When the biggest case of his career comes up, his position, his relationships and several lives are put into grave danger. A young graduate student and scion of a rich family is found expertly stabbed in the stacks of a university library, but no one seems to have the slightest idea why. But as Green probes into the circumstances of the young man's life, a tangled web of jealousy and intrigue is revealed. Green finds himself in the middle of a rivalry in the delicate arena of university politics, where gigantic egos regularly collide. Was it the diligent but socially inept researcher, or the macho ladies-man golden boy of the laboratory? Or was it a crime of passion involving the over-protective family of his beautiful new girlfriend? When the murderer strikes again, Green realizes that he must waste no time in solving the case, no matter what the consequences may be.

    He makes a deal with a crusty old Scot, Angus McLintock — an engineering professor who will do anything, anything, to avoid teaching English to engineers — to let his name stand in the election. No need to campaign, certain to lose - or is he?

    Mooshum, Evelina's grandfather, is a repository of family and tribal history with an all-too-intimate knowledge of the violent past. And Judge Antone Bazil Coutts, who bears witness, understands the weight of historical injustice better than anyone. Through the distinct and winning voices of three unforgettable narrators, the collective stories of two interwoven communities ultimately come together to reveal a final wrenching truth.

    She can feel the emotions people leave behind on objects and believes that most of them need to be handled extremely carefully, and—if at all possible—destroyed. The harmless ones she sells at Vancouver’s Chinatown Night Market to scrape together a living, but even that fills her with trepidation. Meanwhile, in another part of town, Harriet hoards thousands of these treasures and is starting to make her neighbors sick as the overabundance of heightened emotions start seeping through her apartment walls. When the two women meet, Harriet knows that Ev is the only person who can help her make something truly spectacular of her collection. A museum of memory that not only feels warm and inviting but can heal the emotional wounds many people unknowingly carry around. They only know of one other person like them, and they fear the dark effects these objects had on him. Together, they help each other to develop and control their gift, so that what happened to him never happens again. But unbeknownst to them, the same darkness is wrapping itself around another, dragging them down a path that already destroyed Ev’s family once, and threatens to annihilate what little she has left. The Memory Collectors casts the everyday in a new light, speaking volumes to the hold that our past has over us—contained, at times, in seemingly innocuous objects—and uncovering a truth that both women have tried hard to bury with their pasts: not all magpies collect shiny things—sometimes they gather darkness.

    Fans of I LET YOU GO and THE GIRL ON THE TRAIN will be gripped. No one ever disappears completely...You leave for work one morning.Another day in your normal life.Until you come home to discover that your boyfriend has gone. His belongings have disappeared. He hasn't been at work for weeks. It's as if he never existed.But that's not possible, is it?And there is worse still to come.Because just as you are searching for himsomeone is also watching you.

    Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why.The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us. The Handmaid’s Tale meets Alice in Wonderland in this gripping and imaginative historical novel about a shunned orphan girl in 16th-century England who is ensnared in a deadly royal plot and must turn her subjugation into her power.

    Keeping it secret will destroy him.It’s Livia’s 40th birthday, and her husband Adam is throwing her the party of a lifetime to make up for the wedding they never had. Everyone she loves will be there, except her daughter Marnie, who’s studying abroad. But Livia is secretly glad Marnie won’t be there. Livia has recently uncovered a secret about their daughter which, if revealed, will shake the foundation of their family to its core. She needs to tell Adam, but she’s waiting until the party is over so they can have this last happy time together.Adam, meanwhile, has his own surprise for Livia: he’s arranged for Marnie to secretly fly back for the party. But before Marnie arrives, Adam hears some terrible news. Now he too is faced with a dilemma: Does he share what he's learned with his wife? Is hiding the truth the same as telling a lie? And how far are Adam and Livia willing to go to protect the ones they love—and give each other a last few hours of happiness?

    We're supposed to be able to read each other's thoughts. Although Eli is a few minutes younger, he always seemed older, always one step ahead.It turns out that Eli kept many secrets. And he told many lies. So although he was once seen as the golden child-while I stood by as the silent sister-his web of deception led to a guilty verdict for the arson that killed our parents.Now his thirteen-year sentence has been served, and Eli is free. But we are still bound by a secret. Which is dangerous because he has nothing left to lose, and I have everything.

    But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.

    Rescued against his will, the narrator is obliged to attend sessions with a well-intentioned but naïve therapist. This sets the story in motion, leading us back to the narrator’s violent childhood in a war-torn country, forward into his current life in the smoky émigré cafés, and out into the frozen nighttime streets of Montreal. Bold, haunting, and emotionally trenchant, Cockroach is a powerful story of immigrant experience, indignation, and unrelenting fortitude.

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    If Leslie had arrived at her sister’s cramped Las Vegas apartment just hours earlier, this would have been their first reunion in a decade. In the years since Robin ran away from home as a teenager, Leslie has stayed in New Mexico, taking care of their dying father even as she began building a family of her own. But when their father passed away, Leslie received a rude awakening: She and Robin would receive the inheritance he left them together—or not at all. Now her half of the money may be beyond her grasp. And unbeknownst to anyone, even her husband, Leslie needs it desperately.When she meets a charismatic young woman who bears an uncanny resemblance to Robin—and has every reason to leave her past behind—the two make a reckless bargain: Mary will impersonate Robin for a week in exchange for Robin’s half of the cash. But neither realizes how high the stakes will become when Mary takes a dead woman’s name. Even as Mary begins to suspect Leslie is hiding something, and Leslie realizes the stranger living in her house, babysitting her newborn son, and charming her husband has secrets of her own, Robin’s wild, troubled legacy threatens to eclipse them both.An electric, twisted portrait of sisterhood and the ties that bind, The Better Liar is a stunning debut with a heart-stopping, twist-after-twist finale that will beg the question: How far would you go to get what’s yours?Advance praise for The Better Liar“I thought I’d just skim a page or two before putting The Better Liar on my ‘to-read’ shelf, but I couldn’t help becoming so drawn in that I had to keep going. Tanen Jones has written a compulsively page-turning story. She cleverly drip-feeds nuggets of information, each more surprising than the last, until the final shocking revelation.”—Claire Fuller, author of Bitter Orange and Swimming Lessons

        In Liz Howard’s wild, scintillating debut, the mechanisms we use to make sense of our worlds – even our direct intimate experiences of it – come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as electric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of Northern Ontario shield country are the toxic origin and an image of potential. A subject, a woman, a consumer, a polluter; an erotic force, a confused brilliance, a very necessary form of urgency – all are loosely tethered together and made somehow to resonate with our own devotions and fears; made “to be small and dreaming parallel / to ceremony and decay.” Liz Howard is what contemporary poetry needs right now.