But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    A neglected child, she's still looking for love as an adult; and so she finds herself married to Daniel. How could she know that he would misbehave?Cora O'Brien is the total opposite; outrageous and outspoken, she inspires the children she teaches with her enthusiasm. The city can't soften her Highland lilt but her lifestyle would raise a few eyebrows back home. But her vividness is a fa�ade: most of her secrets she's still keeping to herself.Fast friends from the start, Ellen and Cora may have plenty to learn about life, but they always have vodka and each other to talk to when the unexpected happens...

    'The Graveless Doll of Eric Mutis' is narrated by a young adolescent named Larry Rubio who, with his three Anthem City, New Jersey, buddies Mondo, Gus, and Juan Carlos, discovers a scarecrow lashed to an oak tree in the city park.

    Feeling deceived and betrayed into a loveless marriage, Lord Reese Harrington wants nothing to do with his new wife. Trapped in a marriage with no escape, the beautiful young bride must battle the demons of her husband's past and hope that she can weather the storm his brutish behavior unleashes.This is a medieval romance novella.Adult-content rating:This book contains content considered unsuitable for young readers 17 and under, and which may be offensive to some readers of all ages.First published as part of the anthology Blushing Brides in 1998

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    He solves cases with the able assistance of his close friend and confidant. And, one day, he will become the arch enemy of Sherlock Holmes.Meet Professor James Moriarty - consulting criminal.In these three original tales - collected for the first time - Andy Weir brings to life a Moriarty worthy of the Great Detective himself.1. The Adventure of the Dishonor Among Thieves2. The Adventure of the Unscrupulous Assassin3. The Adventure of the Sealed Room

    Peter Manuel has been found guilty of a string of murders and is waiting to die by hanging. But every good crime story has a beginning. Manuel's starts with the murder of William Watt's family. Looking no further that Watt himself, the police are convinced he's guilty. Desperate to clear his name, Watt turns to Manuel, a career criminal who claims to have information that will finger the real killer. As Watt seeks justice with the cagey Manuel's help, everyone the pair meets has blood on their hands as they sell their version of the truth. The Long Drop is an explosive novel about guilt, innocence and the power of a good story to hide the difference.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    Can two young codebreakers Kitty and Matthew catch the killer? This standalone short story can be enjoyed by new readers and existing fans of Lauren James’s The Next Together series.

    . . A bored London housewife discovers a secret erotic club . . . A shy, bookish girl develops an unlikely friendship with the schoolyard bully and her wild, horsey family . . . After fighting with her boyfriend, a woman goes for a night walk on a remote tropical beach with dark, unexpected consequences.Sarah Hall has been hailed as "one of the most significant and exciting of Britain's young novelists" (The Guardian). Now, in this collection of seven pieces of short fiction, published in England to phenomenal praise, she is at her best: seven pieces of uniquely talented prose telling stories as wholly absorbing as they are ambitious and accessible.

    "The Red Bow,"about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing.Saunders's work in the last six years has come to be recognized as one of the strongest-and most consoling-cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.

     James I of England and VI of Scotland was the first king to rule both countries. He was faced with division between his realms and caught between the religious wars of the Reformation. Spending most of his reign at odds with the religious and parliamentary powers around him, James did little to unite his people. Unable to take a firm stand on critical issues, he spent his life avoiding them. Inside you will read about... ✓ James’ Bride and the Witch Hunt ✓ The Mystery of the Gowrie Plot ✓ Taking over Elizabethan England ✓ King James Bible ✓ The Gunpowder Plot ✓ The King’s Favorite Men And much more! Still, James was not a bad king. He is best remembered for the translation of the Bible into English, making it accessible to all. During the start of the bloody Thirty Years’ War that would engulf Europe, James did his best to keep England out of the turmoil. His descendants, however, brought about a bloody civil war that was to last for several generations. James I and VI continues to have a reputation as a lazy king who gave too much power to his male favorites.

    Cate Kensie, now known as Lady Catherine Kensie, the mistress of Dunhaven Castle, still can’t believe her life. Somehow, moved to Scottland, inherited a castle that’s more than meets the eye, and is the proud--and sometimes reluctant-- owner of an amazing family heirloom. But there’s a secret Cate must protect about her new life, a secret that no one but Jack Reid, the estate manager, knows of. As Cate learns more about her new home, she discovers that in 1856 there was a murder at Dunhaven and non-other than her own ancestor, Randolph MacKenzie, was accused and convicted of the crime. However, the more she learns about the murder at Dunhaven, the more confusing things become. All of the evidence is there, but the answers still don’t add up. Will Cate have the courage to dive into a centuries-old murder to clear her family’s name? Or will she find out the hard way that sometimes it’s best to leave the past in the past where it can’t hurt you? Find out in the nail-biting second installment of the Cate Kensie Mysteries series, Murder at Dunhaven Castle!

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.