In a coastal village in southern England, Nell picks violets for a living. Set apart by her community because of the birthmarks that speckle her skin, Nell’s world is her beloved brother and devotion to the sea.But when Jasper Jupiter’s Circus of Wonders arrives in the village, Nell is kidnapped. Her father has sold her, promising Jasper Jupiter his very own leopard girl. It is the greatest betrayal of Nell's life, but as her fame grows, and she finds friendship with the other performers and Jasper’s gentle brother Toby, she begins to wonder if joining the show is the best thing that has ever happened to her.In London, newspapers describe Nell as the eighth wonder of the world. Figurines are cast in her image, and crowds rush to watch her soar through the air. But who gets to tell Nell’s story? What happens when her fame threatens to eclipse that of the showman who bought her? And as she falls in love with Toby, can he detach himself from his past and the terrible secret that binds him to his brother?Moving from the pleasure gardens of Victorian London to the battle-scarred plains of the Crimea, Circus of Wonders is an astonishing story about power and ownership, fame and the threat of invisibility.

    In this book, Denise D. Meringolo shows that the roots of public history actually reach back to the nineteenth century, when the federal government entered into the work of collecting and preserving the nation's natural and cultural resources. Scientists conducting research and gathering specimens became key figures in a broader effort to protect and interpret the nation's landscape. Their collaboration with entrepreneurs, academics, curators, and bureaucrats alike helped pave the way for other governmental initiatives, from the Smithsonian Institution to the parks and monuments today managed by the National Park Service.All of these developments included interpretive activities that shaped public understanding of the past. Yet it was not until the emergence of the education-oriented National Park Service history program in the 1920s and 1930s that public history found an institutional home that grounded professional practice simultaneously in the values of the emerging discipline and in government service. Even thereafter, tensions between administrators in Washington and practitioners on the ground at National Parks, monuments, and museums continued to define and redefine the scope and substance of the field. The process of definition persists to this day, according to Meringolo, as public historians establish a growing presence in major universities throughout the United States and abroad.

    The Guild, a secretive fraternity of time travellers, informs him that there is no return. But Nick yearns for the beautiful Julia Percy, who remains in 1815. As fate and the fraying fabric of time draw Nick and Julia together once again, the lovers must match wits and gamble their hearts against the rules of time itself.  Rich in romance and historical detail, Bee Ridgway’s debut is a thrilling, fast-paced narrative evocative of Deborah Harkness’s time-bending bestsellers.

    Emily Eden, Charlotte Canning, Edith Lytton and Mary Curzon were well-born, cultivated women who experienced the extremes of decadence in a country gripped by poverty. Emily Eden imagined an India of dazzling splendor but found a land of dark secrets. Charlotte Canning painted delicate watercolors while the carnage of the Great Mutiny raged. Edith Lytton feared the moral laxity and adultery of India but indulged her husband rather than restraining him. Mary Curzon, an insecure American heiress in thrall to her husband unwittingly was almost crushed by him.Marian Fowler, “both scholarly and tart,” recounts their adventures in this classic work of colonial and women’s history.

    Thomas secures a place for Anne’s sister, Mary, at the prestigious court of Margaret of Austria, but fate has other plans, and Anne ends up taking her place.At thirteen, Anne yearns for adventure. However, unused to curbing her outspoken tongue and youthful curiosity, she discovers that life at Margaret’s court is not quite how she’d imagined. Experiencing love, loss, jealousy and fear, she soon realises that her future happiness lies in her own hands - and that she must shape her own destiny... The Falcon’s Rise is the first part of a two-part series, beginning the journey with the young Anne Boleyn growing into the woman who captured the heart of a king. Author Interview How did you first become interested in Anne Boleyn? I was always passionate about the history of England, and I first became interested in Anne Boleyn by reading the Tudor books my mother brought from the library. They were always about the six wives of King Henry VIII, but it was Anne Boleyn that captured my imagination when I read ’The King’s Secret Matter,’ by Jean Plaidy’. I was probably about 13 at the time. At the same age, I watched ‘Anne of a Thousand Days’ at the cinema and that was it. I was hooked for life. Of course, in those days, it was Geneviève Bujold, rather than Natalie Dormer in The Tudors, playing Anne. Did you uncover any interesting Tudor facts in your research? It was interesting finding out about people I knew nothing about such as Margaret of Austria and the Emperor. Is there one character in your historical novel that you particularly found interesting? It has to be Margaret of Austria. I knew nothing of her before I started my research, but she comes across as a delightful woman who despite her sorrows, was charming and amusing. I often read her poetry and truly like her. I’m also interested in Charles Brandon, admiring his ability to survive his secret marriage to the king’s sister and escape the Tower of London! What period of Anne Boleyn's life does this fictional history story cover? The book starts in 1497 and ends in 1514. However, I have set Anne's birth in May 1500. What is interesting is that she was born during the reign of the old King Henry VII - founder of the Tudor dynasty - and nine years before his son, Henry, ascended the throne. It had different fashions to how we imagine the later Tudor ones. I think the life-size models of Anne and her nurse in the gallery at Hever Castle illustrate this well. They are still in the medieval style. Is there a more in-depth interview with you and how you researched your books? Yes, its on TheAnneBoleynFiles website, just search for my name - Natalia Richards Any other thoughts? Looking at portraits of Anne Boleyn as a young woman, it is sad to think about the tragic end she came to. But it is not the end of her life that fascinates me, it is the beginning and the many questions it raises. What made her the woman she later became? Why did she attract Henry VIII in the first place and why write about Anne when she has been written about so extensively?

    Oliver has spent years trying to convince himself that he's suited to a life of money making in the city, and that he doesn't miss a childhood spent in pursuit of mystery, when he cycled around the cobbled lanes of Oxford, exploring its most intriguing corners.When his girlfriend Kate inherits a derelict house - and a fierce family feud - she's determined to strip it, sell it and move on. For Oliver though, the house has an allure, and amongst the shelves of discarded, leather bound and gilded volumes, he discovers one that conceals a hidden diary from the 1920s.So begins a quest: to discover the identity of the author, Sophia Louis. It is a portrait of war and marriage, isolation and longing and a story that will shape the future of the abandoned house - and of Oliver - forever.

    Evelyn is bored with society and its expectations. So when her beloved sister, Rose, mysteriously vanishes, she ignores her parents and travels to London to find her, accompanied by the dashing Mr. Kent. But they’re not the only ones looking for Rose. The reclusive, young gentleman Sebastian Braddock is also searching for her, claiming that both sisters have special healing powers. Evelyn is convinced that Sebastian must be mad, until she discovers that his strange tales of extraordinary people are true—and that her sister is in graver danger than she feared.

    The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold. This constant expansion of musical thinking since 1945 has left us with no single history of music. We live' as Griffiths says, among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge.

    As First Lord of the Admiralty at the start of the First World War, Churchill found himself blamed for the catastrophic military fiasco of the Dardanelles. Thrown for the first time into the political wilderness, he decided to rejoin the British Army and take his place on the Western Front.The first standalone account of this period of his life since the 1920s, Churchill in the Trenches reconstructs his six months near the Belgian town of Ypres. It reveals he how he gradually won over the troops he commanded -- the tough but traumatized 6th Battalion, Royal Scots Fusiliers. And it tells the largely unknown story of how amid mud and squalor, one of the 20th century's most memorable characters became one of its greatest leaders.Peter Apps is global defense correspondent for Reuters news. In 2006, he broke his neck in a minibus accident while covering the civil war in Sri Lanka, leaving him largely paralyzed from the shoulders down. Of the 20 or so countries he has reported from, more than half have been since the injury. He is currently on sabbatical as executive director of the Project for Study of the 21st Century (PS21) www.projects21.com.Cover design by Kerry Ellis.

    The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

    For the second time in over twenty years, Irish barrister Patrick Fitzgerald has been summoned by the Queen. The first time, he’d been a zealous young legal clerk, investigating what appeared to be a murderous conspiracy against her. Now he is a distinguished gentleman at the top of his profession. And the Queen is a woman in the grip of fear. For on this chilly night, her beloved husband, Prince Albert, lies dying. With her future clouded by grief, Fitzgerald can’t help but notice the Queen is curiously preoccupied with the past. Yet why, and how he can help, is unclear. His bewilderment deepens when the royal coach is violently overturned, nearly killing him and his brilliant young ward, Dr. Georgiana Armistead, niece of the late Dr. Snow, a famed physician who’d attended none other than Her Majesty. Fitzgerald is sure of one thing: the Queen’s carriage was not attacked at random—it was a carefully chosen target. But was it because he rode in it? Fitzgerald won’t risk dying in order to find out. He’ll leave London and take Georgiana with him—if they can get out alive. For soon the pair find themselves hunted. Little do they know they each carry within their past hidden clues to a devastating royal secret…one they must untangle if they are to survive. From the streets of London to the lush hills of Cannes, from the slums of St. Giles to the gilded halls of Windsor Castle, A Flaw in the Blood delivers a fascinating tale of pursuit, and the artful blend of period detail and electrifying intrigue that only the remarkable Stephanie Barron can devise.From the Hardcover edition.

    For the two decades following the death of her beloved sister, Jane, Cassandra Austen has lived alone, spending her days visiting friends and relations and quietly, purposefully working to preserve her sister’s reputation. Now in her sixties and increasingly frail, Cassandra goes to stay with the Fowles of Kintbury, family of her long-dead fiancé, in search of a trove of Jane’s letters. Dodging her hostess and a meddlesome housemaid, Cassandra eventually hunts down the letters and confronts the secrets they hold, secrets not only about Jane but about Cassandra herself. Will Cassandra bare the most private details of her life to the world, or commit her sister’s legacy to the flames?Moving back and forth between the vicarage and Cassandra’s vibrant memories of her years with Jane, interwoven with Jane’s brilliantly reimagined lost letters, Miss Austen is the untold story of the most important person in Jane’s life. With extraordinary empathy, emotional complexity, and wit, Gill Hornby finally gives Cassandra her due, bringing to life a woman as captivating as any Austen heroine.

    Yet, his purposes were obstensibly beneficient. An uneducated peasant, he left Siberia to become a wandering holy man and soon acquired a reputation as a healer. The empress was desperate to find a cure for the haemophilia from which her son Alexei suffered, and in 1905 Rasputin was presented at court. His positive effect on the heir's health made him indispensable. But his religious teachings were unorthodox, and his charismatic presence aroused in many ladies of the St Petersburg aristocracy an exalted response, which he exploited sexually. Shady financial dealings added to the atmosphere of debauchery and scandal, and he was also seen as a political threat. He was assassinated in 1916.

    As these lives—of adults and children alike—unfold, lies are revealed, hearts are broken, and the damaging truth about the Wellwoods slowly emerges. But their personal struggles, their hidden desires, will soon be eclipsed by far greater forces, as the tides turn across Europe and a golden era comes to an end.Taking us from the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, The Children’s Book is a deeply affecting story of a singular family, played out against the great, rippling tides of the day. It is a masterly literary achievement by one of our most essential writers.

    Rochester himself."Reader, she married me."For one hundred seventy years, Edward Fairfax Rochester has stood as one of literature's most romantic, most complex, and most mysterious heroes. Sometimes haughty, sometimes tender-professing his love for Jane Eyre in one breath and denying it in the next-Mr. Rochester has for generations mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontë's masterpiece. But his own story has never been told.Now, out of Sarah Shoemaker's rich and vibrant imagination, springs Edward: a vulnerable, brilliant, complicated man whom we first meet as a motherless, lonely little boy roaming the corridors and stable yards of Thornfield Hall. On the morning of Edward's eighth birthday, his father issues a decree: He is to be sent away to get an education, exiled from Thornfield and all he ever loved. As the determined young Edward begins his journey across England, making friends and enemies along the way, a series of eccentric mentors teach him more than he might have wished about the ways of the men-and women-who will someday be his peers.But much as he longs to be accepted-and to return to the home where he was born-his father has made clear that Thornfield is reserved for his older brother, Rowland, and that Edward's inheritance lies instead on the warm, languid shores of faraway Jamaica. That island, however, holds secrets of its own, and not long after his arrival, Edward finds himself entangled in morally dubious business dealings and a passionate, whirlwind love affair with the town's ravishing heiress, Antoinetta Bertha Mason.Eventually, after a devastating betrayal, Edward must return to England with his increasingly unstable wife to take over as master of Thornfield. And it is there, on a twilight ride, that he meets the stubborn, plain, young governess who will teach him how to love again.It is impossible not to watch enthralled as this tender-hearted child grows into the tormented hero Brontë immortalized-and as Jane surprises them both by stealing his heart. Mr. Rochester is a great, sweeping, classic coming-of-age story, and a stirring tale of adventure, romance, and deceit. Faithful in every particular to Brontë's original yet full of unexpected twists and riveting behind-the-scenes drama, this novel will completely, deliciously, and forever change how we read and remember Jane Eyre.