Her nonfiction is equally eloquent, and this lovely memoir offers a vivid glimpse of the landscape, the people, and the long tradition of storytelling that give her work its magical, elemental force. In a small boat like those her Native American ancestors have used for countless generations, she travels to Ojibwe home ground, the islands of Lake of the Woods in southern Ontario. Her only companions are her new baby and the baby's father, an Ojibwe spiritual leader, on a pilgrimage to the sacred rock paintings their people have venerated for centuries as mystical "teaching and dream guides," and where even today Ojibwe leave offerings of tobacco in token of their power. With these paintings as backdrop, Erdrich summons to life the Ojibwe's spirits and songs, their language and sorrows, and the tales that are in their blood, echoing through her own family's very contemporary American lives and shaping her vision of the wider world. Thoughtful, moving, and wonderfully well observed, her meditation evokes ancient wisdom, modern ways, and the universal human concerns we all share.

    This wonderfully colorful and appealing anthology gathers more than 130 Native American legends, many told to the authors by elder storytellers and tribal historians.

    It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal

    Bold and impassioned, sharp and defiant, Leslie Marmon Silko's essays evoke the spirit and voice of Native Americans. Whether she is exploring the vital importance literature and language play in Native American heritage, illuminating the inseparability of the land and the Native American people, enlivening the ways and wisdom of the old-time people, or exploding in outrage over the government's long-standing, racist treatment of Native Americans, Silko does so with eloquence and power, born from her profound devotion to all that is Native American. Yellow Woman and a Beauty of the Spirit is written with the fire of necessity. Silko's call to be heard is unmistakable—there are stories to remember, injustices to redress, ways of life to preserve. It is a work of major importance, filled with indispensable truths—a work by an author with an original voice and a unique access to both worlds.

    Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.

    Flyfishing guide Rusty Wilson spent years collecting these stories from his clients around the campfire, stories guaranteed to scare the pants off you-or make you want to meet the Big Guy! Just remember to never go searching alone... Come read about a most unusual campground host-then read about a case of Bigfoot habituation where the creatures make themselves at home, literally-a dog with a rare talent-a Bigfoot graveyard-a forlorn and abandoned Bigfoot that returns to wreak its vengeance-an encounter in the Missouri Ozarks-a Bigfoot caught in a trap-how a woman faces her Bigfoot fears-these and more great campfire tales. "There are many mysteries on this planet, and I think they make life interesting. Of course, nothing compares to the mysterious world of Bigfoot, a world we humans rarely get a glimpse into-but when we do, it results in a huge paradigm shift. We begin to realize there are many things we don't yet know, so many really good mysteries." -Rusty Wilson Another great book from Rusty Wilson, Bigfoot expert and storyteller-tales for both the Bigfoot believer and those who just enjoy a good story!

    At 15 she tried in vain to escape by marrying a white man, only to find herself trapped in the slums of Vancouver—addicted to drugs, tempted by suicide, close to death. But the inspiration of her Cree great-grandmother, Cheechum, gives her confidence in herself and in her people, confidence she needs to survive and to thrive.Half-Breed offers an unparalleled understanding of the Métis people and of the racism and hatred they face. Maria Campbell's story cannot be denied and it cannot be forgotten: it stands as a challenge to all Canadians who believe in human rights and human dignity.

    From her early, often harrowing memories of life and abuse in a remote Ojibwa community riven by poverty and alcoholism, Chacaby’s story is one of enduring and ultimately overcoming the social, economic, and health legacies of colonialism.As a child, Chacaby learned spiritual and cultural traditions from her Cree grandmother and trapping, hunting, and bush survival skills from her Ojibwa stepfather. She also suffered physical and sexual abuse by different adults, and by her teen years she was alcoholic herself. At twenty, Chacaby moved to Thunder Bay with her children to escape an abusive marriage. Abuse, compounded by racism, continued, but Chacaby found supports to help herself and others. Over the following decades, she achieved sobriety; trained and worked as an alcoholism counselor; raised her children and fostered many others; learned to live with visual impairment; and came out as a lesbian. In 2013, Chacaby led the first gay pride parade in her adopted city, Thunder Bay, Ontario.Ma-Nee Chacaby has emerged from hardship grounded in faith, compassion, humor, and resilience. Her memoir provides unprecedented insights into the challenges still faced by many Indigenous people.

    These books are found on Goodreads lists and are #1 in many categories.Come to the Beyond for a supernatural unique read!BOOK 1: BEYOND BRIDALVEIL FALLOria is celebrating her eighteenth birthday in Yosemite National Park when she goes into the pool at the bottom of Bridalveil Fall, only to come out beyond it.In another world she learns she is The Golden Queen of the Ahwahneechee tribe, and that she is a shape shifter. Here the Dwellers of Ahwahnee fight the Evil that tries to get into the world of man. Will she find her soul mate in Grey Wolf or is he more than he appears to be? One thing is for sure, with all the magic and shape shifting happening, only the all knowing grandfather and her grandmother's wisdom can guide her through the Evil Beyond Bridalveil Fall.BOOK 2: BEYOND ORIA FALLSOria is the Golden Queen of the Ahwahneechees and a Dweller of Ahwahnee. Together with her friends she travels back to find out why the Village of Lost Souls cannot find their way home to the West. The Ale is back in this second book full of action packed magic and shapeshifting. Will Oria finally find love and happiness with Grey Wolf or will a new evil threaten her magical world Beyond Oria Falls? Join the Dwellers as they try to keep evil out of the world of man.BOOK 3: BEYOND THE WORLD OF MANThis is the third installment in the Dwellers of Ahwahnee series and with the destruction of the world of man, the Dwellers traveled to other worlds and survived for twenty years.With Oria's magic the 'Beyond' has grown and they can now come home.There is a different kind of evil in the world now. Who will survive in the 'Beyond'? This generationof shapeshifters are different and will lead the Dwellers into a new age.Spirit Walker is rebellious and has often been called a Wildcat. She has been sheltered in The Village of Lost Souls for her entire life. Now she is to become the Golden Queen of the Ahwahneechees.Her choices for the future involve adult decisions and with only her mother's journal to guide her, she must rely on the magic within the pages.

    Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

    The Death of Jim Loney is no exception. Jim Loney is a mixed-blood, of white and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement and self-destruction.

    It's a quirk that makes him a prime target for bullies, and a continual frustration to the adults around him, including his father.When Collin asked to leave yet another school, his dad decides to send him to live in Minnesota with the mother he's never met. She is Ojibwe, and lives on a reservation. Collin arrives in Duluth with his loyal dog, Seven, and quickly finds his mom and his new home to be warm, welcoming, and accepting of his condition.Collin’s quirk is matched by that of his neighbor, Orenda, girl who lives mostly in her treehouse and believes she is turning into a butterfly. With Orenda’s help, Collin works hard to overcome his challenges. His real test comes when he must step up for his new friend and trust his new family.

    Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests.As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen--a wily, shape-shifting trickster--watches over them with a protective eye. For Jeremiah and Gabriel are destined to be artists. Through music and dance they soar.

    He lives rough on the streets of Sydney until his father is pardoned. Together, they begin a new life and open a butcher shop. Richard’s job is to bring in beasts for slaughter. At 15 he is framed for stealing cattle and sentenced to hang. He escapes into the vast and dangerous Australian wilderness and has to survive or die with only his indomitable will to help him. How he eventually triumphs and succeeds in life is a “ripping good yarn”.

    Marshall’s thoughtful, illuminating account of how the spiritual beliefs of the Lakota people can help us all lead more meaningful, ethical lives.Rich with storytelling, history, and folklore, The Lakota Way expresses the heart of Native American philosophy and reveals the path to a fulfilling and meaningful life. Joseph Marshall is a member of the Sicunga Lakota Sioux and has dedicated his entire life to the wisdom he learned from his elders. Here he focuses on the twelve core qualities that are crucial to the Lakota way of life--bravery, fortitude, generosity, wisdom, respect, honor, perseverance, love, humility, sacrifice, truth, and compassion. Whether teaching a lesson on respect imparted by the mythical Deer Woman or the humility embodied by the legendary Lakota leader Crazy Horse, The Lakota Way offers a fresh outlook on spirituality and ethical living.