which is included with this short story.

    For someone who hates exercise, Kristy Chambers is pretty good at running away, and coming back again when her credit cards are declined. She’s not so much an international jetsetter as a loose cannon with a passport. So, in the manner of Eat, Pray, Love, a privileged white girl takes her privileged white arse on the road in an attempt to find happiness. With a family history of mental illness that goes back generations and a complicated long-term relationship with depression, will eating all the pasta in Italy help her to find the silver lining she’s looking for? Of course it won’t. It’s pasta, not magic beans. Joined by the most unreliable travel companion of them all—her mental health—Kristy openly, honestly, and humorously recounts their adventures together.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    At first, the new doctor cures anything

    Hailed as "America's Alchemist," his proclamation that "debt is an asset" has propelled him to a dizzying level of success. By orchestrating the takeover of a massive steel manufacturer, Merkin intends to do the "deal of the decade," the one that will rewrite all the rules. Working on his broadest canvas to date, Pulitzer Prize winner Ayad Akhtar chronicles the lives of men and women engaged in financial civil war: insatiable investors, threatened workers, killer lawyers, skeptical journalists, and ambitious federal prosecutors. Although it's set 40 years in the past, this is a play about the world we live in right now; a world in which money became the only thing of real value.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    The two are half-sisters and have always fought: now their argument rages over the trainspotter. Is he doomed to eternal nerdiness or could he be taught to appreciate the finer things in life? Eupheme bets he can: in time for Gresham's engagement party she will have transformed him into a man that her sister would want to sleep with.

    But fate, a run of bad luck, and a dead uncle have thrown them together, and together they must save the family bookstore from financial ruin, from its own insane employees, and probably from themselves. This is the story of what happens when The Sopranos meets Fawlty Towers...in a bookstore.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.