She writes of making up her mind at a young age to become a country music star, knowing then that her feelings and crushes on girls were “sinful” and hoping and praying that she would somehow be “fixed.” (“Dear God, please don’t let me be gay. I promise not to lie. I promise not to steal. I promise to always believe in you . . . Please take it away.”) We see her, high school homecoming queen, heading out on her own at seventeen and landing a job as a featured vocalist on the Ozark Jubilee (the show that started Brenda Lee, Red Foley, and Porter Wagoner), being cast in Country Music U.S.A., doing four live shows a day, and—after only a few months in Nashville—her dream coming true, performing on the stage of the Grand Ole Opry . . .  She describes writing and singing her own songs for producers who’d discovered and recorded the likes of Reba McEntire, Shania Twain, and Toby Keith, who heard in her music something special and signed her to a record contract, releasing her first album and sending her out on the road on her first bus tour . . . She writes of sacrificing all for a shot at success that would come a couple of years later with her first hit single, “Shut Up And Drive” . . . her songs (from her fourth album, Single White Female) climbing the Billboard chart for twenty-nine weeks, hitting the #1 spot . . .   She writes about the friends she made along the way—Vince Gill, Brad Paisley, and others—writing songs, recording and touring together, some of the friendships developing into romantic attachments that did not end happily . . . Keeping the truth of who she was clutched deep inside, trying to ignore it in a world she longed to be a part of—and now was—a world in which country music stars had never been, could not be, openly gay . . . She writes of the very real prospect of losing everything she’d worked so hard to create . . . doing her best to have a real life—her best not good enough . . .  And in the face of everything she did to keep herself afloat, she writes about how the vortex of success and hiding who she was took its toll: her life, a tangled mess she didn’t see coming, didn’t want to; and, finally, finding the guts to untangle herself from the image of the country music star she’d become, an image steeped in long-standing ideals and notions about who—and what—a country artist is, and what their fans expect them to be . . . I am a songwriter,” she writes. “I am a singer of my songs—and I have a story to tell. As I’ve traveled this path that has delivered me to where I am today, my monument of thanks, paying honor to God, remains. I will do all I can with what I have been given . . .”  Like Me is fearless, inspiring, true.

    But her ex-husbands linger in the background while her four children spin away to their own separate futures, each carrying the baggage of a complex family history. Matt serves as caretaker to the ailing father who abandoned him as a child, while his wild teenage sister, Karen, hides herself in marriage to a born-again salesman. Joe, a perpetual outsider, struggles with a private sibling rivalry that nearly derails him. And then there’s the youngest, Frankie, an endearing, eccentric sci-fi freak who’s been searching since childhood for intelligent life in the universe–and finds it.Written with wry affection, and with compassion for every character in its pages, Send Me is a wholly original, haunting evocation of family love, loss, and, ultimately, forgiveness.From the Hardcover edition.

    He's terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he's gay, but all he knows of gay life are the media's images of men dying of AIDS.Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance...until she falls for Reza and they start dating.Art is Judy's best friend, their school's only out and proud teen. He'll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.As Reza and Art grow closer, Reza struggles to find a way out of his deception that won't break Judy's heart--and destroy the most meaningful friendship he's ever known.

    The nineteen-year-old son of a same-sex couple, Wahls proudly proclaimed, The sexual orientation of my parents has had zero effect on the content of my character. Hours later, his speech was posted on YouTube, where it went viral, quickly receiving more than two million views. By the end of the week, everyone knew his name and wanted to hear more from the boy with two moms. Same-sex marriage will be a major possibly the defining issue in this year s election cycle, and Wahls speaks to that, but also to a broader issue. Sure, he s handsome and athletic, an environmental engineering student, and an Eagle Scout. Yet, growing up with two moms, he knows what it s like to feel different and to fear being made fun of or worse. In the inspirational spirit of "It Gets Better "edited by Dan Savage and Terry Miller, "My Two Moms "also delivers a reassuring message to same-sex couples, their kids, and anyone who s ever felt like an outsider: You are not alone. "

    With Christmas looming, he's resigned to spending it alone with only memories of happier times for company. When a business trip with a co-worker leaves them stranded in the Lake District due to heavy snow, it seems Patrick will have company for Christmas after all. It's a shame his companion is Kyle, who's undeniably attractive, but annoying as hell.Aware of Patrick's reluctant admiration, Kyle basks in the attention even though Patrick isn't the type of man he normally goes for. Averse to relationships after being hurt in the past, Kyle enjoys the occasional hook up, but has given up on seeking anything more meaningful.Stuck together, their antagonism escalates along with a heavy dose of sexual tension until it finally ignites. What starts as a Christmas fling soon feels like something special; but will their tentative connection melt away as the snow thaws? If they're going to take a chance on finding happiness together, they'll have to put their differences aside and learn to trust one another.Contains: enemies-to-lovers, snowball fights, bickering, spanking, a cute dog, a wise old lady, mistletoe, and a happy ending (of course).

    There they discover a city in the midst of revolution, bustling with gay men in search of liberation—few of whom are raising a child.Steve throws himself into San Francisco’s vibrant cultural scene. He takes Alysia to raucous parties, pushes her in front of the microphone at poetry readings, and introduces her to a world of artists, thinkers, and writers. But the pair live like nomads, moving from apartment to apartment, with a revolving cast of roommates and little structure. As a child Alysia views her father as a loving playmate who can transform the ordinary into magic, but as she gets older Alysia wants more than anything to fit in. The world, she learns, is hostile to difference.In Alysia’s teens, Steve’s friends—several of whom she has befriended—fall ill as AIDS starts its rampage through their community. While Alysia is studying in New York and then in France, her father tells her it’s time to come home; he’s sick with AIDS. Alysia must choose whether to take on the responsibility of caring for her father or continue the independent life she has worked so hard to create.Reconstructing their life together from a remarkable cache of her father’s journals, letters, and writings, Alysia Abbott gives us an unforgettable portrait of a tumultuous, historic time in San Francisco as well as an exquisitely moving account of a father’s legacy and a daughter’s love.It has been named a Stonewall Book Award-Israel Fishman Non-Fiction Award Honor Book for 2014.

     I learned early on that pretty much everything in life is a scam, and love's at the top of the list. Easy to fake, maximum payout, and people just never stop falling for it. Watching my mom break hearts and empty bank accounts as we bounced from house to house taught me just how dangerous feelings could be. That's a whole lot of hassle I don't need. These days, I stick to three basic rules. I don’t take something just because I want it. I don’t ask for help, even if I need it. And I never look twice at a guy who has a bigger bank account than I do. I know where those things can get you, and it's not anywhere I need to go. I’m perfectly happy being a dive bar rock star who can barely pay his rent, chasing the dream until my time or my sanity runs out. At least, I thought I was. Until Brett showed up. Another thing I don’t do is think about the past. All the people I can never look in the eye again. Who know just how ugly I really am deep down. The last person I need to get mixed up with is someone on that list. The last person I need to go breaking all my rules for is the cocky, spoiled brat who used to sleep in the room across the hall. No matter how gorgeous he is now. No matter how filthy he is in bed. No matter how good it feels when he says all he wants in the world is me. Working Out the Kinks is a 98,000 word filthy forbidden romance novel about a grumpy, broken rock star who refuses to fall in love and a lonely, relentless, spoiled brat looking for someone to belong to. So much angst, so much arguing, so much spanking, and a touch of taboo. Avoid at all costs if you don’t like those things.

    Handsome, amiable, and a renowned sportsman, he is the darling of London society. As far as Adam Freeman is concerned though, Lysander is just another spoiled aristocrat.A wealthy mill owner, Adam has no time for the frivolous world of the ton, but when his younger brother becomes engaged to Althea Winterbourne, he reluctantly agrees to be introduced to society–with the Winterbourne clan’s golden boy as his guide.Resigning himself to a few days of boredom, Adam is surprised to learn that there is much more to Lysander than his perfect surface. But will Adam have the courage to introduce Lysander Winterbourne to his own secret self?Originally published in Another Place in Time anthology.