From top-selling romance author Carola Dunn (Lavender Lady) comes a Regency love story about a handsome aristocrat who risks his heart for a lovely lass with a mysterious past.

    En route to Washington she eludes a sinister pursuer by darting into a Pullman compartment, and there finds herself confronted with Van Tyler, a young Congressman and a 'rock-ribbed, girl-resistant bachelor.'

    Chasing the creature across magical realms and even through time, Death takes on a heart-pounding adventure that reveals some of the greatest mysteries of the games!

    Privately chartered by a Transylvanian nobleman, her cargo consisted of fifty oblong wooden boxes partially filled with earth. A month later, in the midst of a raging storm, the derelict Demeter ran aground in Whitby, England, her crew missing save for her captain, who was tied to the ship's wheel with a crucifix in his lifeless hands. The only living thing aboard was a huge dog that escaped into the night.Bram Stoker, in his classic 'Dracula', with a few cryptic entries in an unnamed captain's journal, offered scant hints regarding the terrifying sea voyage that brought the vampire king from his dried up homeland to the blood-rich London. Never, until now, has the whole mind-rending story been told.The story of Trevor Harrington, a British scholar and fugitive. Of Swales, the old Scot cook, who deceives their commander, but knows a good deal "aboon grims and boh-ghosts". Of Ekaterina Gabor, a beautiful Romanian who follows her lover to sea by stowing away. Of Captain Nikilov, fighting for his ship and crew while something evil, more virulent than the black plague, decimates their number. Of Demeter herself, named for the Greek goddess of renewal, lost and tossed on an unforgiving sea. And of Count Dracula, at rest in Demeter's dark hold until the unintended actions of her crew resurrect the vampire and his unquenchable bloodlust.

    Now they’ll turn deadly . . . Reclusive novelist Eugenia writes a bestselling novel under the pen name Amy Mathews. Her outgoing older sister serves as the face of the fictitious writer. It’s a lucrative partnership that landed Amy Mathews literary fame and fortune . . . until now.Virginia wants more books, but Amy Mathews is pretty much dead to Eugenia. She dreams of overcoming her social phobias and writing under her own name. She wants to get out of the house. But Eugenia soon discovers that it’s not that easy to put down the pen. In fact, it could very well turn deadly . . . For fans of complex characters and subtle plots turns in the best tradition of psychological thrillers, comes this stirring and twisty tale that will leave you wondering – just exactly what defines a villain?This smart and twisty thriller that is equal parts terrifying and profound will keep you on the edge of your seat until the very last page.

    Her ghost still inhabits the place and takes over the wife's body, goes to Hollywood, and tries to re-enter films. The couple meets a film buff, living in Vilma Banky's old home, and he has prints of all the lost films including the complete Greed.

    So begins a journey that will take them down a circuitous path fraught with the unknown—and danger. Why do the Rockwells, expecting their first child, seem at once welcomed and repelled? What does it mean when Margaret starts to dream of the family that built the house in 1910? For her the house comes alive with its own sounds, sights, thoughts, and intentions. How could the death of a child ninety years before impact their lives? And why?

    This volume collects the most significant contemporary work on the novel from Marxist, Psychoanalytic, Historicist, Feminist, Poststructuralist and Postcolonialist perspectives. The book reflects the way that monstrosity in its literary, historical and philosophical context raises crucial questions for modern issues of sexuality, class, science, race, language and identity.

    At a Halloween party, she meets someone who believes her, a boy with green eyes and ghosts of his own named Thomas. Someone wants to do worse to Thea than kill her, and in order to find out who they are and what they want the two of them will have to deal with a clan of unusually helpful vampires, unexpected Shoggoths, and all the weird that Rhode Island can throw at them. And that's a lot of weird.

    Instead of the skills proper young ladies studied, Saint Melissa was adept at the bringing on of migraines, the refinement of lust, and the involutions of penmanship and calligrams. And as Gorey wrote, "letters she wrote are still to be delivered, traps she set are still to be sprung, pronouncements she devised are still to be promulgated, objects she hid are still to be found."

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

    Lust, betrayal and murder have blighted family fortunes for generations, together with an ancient curse. As members of the family confide their sins and their secrets, Jenny learns why Cauldstane’s uncertain future divides father and sons. But someone resents Jenny’s presence. Someone thinks she’s getting too close to Alec MacNab – swordsmith, widower and heir to Cauldstane. Someone will stop at nothing until Jenny has been driven away. Or driven mad. “Hell hath no fury like a woman scorned.” Especially a dead woman.

    We have to get out. We have to run away before they hurt us for good. But there's no escaping Dr Dearly and his brutality - is there? Four extraordinary children face a terrifying ordeal. Their only hope is local hard-case Nail, but has he got what it takes to save them? Brutal, tender and unforgettable, Angel Blood creates its own extraordinary and brilliant world.

    Finding it hard to make friends, things change when Maisie tells her new classmates about something strange she saw the night before - a girl's face in the window of a gothic tower. The girls tell Maisie about the ghost of a Victorian pupil rumoured to wander the corridors. One particular student called Kat seems captivated by what Maisie has seen, and - both feeling like outsiders - they quickly become close. One night, though, Maisie comes across a tin box full of photos and notes. It's plainly decades old, and, squinting at the photos - belonged to a smiling girl who looks exactly like Kat...

    It deals with love, death, coffee, bad-hair days, and everything in-between. For girls who are 13 and lonely, or women who are 30 and sinking, these stories—about the adult lives that teenagers long for or fear and the teenage years that women remember with regret or relief—will resonate. With its charming scrapbook illustrated design and its variety of moods, this book will make readers laugh, cry, dance, and sing.