Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.

    The questions go beyond the nature of male/female to a yet-to-be-traversed region that lies somewhere between and beyond biologically determined gender. In this groundbreaking anthology, three experts in gender studies and politics navigate around rigid, societally imposed concepts of two genders to discover and illuminate the limitless possibilities of identity. Thirty first-person accounts of gender construction, exploration, and questioning provide a groundwork for cultural discussion, political action, and even greater possibilities of autonomous gender choices. Noted scholar Joan Nestle is joined by internationally prominent gender warrior Riki Anne Wilchins and historian Clare Howell to provide a societal, cultural, and political exploration of gender identity.Marketing Plans: National Advertising: The Advocate Academic mailing to gender studies and queer studies professors Media campaign hilighting authors Nestle and WilchinsJoan Nestle is the cofounder of the Lesbian Herstory Archives in New York and the writer and editor of six books including the groundbreaking Women on Women series. Riki Anne Wilchins is the executive director of GenderPAC, the national gender advocacy group, and the cofounder of the Gender Identity Project of New York City's Lesbian and Gay Center. She is the author of Read My Lips: Sexual Subversion and the End of Gender. Clare Howell is a senior librarian at the Brooklyn Public Library.

    Exploring the interplay of adolescence and media, Dear Azula is a masterclass on how Generation Z see themselves reflected on screen, how they find themselves in characters when the world does not grant them the possibility. These poems pay homage to the cartoon characters who made us the wicked lovestruck people that we are. These ubiquitous stories of teen ghost boys and water bending women gave wonder to a generation raised by recession. In illustrious villains we learned our own glamour. In chiseled chins and 2D teeth we learned desire. In Dear Azula, I Have a Crush on Danny Phantom we bring the early 2000s renaissance of animation into our modern lives to unpack, celebrate, revel, and remember.

    Today's transgenders and other sex/gender radicals are writing a drastically new world into being. In Gender Outlaws, Bornstein, together with writer, raconteur, and theater artist S. Bear Bergman, collects and contextualizes the work of this generation's trans and genderqueer forward thinkers — new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the world's most respected mainstream news sources. Gender Outlaws includes essays, commentary, comic art, and conversations from a diverse group of trans-spectrum people who live and believe in barrier-breaking lives.

    Is seeing really believing? Hank would never dream of coming on to the most striking guy at the bar—but it’s his lucky night since Thomas, the burgundy-haired vision in black lipstick and mirrored shades, takes it upon himself to make the first move.While the encounter itself is mind-blowing, the hot-and-heavy grapple in the janitor’s closet isn’t the only way in which Thomas blows Hank’s mind.

    Blythe Baird deftly and uniquely charts a course through various modes of womanhood and women's bodies. Through love, loss, and the struggles of disordered eating, If My Body Could Speak uses sharp narratives and visceral imagery to get to the heart of a many-layered existence, speaking to many generations at once.

    Until he runs across an old friend who seems more than happy to see him, and the attraction is instantaneous. But can the magic of Christmas and a love he'd never known be enough to make him think about giving up his wandering ways? Through the years, Kevin found himself wondering about Peter and where he wound up when he was pulled from their community into yet another "home." But when they reconnect again, he discovers that in all his travels, Peter never had a real home. As Kevin's feelings deepen, he knows the one thing he needs to do to keep Peter is show him that true happiness boils down to opening yourself to love. And a little mistletoe doesn't hurt either.

    Congress. However, Bijal's first unforeseen obstacle is her profound and unexpected attraction to their opponent—incumbent Congresswoman Colleen O'Bannon—who is outspoken, charismatic, and openly lesbian.An even greater hurdle is the subterfuge and pretense that pervades the climate in Washington, D.C., where small missteps are readily painted as major gaffes, and lies are explained away as "in the public's best interest." During the heated campaign, both Bijal and Colleen struggle not to cross the lines of propriety—and perhaps more importantly, their party lines.

    Featuring stories by Merc Rustad, Jeanne Thornton, Brit Mandelo, and others, this anthology offers time-honored tropes of the genre--from genetic manipulation to zombies, portal fantasy to haunts--but told from a perspective that breaks the rigidity of gender and sexuality.

    When Georgina Wright, the museum’s aloof benefactor, asks for Molly’s help in identifying the provenance of a 19th century portrait of social activist Josephine Brancaster, Molly welcomes the opportunity, even if it means spending time with the standoffish financier. But passions soon flare as the women uncover the heartbreaking story of doomed lesbian love behind the watercolor painted by Josephine’s lover, Edith Hewitt. As their love blossoms, Molly is determined to display Edith’s portrait of Josephine and to tell their story in the museum, but she needs the influential Georgina to help convince the board. When an unforeseen twist in the painting’s provenance forces Georgina to confront her own painful past, will history repeat itself, or can Molly and Georgina’s love prevail?

    This book chews with its open mouth full of the juiciest words, the most indigestible images. This book undoes me. . . . francine j. harris brilliantly ransacks the poet's toolkit, assembling art from buckets of disaster and shreds of hope. Nothing she lays her mind's eye on escapes. You, too, will be captured by her work."—Evie ShockleyLyrically raw and dangerously unapologetic, play dead challenges us to look at our cultivated selves as products of circumstance and attempts to piece together patterns amidst dissociative chaos. harris unearths a ruptured world dictated by violence—a place of deadly what ifs, where survival hangs by a thread. Getting by is carrying bruises and walking around with "half a skull."From "low visibility":I have light in my mouth. I hunger you. You wantwhat comes in drag. a black squirrel in a black tar lane,fresh from exhaust, hot and July's unearthed steam.You want to watch it run over. to study the sog. You want the stink of gristle buried in a muggy weather.I want the faulty mirage. a life of grass.we want the same thing. We want their deathsto break up the sun.francine j. harris is a 2015 NEA Creative Writing Fellow whose first collection, allegiance, was a finalist for the 2013 Kate Tufts Discovery and PEN Open Book Award. Originally from Detroit, she is also Cave Canem fellow who has lived in several cities before returning to Michigan. She received an MFA in Creative Writing from the University of Michigan, and currently teaches writing at Interlochen Center for the Arts.

    Bear Bergman is an acclaimed writer and lecturer who travels regularly across North America to speak on trans issues. Bear’s first two books, Butch Is a Noun and The Nearest Exit May Be Behind You, are considered seminal texts on the subject of trans life. In his third essay collection, Bear enters, describes, and rearranges our ideas about family as a daughter, husband, father, and friend. In Bear's extended family "orchard," drag sisters, sperm-donor's parents, Sparkles and other relations provide more branches of love, support, and sustenance than a simple family tree. Defiantly queer yet full of tenderness and hilarity, Blood, Marriage, Wine & Glitter is a beautifully thought-provoking book that redefines the notion of what family is and can be.

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    Since then, he's known how he wants to spend his life. There have been trials, and challenges, but now - finally - the day is here for him to start college with his lifelong friend Anthony Pace.Anthony is a red-haired force of nature. He writes poetry about their enemies and eagerly participates in all Charlie's science experiments without understanding a word. Every morning, he waits at the end of their street so they can get the bus together.But things are changing.Families are important, and complex. Charlie's mum hasn't been well, and his relationship with Anthony begins to shine like a different star in the sky.Can everything come together in this explosion of physics and chemicals that Charlie calls life? Will Anthony Pace ever share his poems with the world, and can the Chihuahua, Princess Arabella, ever learn to stop licking?****WARNING: includes moderately explicit scenes of intimacy between consenting young adult males.

    The heavy scarring over half his face makes it a little hard to meet new people, but John's got a good crew and a nice found family, and he’s content with his lot in life.When Cirque hires talent for a new show, John meets Bao, a bright, ever-cheerful acrobat. Bao seems drawn to John and becomes a constant presence at his side—talking to him during downtime, spending time with him at lunch, and generally seeking out his company.John doesn't know what to make of this. Sure, he likes Bao—maybe a little too much, honestly—but he’s had enough experience to know that Bao couldn’t possibly like him back. Or so he thinks, anyway. Fortunately, Bao seems determined to prove him wrong.