Like Girls and Boys, Big Ideas features many of her greatest cartoons, including her menacing "Poodle with a Mohawk". Line drawings throughout.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    Sometimes it takes Europeans to make gold of tuckered-out American tropes.Add to those instances of inspired global cross-pollination the Spanish cartoonist Martí’s eye-popping The Cabbie, which spins off Martin Scorsese’s sordid urban-justice drama Taxi Driver with a graphic style that unapologetically appropriates and even refines the brutal slabs of black, squashed perspectives, and grotesque approach to human physiognomy (and its ability to withstand punishment) that define Chester Gould’s Dick Tracy.And as Art Spiegelman (who was the first to publish Martí’s work in English, in RAW magazine) notes in his introduction, while “Gould’s graphic black and white precision and his diagrammatic clarity live on in Martí’s work,” he points out that “more interestingly, perhaps, so does Gould’s depravity.” Indeed, if anything, The Cabbie is even more savage than the legendarily brutal Dick Tracy, with its pimps, whores, petty thieves, corrupt businessmen, all swirling around the ingenuously violent “Cabbie” whose self-administered “upstanding citizen” status entitles him — in his view — to even more shocking acts of violence — especially on his quest for the stolen coffin of his father, which he’s told includes his entire inheritance!

    This novel tells the story of a mysterious tribal figure named Kokomo, who falls asleep to dream a wild picaresque interlude starring Jimbo and Bob War.

    It takes more than listening to NPR on our daily commutes and reading Jon Stewart's Twitter feed in bed while we sip craft beer from artisanal glassware made by at-risk women on another continent to make us global citizens. That won't stop this affable, endearing couple from trying, though.Based on the successful McSweeney's column, Amongst the Liberal Elite takes readers on a cross-country road trip with Alex and Michael, romantic partners whose voices will resonate with fans of shows such as Portlandia, Parks and Recreation, Full Frontal with Samantha Bee, and Last Week Tonight with Jon Oliver. The couple decides to use their tax refund to reconnect with their fellow Americans via a cross-country road trip and, more specifically, better understand how in the world Trump won the election. In a quest to visit The World's Largest Frying Pan--of which there are six in the U.S.-Alex and Michael embark on a journey marked with personal and societal realizations. Arguments about topics ranging from mom-shaming to misogyny related to their pet cat, unsuccessful attempts at yoga meditations in small spaces, and anticlimactic touristic attractions that deepen their gloom about the nation, bring Alex and Michael clarity about what it means to resist. Amongst the Liberal Elite is the political satire we've all been waiting for-the one that offers comic relief from ourselves.

    Landscape format trade paperback.

    When the elder Thaddeus Gropius confronts Wally with the boilerplate plot ultimatum that he must marry "the saddest girl in the world" or be disinherited, a yarn unravels that is part screwball comedy and part unhinged parable on the lucrativeness of changing your identity.Hensley's dialogue is witty, lyrical, sampled, dada, and elliptical--all in the service of a very bizarre mystery. There's sex, violence, rock and roll, intrigue, and betrayal--all brought home in Hensley's truly inimitable style.Created during an era when another well-off "W" was stuffing the coffers of the morbidly solvent, Wally Gropius transforms futile daydreams and nightmares into the absurdity of capital.

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    I never miss a meal."-Dan Piraro, cartoonist of Bizarro We've all been forced to endure jobs we don't like. We get up, go to work, go to bed, and do it again. No one knows these pains better than Doug Savage, whose dream of being a cartoonist was eclipsed by his ho- hum office job. That is, until he started doodling chicken cartoons on Post-its and turned them into one of the Internet's most popular cartoon blogs. "Savage Chickens" is a collection of cartoons starring Doug's beloved chickens and their officemates that will get a laugh out of even the most jaded number-crunching colleague. Doug blends cynicism, optimism, and interactive activities to create a portable pep talk for the overworked and underappreciated that will keep you sane-and amused- during the morning bus ride, the meeting-filled Monday, the tenth load of laundry, the bathroom break, or the red-eye to the coast.Watch a Video

    Always together—and sometimes with their fellow funny-page characters—the regular Pearls clan weighs in on everything from modern technology to current events to human nature. All the members of the skewed gang are here as Zebra engages in a never-ending war of neighborly hate with the Crocs. As always, Goat offers a voice of reason amid the ongoing chaos that Pastis creates, either from behind the pen or as a character within the strip itself. Includes all cartoons from the collections I Scream, You Scream, We All Scream Because Puns Suck and Floundering Fathers.

    Originally published by Palliard Press.

    This hardcover, double issue is a return to pulp horror comics of the 1950's, but stylized and written for a new generation of horror fans! The book is anchored by the mysterious Blueman, an intimidating phantom that lives in the deepest, darkest recesses of the net. Join him as he tells two spine-tingling tales full of twists and turns! He is The Rake:  Our first story features a creature that's inspired a massive fandom around the web. The Rake is a mysterious beast that appears to people in the night as a dark omen. When the strange entity's presence causes the death of one man's wife, he becomes obsessed with getting payback, but is his quest for vengeance misguided? He Is... is a classic tale of revenge with a sinister twist that will send chills through your body! I Waited Inside Her Closet: The account of a dangerous serial killer and his unhealthy obsession with fame. But there's more than meets the eye in this story. The homicidal maniac's grisly exploits soon lead him to a terrible truth when he comes face to face with something even more terrifying than himself. Pick up this CREATURE DOUBLE-FEATURE and you won't be disappointed!

    The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    Set in sun-drenched Cape Town, South Africa, The Red Monkey Double Happiness Book — featuring two full-length stories, “The Leaking Cello Case” and “John Wesley Harding” — is stuffed to the gills with mystery, suspense, action, adventure, conspiracy theories, cool cars, and excellent weed as Dave and his freeloading pal Paul, well-meaning stoners in the tradition of Cheech & Chong and Harold & Kumar, thwart criminal malfeasance even as they ponder the larger questions, such as, “What steps can I personally take to help protect the Earth and the species that inhabit it?” (though most people’s answers to these questions don’t involve sword fights and hovercrafts).Joe Daly brings a refreshingly original—and utterly hilarious—voice to the comics medium, a dry, deadpan wit anchored in everyday reality combined with unnervingly deranged plots, rendered with a hyper-detailed, half-realistic and half-cartoony Tintin-style crispness.