As a boy, he had seen his Indian mother gunned down by the hated bluecoats during an attack on his village. Now, years later, here he was, Wade Chisholm, scout for the U.S. Cavalry, alone in Apache country, asked to locate the hostiles - his people - then decide if he had the stomach to lead soldiers in the massacre of another village. But "Longknife" knew the Apaches had already filled the desolate desert. The Apache death chant. Chisholm was as good as dead!

    Every day blood is spilled. Every place that rain falls, it washes away some of the red that stains the streets.Eliminating every killer in the Sixth World is as impossible as drying up every raindrop in a storm, but Thomas McAllister doesn’t want to get rid of all of them. Just one. He’s been on this killer’s trail for a while, and he knows he’s getting closer. The only question is if he’ll be able to handle getting as close as he’s about to be, or if his blood will join the stream that regularly flows into the gutters of the sprawls.

    Altho they have no bodies to move around with, they're free to mentally visit any of the other residents, & engage in all the emotional, intellectual & pseudo-sexual congress that they desire. This is the story of a projection of life in the 25th century. People have been reduced to Cerebromorphs--disembodied brains stored in tanks in huge Depositories & wired up to computers, memory files & mammoth study programmes. In the tanks they're supposed to pass thru various levels of understanding before they are liberated, implanted in hatchery-nurtured perfect bodies & sent back into a pastoral paradise flourishing outside. The novel follows a small group of these brains: that of a 12-year-old boy killed in an air crash; an ex-movie queen, fastidious, rich & lethal; a former Nigerian sculptor & the last of the great humanists.

    Ranchers find fifteen-year-old Lori Perkins in the wilderness on the edge of death. When she awakens, she tells a grizzly story of murder, vengeance and a ghostly rider that killed her family. Beside himself, Sheriff Rufus Mackie calls upon a mysterious Hunter to deal with the revenant that apparently is still stalking Lori. Hunter leads Elizabeth Winslow who nursed Lori back to health and her son Jonah who is the same age as Lori and heavily crushing on her along with Sheriff Mackie and Lori back to Lori’s family farm. What they find shocks everyone. Badlands: The Hunter is a 9,000-word short story that introduces readers to Hunter, the main character of the upcoming Badlands novel series. This story is the first of six leading to the premiere of the first novel Badlands: Comes the Hunter, coming soon.

    This novel adds a human dimension to the familiar story of Chernobyl, site of the world's worst nuclear accident that sent a wave of fear through Europe, forced the evacuation of 135,000 Soviet citizens and left an undetermined number with potentially life-shortening doses of radiation.The story is told through fictitious characters—primarily officials and workers at the ill-fated plant—but closely traces events as documented in the Soviet press and Moscow's unusually candid report to the International Atomic Energy Agency in September, 1986.

    This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

    Imagine one of those 1930s screwball comedies with the crazy situations, but substitute malevolence for humor.”—Karl Edward Wagner “Doctor, I’m losing my mind.” So begins John Franklin Bardin’s unconventional crime thriller in which a psychiatrist's attempts to help his patient lead to a dead-end world of amnesia and social outcasts. The Deadly Percheron is a murder mystery, poignant love story, and an unsettling and hallucinatory voyage into memory, madness, and despair.

    Narrator Buster Fogg's family is wiped out by a twister in an early sequence described with surreal verve. Buster hitches on with Billy Bob Daniels, a patent-medicine pusher and trick shooter who claims to be the illegitimate son of Wild Bill Hickock, joining an entourage consisting of a kindly ex-slave named Albert, and Rot Toe, the wrestling ape. Adventures on the road, which include swiping the mummified remains of Billy Bob's "pa" and swindling settlers with their concoction of watered-down whiskey, stoke personal tensions that only aggravate troubles when their wagon rolls into Mud Creek and Billy Bob is called out by Texas Jack, a dime-novel desperado who, legend says, intimidated even Wild Bill.Lansdale's affection for the classic western is never in doubt, although he spends much of the novel skillfully deflating the romance of heroic reputations made as much by luck and exaggeration as by skill with a gun. The true charm of the story, though, is in its telling, which melds laconic humor, colorful colloquialisms and outrageous figures of speech into a Twainesque tall tale. This novel endures as a modern western classic. Published in a small print run with limited distribution.- From Publisher's Weekely

    Sandra Fischer relaxes in bed. Moments later, when her husband enters the room — she is dead. One by one, the women are dying. The leading medical experts are baffled. There is only one clue: the rich, sweet scent of the tropics — the scent of life, seconds after each woman's shocking death.One dedicated doctor. One beautiful woman. Together they will enter an awesome new realm of medical knowledge beyond both life and death. For he will discover a terrifying secret. And she has been chosen for … THE SEEDING.

    Essef - Fictional story about a rock superstar who has discovered his own astonishing Psychic powers, his out of body mind voyages have revealed rival Russian and American instalations for developing psychic weaponry.

    Justin Gray, a former small-time drug dealer in St. Louis, has arrived in Tampa, FL, to start a new life. But on his first night in town his buddy Erik takes him to a disco, where he tries a mild dose of skullflush. Another of Erik's friends takes a larger dose and is tranformed into a ravenous beast who practically devours four people on the dance floor and then commits suicide. Local dealer Tony Mendoza begins a search for Justin, the only witness who knows what really happened in the disco that night. Mendoza himself is sought by the Yanomamo warrior Kerebawa, who travels to America to retrieve skullflush and avenge its theft before it is sniffed by too much of Tampa's "nightlife."

    When Monster Magazine reporter Clint Stockbern sets out to interview the legendary '50s horror movie director Landis Woodley, he uncovers a bizarre story of real-life horror.Flashback to Hollywood, 1957. Woodley is shooting his latest zombie movie, Cadaver, in a real morgue when he has a brainstorm that will help him pinch some pennies. But when zombie make-up effects are replaced by real corpses, a deadly curse begins to take its toll on those foolish enough to become involved with the filming of the soon-to-be cult classic, Cadaver.

    "Gotta get moving," Rock said. A couple of hundred million years went by. A rock is always slow to take action. A rock watches an oak grow from a sapling to a towering tree, and it's a flash and a dazzle in the mind of a rock. What was that? Rock thinks. Or maybe, Huh?That's how Zod Wallop starts. Harry Gainesborough wrote and drew the story three years ago, before his daughter drowned. Now he writes nothing. Raymond Story read Zod Wallop while he was a patient at Harwood Psychiatric. Now the book means everything to him - so much so that he'd like to meet its author and live out its events. In fact, Zod Wallop means so much to Raymond that he has taken great pains to escape the institution and is now journeying to Harry Gainesborough's house with his young wife, Emily, in tow.These odd doings alone would be enough to unsettle Harry, but they're compounded by other coincidences. Bizarre coincidences. Occurrences that lead Harry to believe that Zod Wallop is actually happening.

    . . literally. As the death toll mounts, Tobe embarks on a desperate journey to understand the film’s thirty-year-old origins—and put an end to the strange epidemic his creation has set in motion.  Featuring the terror, humor, and sly documentary style Hooper devotees remember from such classics as The Texas Chainsaw Massacre, Midnight Movie is vintage Tobe Hooper, again demonstrating the director’s place as one of the godfathers of modern horror.

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.