She might not make it to morning.Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

    Emily Carroll has fashioned a rich gothic horror charged with eroticism that doesn't just make your skin crawl, it crawls into it.

    To save my existence, I must kill.”- The Psychopath“You know why I love to hunt? My mind interprets a human’s final breath as his apology: an apology of existence.”- The Cannibal“Can love and friendship push you to the brink of a murderous crisis? ”- The LoverRaj, an aspiring writer, and a full-time engineering student in Bangalore is given the chance of a lifetime; his best friend Ajay asks him to write the biography of a real-life serial killer based on a set of lost and found leather-bound diaries. A few months later, Raj meets Aaina, an accomplished marketer six years older than him, and falls in love. Things take a bizarre turn when the serial killer strikes again after years; and this time, it is in an engineering college in Bangalore.Welcome to the unruly world of The Psychopath, The Cannibal, The Lover. This story is about people who find joy and purpose not in life, but in death. Nostalgic, dark, gritty, and non-stop, The Psychopath, The Cannibal, The Lover takes you through the mangled life journey of two best friends, two lovers, and two serial killers. What happens when their lives coincide at a point from where is no turning back?

    . . .Duke and Earl are just passing through Rockwood county in their pick-up truck when they stop at the diner for a quick bite to eat. They aren't planning to stick around--until Loretta, the eatery's owner, offers them one hundred dollars to take care of her zombie problem. Given that Duke is a werewolf and Earl's a vampire, this looks right up their alley.But the shambling dead are just the tip of a particularly spiky iceberg. Seems someone's out to drive Loretta from the diner, and more than willing to raise a little hell on earth if that's what it takes. Before Duke and Earl get to the bottom of the diner's troubles, they'll run into such otherworldly complications as undead cattle, an amorous ghost, a jailbait sorceress, and the terrifying occult power of pig Latin.And maybe--just maybe--the End of the World, too.Gory, sexy, and flat-out hilarious, Gil's All Fright Diner will tickle your funny bone--before ripping it out of its socket!

    As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

    Everyone said the gators must have got her when she strayed too near the bayou. No foul play, just a terrible accident. But Eugene can't shake the conviction that Mary Beth's death had something to do with the man who used to haunt her—the man no one else could see.Now, nearly two decades later, there are more dangerous things than gators in Chanlarivyè. People are disappearing again, and this time, no one can find the bodies. As the town's unease grows, charismatic fugitive Johnny Walker arrives on the scene, shedding bullet casings and stolen bank notes in his wake.He tangles himself up in Eugene's life and awakens memories Eugene thought he had laid to rest years ago. Memories of the mysterious man who followed Eugene into his dreams, and memories of the bayou—And of the horrifying entity that lurks beneath the water's surface, slowly seeping into the town like a stain.

    On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

    Here you’ll meet Peggy Paula, who works the late shift at Perkin’s and envies the popular girls who come in to eat french fries and brag about how far they let the boys get with them. You’ll meet a woman in her mid-thirties pining for her mean-spirited, abusive boyfriend, Del, a nine-year-old who is in no way her actual boyfriend. And just try to resist the noir story of a reluctant, Afrin-addled detective.  Self-loathing, self-loving, and otherwise trapped by their own dumb selves, these characters make one cringe-worthy mistake after another. But for each bone-headed move, Hunter delivers a surprising moment that chokes you up as you peer into what seemed like deep emptiness and discover a profound longing for human understanding. It’s the collision of these moments that make this a powerful, alive book. The stories of Don’t Kiss Me are united by Hunter’s singular voice and unflinching eye. By turns crass and tender, heartbreaking and devastatingly funny, her stories expose a world full of characters seemingly driven by desperation, but in the end, they’re the ones who get the last laugh. Hunter is at the forefront of the boldest, most provocative writers working now.

    It’s haunted every night by a creature the townsfolk refer to as Halloween. Once the sun sets each day, Halloween emerges to collect its treats: a small, live offering from each household. The residents comply because no one wants to be the target of Halloween’s tricks. But the nightmare of residing in Strang is nothing compared to the yearly ritual Halloween demands of the citizens on All Hallows’ Eve.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    And then you hear a horn and you know that whoever lives in this hell has got your scent and the hunt has already begun.Could you survive the Call?

    We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will get out, even if it kills them.

    Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.But dark forces are at work in the bayou, And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

    Resented by his parents, abandoned by his friends, and reviled by a society that no longer considers him human, Andy is having a bit of trouble adjusting to his new existence. But all that changes when he goes to an Undead Anonymous meeting and finds kindred souls in Rita, an impossibly sexy recent suicide with a taste for the formaldehyde in cosmetic products, and Jerry, a twenty-one-year-old car-crash victim with an exposed brain and a penchant for Renaissance pornography. When the group meets a rogue zombie who teaches them the joys of human flesh, things start to get messy, and Andy embarks on a journey of self-discovery that will take him from his casket to the SPCA to a media-driven class-action lawsuit on behalf of the rights of zombies everywhere.Darkly funny, surprisingly touching, and gory enough to satisfy even the most discerning reader, Breathers is a romantic zombie comedy (rom-zom-com, for short) that will leave you laughing, squirming, and clamoring for more.

    The survivors came together to create this safe haven. Nestled between a fierce river and a city’s flood wall, the well-being of its residents hangs on a long-established treaty with the night-walkers. Sounds simple enough, but lately, the people of Blackwater have been dying, and the humans believe the night-walkers are to blame. Porschia Grant starves for more than her parents’ affection. Forced to enter the rotation, she will be given extra food rations in exchange for becoming a vampire’s breakfast and dinner for a week. The rotation has an extra responsibility as well: leave the colony and enter the dangerous forest to hunt for food. A night-walker will protect the hunters from the infected that roam the woods. But with the treaty hanging in the balance and tension between the humans and vampires rising, anything could happen in the darkness. What would you do if your only chance at survival might kill you? Suggested reading order for The Frenzy Series: Frenzy, Frantic, Frequency