From a powerful new voice in international fiction, this prize-winning collection of stories crosses the world—from Africa, London, the West Indies, and Australia—and expresses the global experience.Maxine Beneba Clarke gives voice to the disenfranchised, the lost, and the mistreated in this stunning collection of provocative and gorgeously wrought stories that will challenge you, move you, and change the way you view this complex world we inhabit.Within these pages, a desperate asylum seeker is pacing the hallways of Sydney’s notorious Villawood detention centre; a seven-year-old Sudanese boy has found solace in a patchwork bike; an enraged black militant is on the war-path through the rebel squats of 1960s Brixton; a Mississippi housewife decides to make the ultimate sacrifice to save her son from small-town ignorance; a young woman leaves rural Jamaica in search of her destiny; and an Australian schoolgirl loses her way.In the bestselling tradition of novelists such as Chimamanda Ngozi Adichie and Marlon James, this urgent, poetic, and essential work is the perfect introduction to a fresh and talented voice in international fiction.

    But after four years of painstaking research, she has nothing but anxiety and stomach pain to show for her efforts. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a rollercoaster of mishaps and misadventures, from campus protests and OTC drug hallucinations, to book burnings and a movement that stinks of “Yellow Peril” propaganda. In the aftermath, nothing looks quite the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the “super kawaii” Japanese author he’s translated, doubts and insecurities creep in. At the same time, she finds herself drawn to the cool and aloof Alex Kim (even though she swears he’s not her type). As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and most of all, herself. An uproarious and bighearted satire, alive with sharp edges, immense warmth, and a cast of unforgettable characters, Disorientation is both a blistering send-up of white supremacy in academia, and a profound reckoning of a Taiwanese American woman’s complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

    Charlie is an anxiety-ridden award-winning writer, burdened by his literary success and familial responsibility, including a bread-winning wife and a child with autism. When the unlikely pair meets, a filmic affair begins on office desks and in Toronto hotel rooms, creating a false reality that offers solace in its secrets. Two very different people, trapped by everyday expectations, take pleasure in destroying those expectations together. Their relationship, with all its differences and failings, with all its pleasure and pain, calls into question our rigid and limiting definitions of right and wrong, and what it means to be a partner, parent, lover, and human being.

    Fed up with the isolation and microaggressions, she’s thrilled when Harlem-born and bred Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events elevates Hazel to Office Darling, and Nella is left in the dust.Then the notes begin to appear on Nella’s desk: LEAVE WAGNER. NOW.It’s hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realizes that there’s a lot more at stake than just her career.A whip-smart and dynamic thriller and sly social commentary that is perfect for anyone who has ever felt manipulated, threatened, or overlooked in the workplace, The Other Black Girl will keep you on the edge of your seat until the very last twist.

    The walks meet a need for Julius: they are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past.But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.

    You were never the smartest child, but even you should know that when a dead woman offers you a cigarette, the polite thing to do would be to take it. Especially when that dead woman is your mother.The St. Bernard women have lived in Morne Marie, the house on top of a hill outside Port Angeles, for generations. Built from the ashes of a plantation that enslaved their ancestors, it has come to shelter a lineage that is bonded by much more than blood. One woman in each generation of St. Bernards is responsible for the passage of the city's souls into the afterlife. But Yejide's relationship with her mother, Petronella, has always been contorted by anger and neglect, which Petronella stubbornly carries to her death bed, leaving Yejide unprepared to fulfill her destiny.Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when his ailing mother can no longer work and the only job he can find is grave digging, he must betray the life she built for him in order to provide for them both. Newly shorn of his dreadlocks and his past and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.Yejide and Darwin will meet inside the gates of Fidelis, Port Angeles's largest and oldest cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and immersive lyricism, When We Were Birds is a spellbinding novel about inheritance, loss, and love's seismic power to heal.

    Written in 1913 by a British colonial administrator, the diary captivates Fernandes, who begins to research the coded history he encounters in its terse, laconic entries. What he uncovers is a story of forbidden liaisons and simmering vengeances, family secrets and cultural exiles--a story that leads him on an investigative journey through his own past and Africa's.

    It’s late 2016 when Ariel discovers that her mother Mona’s animal sanctuary in Western Kansas has not only been the target of anti-Semitic hate crimes—but that it’s also for sale, due to hidden financial ruin. Ariel, living a new life in progressive Lawrence, and estranged from her mother for six long years, knows she has to return to her childhood home—especially since her own past may have played a role in the attack on the sanctuary. Ariel expects tension, maybe even fury, but she doesn’t anticipate that her first love, a ranch hand named Gideon, will still be working at the Bright Side. Back in Lawrence, Ariel’s charming but hapless fiancé, Dex, grows paranoid about her sudden departure. After uncovering Mona’s address, he sets out to confront Ariel, but instead finds her grappling with the life she’s abandoned. Amid the reparations with her mother, it’s clear that Ariel is questioning the meaning of her life in Lawrence, and whether she belongs with Dex or with someone else, somewhere else. Acclaimed writer Pam Houston says that “Mandelbaum is wise beyond her years and twice as talented,” and The Bright Side Sanctuary for Animals poignantly explores the unique love and tension between mothers and daughters, and humans and animals alike. Perceptive and funny, moving and eloquent, and ultimately buoyant, Mandelbaum offers a panoramic view of family and forgiveness, and of the meaning of home. Her debut reminds us that love provides refuge, and underscores our similarities as human beings, no matter how alone or far apart we may feel.

    She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. It’s during the summer of 1950 that Forugh’s passion for poetry really takes flight—and that tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing grows only stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—Jasmin Darznik has written a haunting novel, using the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.

    Once again, she postpones her path to freedom—at least, until she pokes around his pajama drawer and discovers his illness is the least of his deceits.But Kassie is no angel, either. As she struggles to justify her own indiscretions, the secret lives she and Mike have led collide head-on, revealing a tangled web of sex, lies, and DNA. Still, mindful of her vows, Kassie commits to helping her husband find an organ donor. In the process, she uncovers a life-changing secret. Problem is, if she reveals it, her own immorality will be exposed, which means she has an impossible decision to make: Whose life will she save—her husband’s or her own?

    Sardonic yet vulnerable, Jane toils, unappreciated, in her strict uncle’s grocery store and politely observes the traditional principle of nunchi (a combination of good manners, hierarchy, and obligation). Desperate for a new life, she’s thrilled to become the au pair for the Mazer-Farleys, two Brooklyn English professors and their adopted Chinese daughter. Inducted into the world of organic food co-ops, and nineteenth–century novels, Jane is the recipient of Beth Mazer’s feminist lectures and Ed Farley’s very male attention. But when a family death interrupts Jane and Ed’s blossoming affair, she flies off to Seoul, leaving New York far behind.Reconnecting with family, and struggling to learn the ways of modern-day Korea, Jane begins to wonder if Ed Farley is really the man for her. Jane returns to Queens, where she must find a balance between two cultures and accept who she really is.

    Charmed by the foreignness of his new surroundings and by the familiarity of everything the British have left behind, he finds solace in life’s simple pleasures, travelling by rickshaw around the small town with his driver Jamshed and staying in a mission house beside the local presbytery where, after a chance meeting, the Padre and his adoptive daughter Priscilla take Hilary under their wing. The Padre is concerned for Priscilla’s future, and as Hilary’s friendship with the young woman grows, he begins to wonder whether his purpose lies in this new relationship. But religious tensions are brewing and the mission house may not be the safe haven it seems.

    In the capital hospital, a gifted young surgeon is plagued by demons that are beginning to threaten his livelihood. Elsewhere in the hospital lies a dying man who was young during the country’s turbulent postcolonial years and has stories to tell that are far from heroic. As past and present intersect in the buzzing city, these men are drawn unwittingly closer by a British psychologist with good intentions, and into the path of one woman at the center of their stories. A work of breathtaking writing and rare wisdom, The Memory of Love seamlessly weaves together two generations of African life to create a story of loss, absolution, and the indelible effects of the past—and, in the end, the very nature of love.

    About how the first humans were born with wings. Can you imagine what that would be like? To fly anywhere in the world without worrying about having the right papers?Mico has left his family, his home, his future. Setting out in search of a better life, he instead finds himself navigating one of the world's most inhospitable environments the Jungle. For Mico, just one of many 'unaccompanied children', the Calais refugee camp has a wildness, a brutality all of its own.A melting pot of characters, cultures, and stories, the Jungle often seems like its own strange world. But despite his ambitions to escape, Mico is unable to buy his way out from the 'Ghost Men' the dangerous men with magic who can cross borders unnoticed. Alone, desperate, and running out of options, the idea of jumping onto a speeding train to the UK begins to feel worryingly appealing.But when Leila arrives at the camp one day, everything starts to change. Outspoken, gutsy, and fearless, she shows Mico that hope and friendship can grow in the most unusual places, and maybe, just maybe, they'll show you the way out as well.

    Flush with self-importance, he demands to see the king, but the king has just left for the south of his realm. Traveling through an increasingly phantasmagoric landscape in the company of a beggar and two roguish boys, Clarence is gradually stripped of his pretensions, until he is sold to the royal harem as a slave. But in the end Clarence’s bewildering journey is the occasion of a revelation, as he discovers the image, both shameful and beautiful, of his own humanity in the alien splendor of the king.Camara Laye published his first novel in 1953, the autobiographical L'Enfant noir (The African Child, also published under the title The Dark Child). It follows his own journey from childhood in Kouroussa, his education in Conakry, and eventual departure for France. The book won the Prix Charles Veillon in 1954. L'Enfant noir was followed the next year by Le Regard du roi (The Radiance of the King).