Reel Spirituality successfully heightens readers' sensitivity to the theological truths and statements about the human condition expressed through modern cinema. This second edition cites 200 new movies and encourages readers to ponder movie themes that permeate our culture as well as motion pictures that have demonstrated power to shape our perceptions of everything from relationships and careers to good and evil. Reel Spirituality is the perfect catalyst for dialogue and discipleship among moviegoers, church-based study groups, and religious film and arts groups. The second edition cites an additional 200 movies and includes new film photos.

    Where the world stresses the importance of success, Bird invites readers to embrace nine specific failures in the areas of our personal lives, our relationships, and the church. Why? Because what human wisdom deems indispensable is so often an impediment to our spiritual growth, and what it deems insignificant is so often essential to it.With compelling examples from the Bible and today, Bird paints an enticing picture of the counterintuitive, countercultural life that God wants for us. He helps readers delight in all of the ways that Jesus turned the world upside-down, allowing us to experience true freedom, not from our weaknesses but in the midst of them.

    God wasn’t bothered by Jim Crow. Baby Jesus had white skin. Meet Plantation Jesus: a god who is comfortable with bigotry, and an idol that distorts the message of the real Savior. That false image of God is dead, right? Wrong, argue the authors of Plantation Jesus, an authoritative new book on one of the most urgent issues of our day. Through their shared passion for Jesus Christ and with an unblinking look at history, church, and pop culture, authors Skot Welch and Rick Wilson detail the manifold ways that racism damages the church’s witness. Together Welch and Wilson take on common responses by white Christians to racial injustice, such as “I never owned a slave,” “I don’t see color; only people,” and “We just need to get over it and move on.” Together they call out the church’s denials and dodges and evasions of race, and they invite readers to encounter the Christ of the disenfranchised.With practical resources and Spirit-filled stories, Plantation Jesus nudges readers to learn the history, acknowledge the injury, and face the truth. Only then can the church lead the way toward true reconciliation. Only then can the legacy of Plantation Jesus be replaced with the true way of Jesus Christ.

    It is an ache for the homecoming. The Greeks called it nostalgia.  Post-modern man, homeless almost by definition, cannot understand nostalgia. If he is a progressive, dreaming of a utopia to come, he dismisses it contemptuously, eager to bury a past he despises. If he is a reactionary, he sentimentalizes it, dreaming of a lost golden age. In this profound reflection, Anthony Esolen explores the true meaning of nostalgia and its place in the human heart. Drawing on the great works of Western literature from the Odyssey to Flannery O'Connor, he traces the development of this fundamental longing from the pagan's desire for his earthly home, which most famously inspired Odysseys' heroic return to Ithaca, to its transformation under Christianity. The doctrine of the fall of man forestalls sentimental traditionalism by insisting that there has been no Eden since Eden. And the revelation of heaven as our true and final home, directing man's longing to the next world, paradoxically strengthens and ennobles the pilgrim's devotion to his home in this world. In our own day, Christian nostalgia stands in frank opposition to the secular usurpation of this longing. Looking for a city that does not exist, the progressive treats original sin, which afflicts everyone, as mere political error, which afflicts only his opponents. To him, history is a long tale of misery with nothing to teach us. Despising his fathers, he lives in a world without piety. Only the future, which no one can know, is real to him. It is an idol that justifies all manner of evil and folly. Nostalgia rightly understood is not an invitation to repeat the sins of the past or to repudiate what experience and reflection have taught us, but to hear the call of sanity and sweetness again. Perhaps we will shake our heads as if awaking from a bad and feverish dream and, coming to ourselves, resolve, like the Prodigal, to "arise and go to my father's house."

    Without art--music, song, dance, etc.--it would be a much poorer place. But if protestants have any vision for the arts, it tends to be a thin one. This unique book is an attempt to contribute to a robust, expansive vision for the church and the arts. Its specific aim is to show how the many parts of the landscape of church and art hold together. You can think of it as a kind of helicopter flyover, but one with expert pilots. The guides include the likes of Eugene Peterson, Lauren Winner, Jeremy Begbie, Andy Crouch, and John Witvliet, helping to inspire readers and empower pastor-leaders with a vision of the church and the arts that is compelling, far-seeing, and profoundly transformative.

    The world is experiencing the Blues, and pulpiteers are dispensing excessive doses of non-prescribed prosaic sermons with severe ecclesiastical and theological side effects.� from chapter 1Uniquely gifted preacher Otis Moss III helps preachers effectively communicate hope in a desperate and difficult world in this new work based on his 2014 Yale Lyman Beecher Lectures. Moss challenges preachers to preach with a Blue Note sensibility, which speaks directly to the tragedies faced by their congregants without falling into despair. He then offers four powerful sermons that illustrate his Blue Note preaching style. In them, Moss beautifully and passionately brings to life biblical characters that speak to today's pressing issues, including race discrimination and police brutality, while maintaining a strong message of hope. Moss shows how preachers can teach their congregations to resist letting the darkness find its way into them and, instead, learn to dance in the dark.

    In a first of its kind book, Ian Punnett provides a spiritual path for expressing your rawest emotions through prayer and how to rebuild a relationship with one's higher power--or anybody else in your life. In this important and practical book, Ian Punnett provides insight on   feeling anger and resentment toward God and offers advice on how to deal with the pain and blame that accompanies these emotions. In a book that is edgy, timely, funny and compassionate, Punnett presents real help in everyday language for transforming the negativity of anger into a positive and useful force that will ultimately help us pray more effectively, bring us closer to God, enhance our spiritual relationship, and change the way we live and love others. After a divorce, a broken friendship, the death of a loved one, the loss of a job or even the accumulation of all the tiny cracks in our spirit from life's disappointments, it’s easy to feel pissed at God. When anger is left unchecked, it is harmful to  our minds, bodies and souls. “How to Pray When You’re Pissed at God is not “the last word” on angry prayer,” Punnett writes, “but it might be the first words you have ever heard on the topic. By the end of the book, it is my hope that you’ll understand the role of anger in our lives, the benefit of honest prayer, and the need for honest, angry prayer in the lives of the faithful and faithless.”

    In Reading the Bible Again for the First Time, Marcus Borg shows how instead we can freshly appreciate all the essential elements of the Old and New Testaments—from Genesis to Revelation—in a way that can open up a new world of intelligent faith.In Reading the Bible Again for the First Time, Borg reveals how it is possible to reconcile a scientific and critical way of thinking with our deepest spiritual needs, leading to an insightful experience of ancient text. This unique book invites every reader—whatever his or her religious background—to engage the Bible, to wrestle with its meaning, to explore its mysteries, and to understand its relevance. Reading the Bible Again for the First Time shows us how to encounter the Bible in a fresh, new way that rejects the limits of simple literalism and opens up the rich possibility of living a life of authentic faith.

    He believes Christians should confront society and the church with the powerful impact art can convey. He believes art can faithfully chronicle the lives of ordinary people and equally express the transcendence of God. He believes that Christians should be involved in every level of the art world and in every media. Yet art and artists have not always been held in high esteem by conservative Christians. Art rarely seems to communicate clear propositional truth, rarely deals with certainties and absolutes. And the lifestyles of artists too frequently seem at odds with the gospel. So the arts have often been discouraged among Christians. Throughout this stimulating book, however, Turner builds a compelling case against such a perspective. He shows that if Jesus is Lord of all of life and creation, then art is not out of bounds for Christians. Rather it can and should be a way of expressing faith in creatively, beautifully, truthfully arranged words, sounds and sights. This stirring call is must reading for every Christian who has been drawn to the arts or been influenced by them.

    In this 7-week study, you will explore the “I am” sayings of Jesus found in the Gospel of John. This study will help you find and form an answer to the most essential question in the Christian faith: “Who do you say I am?”

    But what of man-made art? Much of it is devoid of sacred beauty and is often rejected by Christians. Christian artists struggle to find acceptance within the church.Encourages Christian artists in the pursuit of their calling and provides artists and non-artists alike a short introduction to thinking Christianly about the arts.

    Yet, perhaps only rarely do they grasp the implications of the theology embedded in these practices or in the liturgies of the 1979 Book of Common Prayer, which has shaped Episcopalians in this country with its emphasis on baptismal spirituality and the centrality of the Eucharist. Julia Gatta wants to change that with her book, Life in Christ.Applying her years of experience as pastor and spiritual director combined with her study of the spiritual wisdom of the past, she explores common Christian practices and their underlying theology through an Episcopal lens. In the tradition of Esther de Waal, Martin Smith, and Martin Thornton, with particular reference to scripture, The Book of Common Prayer, and the wisdom of the Christian spiritual tradition, she illuminates methods readers may already be practicing and provides insight and guidance to ones that may be new to them.

    The seven sessions are: The Separation of Church and State Creation and Evolution in the Public Schools The Death Penalty Euthanasia Prayer in Public Schools Abortion Homosexuality The study is designed as a "fishing expedition," with tools and helps that will enable congregations to make the study a church and community-wide outreach event, including sermon starters and promotion aids.

    John Mark Reynolds's book When Athens Met Jerusalem provides students a well-informed introduction to the intellectual underpinnings (Greek, Roman and Christian) of Western civilization and highlights how certain current intellectual trends are now eroding those very foundations. This work makes a powerful contribution to the ongoing faith versus reason debate, showing that these two dimensions of human knowing are not diametrically opposed, but work together under the direction of revelation.

    This influence is, in my opinion, largely exerted irresponsibly, arbitrarily, and without reference to any moral or intellectual, still less spiritual guidelines whatsoever." Throughout his journalistic career, Malcolm Muggeridge was a commentator. On radio and television, as a lecturer, journalist and author, he fascinated, delighted, provoked-and sometimes infuriated-his audiences. Christ and the Media is a sharp, witty critique of media-oriented culture with such intriguing fantasies as the "the Fourth Temptation," in which Jesus is approached with the offer of a worldwide TV network. "Future historians," wrote Muggeridge, "will surely see us as having created in the media a Frankenstein monster which no one knows how to control or direct, and marvel that we should have so meekly subjected ourselves to its destructive and often malign influence. Born in 1903 started his career as a university lecturer at the university in Cairo before taking up journalism. As a journalist he worked around the world on the Guardian, Calcutta Statesman, the Evening Standard and the Daily Telegraph, and then in 1953 became editor of Punch where he remained for four years. In later years he became best known as a broadcaster both on television and radio for the BBC. His other books include Jesus Rediscovered, Jesus: The Man Who Lives, and A Third Testament. He died in 1990.