But Winter Manor is not entirely at rest. The echoes of its past reach forward into the present, and Ros’s life is perceptibly shaped by the lives—and loves—of the people who inhabited those rooms and corridors in the centuries before her.Then Anna arrives. The architect—with her designer clothes, hot car, and air of supreme professionalism—is at first an unwelcome, if necessary, intrusion. But as Ros learns Anna’s truths, she finds solace from her past losses in their developing intimacy. And when their love is threatened, Ros must decide whether her own ghosts will forever define her, or if she can embrace her life for what it is—past, present, and future.

    Now, in the little town of Junction, she's known as Nat, a cowboy working on Boss Daddy's cattle ranch. She keeps to herself, renting a room in a local boarding house instead of staying in the bunk house, and with her dungarees and short hair, no one realizes she's living as a man. But Boss Daddy's pretty daughter Miss Lucille takes a notice to "Mr. Nat," and the closer the two become, the more conflicted Nat grows. She likes Miss Lucille a lot more than she knows she should, and it's easy to forget who she's pretending to be around the boss's daughter. Then Miss Lucille surprises everyone, Nat included, by announcing their engagement. Nat knows they can't marry, and if she tells Miss Lucille why, her ruse will be up. Her only choice is to leave Junction behind, even if it means breaking Miss Lucille's heart. But will Miss Lucille let Nat go so easily?

    Her deception works for almost a decade, but she knows that eventually she’s going to need to find a way to procure an heir.Lady Margaret ‘Maggie’ Clayton is in trouble; her fiancé has been killed, leaving her pregnant and unwed. If society finds out, she’ll be ruined. When the Duke of Ashebourne learns Maggie’s secret and reveals her own, the two women hatch a plan that may solve both of their problems: the ultimate marriage of convenience.

    Ultimately, they are forced to make life-changing decisions that depend on their courage and their commitment to one another.First self-published in 1969 (titled A Place for Us) in an edition of 1,000 copies, the author hand-sold the book on New York street corners; it garnered increasing attention to the point of receiving the American Library Association's first Gay Book Award in 1971. McGraw-Hill's version of the book a year later brought it to mainstream bookstores across the country.Patience & Sarah is a historical romance whose drama was a touchstone for the burgeoning gay and women's activism of the 1960s and early 1970s. It celebrates the joys of an uninhibited love between two strong women with a confident defiance that remains relevant today.Features an appendix of supplementary materials about Patience & Sarah and the author, as well as an introduction by acclaimed novelist Emma Donoghue.

    She’s decided that, instead of choosing a husband, she’ll save her pin money and travel like she’s always wanted to. However, her plans are interrupted when her family invites her cousin’s widow, Winifred Wakefield, to stay with them. Winifred and Sarah used to be best friends, but after Win married Sarah’s cousin and moved to London, their friendship fell apart. Neither Win nor Sarah are happy about being underneath the same roof, but after settling her late husband’s debts and being left with almost nothing, Win doesn’t have much choice other than to play nicely with the Lark family. Though the memories of their friendship hurt them both, they’re too strong to ignore, and the more time they spend in each other’s company, the more they wonder if friendship is all they feel. Still, even if they admit their feelings, to each other and to themselves, Lady Sarah’s parents are determined to see both young women married to suitable gentlemen. Win and Sarah’s newfound love might be over before it even begins. *A Lady's Desire is a novella of approximately 26,000 words and can be read as a standalone *Average heat level

    She’s visiting her old friend, the Earl’s heir Jimmy Yoxall—but she wants to spend a lot more time with Jimmy’s fiancée. The irrepressible Miss Fenella Carruth, with her laughing eyes and lush curves, is the most glorious woman Pat’s ever met, and it quickly becomes impossible to remember why she needs to stay at arm’s length.But while the women’s attraction grows, the tensions at Rodington Court get worse. Affairs, secrets, betrayals, and blackmail come to light. And when a body is discovered with a knife between the shoulderblades, it’s going to take Pat and Fen’s combined talents to prevent the murderer destroying all their lives.

    With plans for renovations dancing in her head, she looks forward to breathing life into her old cottage by the beach and most importantly, herself. Not used to being on her own, she sets out on a new chapter of her life hoping to find friends and happiness. Inspired by some of her favorite books, Nadia discovers adventures are just a wine bottle away, but it's the friendship forming in her neighbor, Laine Montgomery, that has Nadia grateful for the move. With a bit of good-natured Southern meddling from Laine's best friend, Susannah, could more than friendship be on the horizon between Nadia and Laine?

    Even though a car accident caused the optical illusion, Erin’s skills as a doctor were outshone by her luminous smile. Katie begins to devise a series of excuses to trek to the small town where Erin lives and works.According to Katie’s complex rating system Erin has great promise. She’s beautiful, bright, athletic and good-hearted. Erin professes to love her job and is happy with small town life. But Katie thinks that Erin is secretly a risk-taker who craves excitement—the kind of excitement that Katie would love to provide. The first time Katie sees Erin flying down a ski slope she’s hooked, and their first kiss seals the deal.That’s when the trouble begins. Erin’s nearly an indentured servant. The town paid for her education and she promised to serve as their doctor for ten years. Ten long years attached to a place that’s only sixty miles but seems light years away from Katie’s beloved Boston.Something tells them that they could be good together, and the mutual attraction is undeniable. But one or both of them is going to have to make some massive changes before they can let the sparks fly.

     From the outside, Kasey James had the perfect life. She had a rich husband, two perfect kids, and a big house in Eastside with a pool in the backyard. None of her friends understand why she left her husband and went back to a stressful job teaching high school. She knows they’ll understand even less when she tells them she’s started dating a woman from Westside. *If* she tells them, that is. After all, Kasey has her kids to think of, not to mention the upcoming school board election. What if her neighbors withdraw their support when they find out she’s seeing a woman? Drea Robbins has a good life, too. She owns her own home and operates her own business, making enough money doing what she loves that she can support her mom, sister, and niece. She wishes she had a “special someone” in her life, but in the grand scheme of things, being single isn’t that big of a deal. Kasey James, a white woman living in Eastside, is the absolute last person Drea expects to fall for. Kasey’s recently divorced from a man, she’s got two kids, she lives in the middle of rich suburbia — to say her lifestyle is different from Drea's would be the understatement of the year. But it’s like Drea’s mom says — we can’t control whom we fall for, and whether Drea likes it or not, she’s falling for Kasey. Hard. Opposites attract… right? But when a real estate development controversy puts Drea and Kasey on opposite sides of a battle line, will their new love prove strong enough to survive? Or is it just unrealistic for two women with so many differences to find a common ground they can hold against all the world’s pressures? Eastside / Westside / Love is a story about race, class, gentrification, and inequality. But more than that, it’s a story about hope, and about finding out that what brings us together is stronger than what pulls us apart.

     Peyton Kennedy quantifies everything in terms of numbers and risk. She looks at a problem and solves it, leaving no piece of the puzzle out. When her young, too-whimsical wife inherits a derelict farmhouse from a distant aunt, Peyton can only see the bottom line. Too much work. Too much money. Time. Energy. Definitely not worth saving. But her wife knows how to get her way and Peyton finds herself roped into renovations. This… this may be the straw that breaks her marriage's back, and Peyton's worried about how not worried that makes her. That is, until a seventy-year-old bundle of letters and a time-worn diary fall on her head. Before she knows it, Peyton is drawn into the story of her wife’s great aunt, Marty, a woman who dared defy social conventions for the love of another woman. 1939 - She doesn't know what love is. Marty Bell thinks life will fall neatly into place. Her mother has expectations: A husband, wealthy enough to give Marty security for the rest of her days. When she meets a beautiful circus worker who shovels dung and pounds stakes for a living, it's the first time Marty sees that she can stray from the path. Soon, her life is dictated by not just her mother, but the upheaval of war and the one thing she never expected to find: love. And Marty will risk anything and everything to hold onto it. This is the bittersweet tale of a diary, an elephant, and four women who know that few things matter more than finding someone who loves them just the way they are.

    Soon she's on the adventure of her life, leaving the comfort and stability of a well-to-do family for a man she's never met and a life of uncertainty.Callie Glass isn't happy with her brother Jasper's proposal to a mail-order bride, though she knows it's not her call. And when a tragic accident takes Jasper Glass's life, Callie doesn't hesitate to call off the wedding in a letter to Clara. Callie is soon surprised to find a strange woman settling into her cabin, a stranger who had never received news of Jasper's demise.While Callie insists that the other woman should return home, Clara digs in her heels. If Callie can live without a man in this isolated land, why can't she? Both headstrong women struggle in the ashes of their dashed hopes and dreams, slowly coming together to forge an alliance for which neither is prepared.

    Gustie is considered an outsider, and Lena is too proud to share her problems (which include a hard-drinking husband) with anyone else. On the nearby Sioux reservation, Gustie also finds love and family with two Dakotah women: Dorcas Many Roads, an old medicine woman, and her adopted granddaughter, Jordis, who bears the scars of the white man's education. When Lena's husband is arrested for murdering his father and the secrets of Gustie's past follow her to Charity, Lena, Gustie, and Jordis stand together. As buried horrors are unearthed and present tragedies unfold, they discover the strength and beauty of love and friendship that blossom like wild flowers in the tough prairie soil.

    But in the midst of a birthday celebration, her world shatters when a mysterious assassin takes her brother's life. Shasta, the only remaining heir to the throne, narrowly escapes the assassin's blade thanks to the intervention of a traveling acrobat named Talon.With the threat of another attempt on Shasta's life imminent, her father declares that the young hero will be come the Princess's bodyguard. But what Shasta doesn't know is that her new guardian has a very well-kept secret: he is actually a she.Talon and Shasta soon grow closer than anyone, especially her father, could have predicted. Will the truth of her guardian's secret change their relationship forever?Book 1 of The Legends of Ithyria Series

    Yep, Anne Boleyn as in Henry VIII's beheaded queen. She is a time traveler and is having trouble adjusting to the modern world. Helen tells herself she does not have time for Anne. Yalia, Helen's wife, has been distancing herself from Helen for three years, and Helen needs to decide if she wants to save their marriage.Then the unexpected happens. A romantic relationship develops among Yalia, Anne and Helen. Can the three of them figure out their lives together, especially when time might be running out for Anne?

    Her grandmother Mary - Nan to those close to her - does them all. She drinks what she wants, speaks when she wants, and doesn't hesitate to help a colored boy on the street with no concern for who might see. In awe of her grandmother, Elizabeth also wants to be a good daughter, and no one is more concerned with what people think than her mother, so different from Nan it's sometimes hard to believe she came from the woman's womb. When Nan gets sick and needs full-time care, she invites Yankee nurse Ariel Brandt into their lives. Smart, funny and beautiful, Ariel is a lot like Nan in a lot of ways, and Elizabeth is drawn to her at once. As her feelings for Ariel grow out of her control, Elizabeth finds herself torn between her own desires and the deeply-ingrained rules of the society in which she lives. Her brother at war, a new suitor trying to court her, and Ariel keeping a safe distance, Elizabeth is charged with an errand. Nan wants her to travel to New Orleans to find someone she once knew and pass along a wooden box that holds an important letter. Can the unexpected journey into Nan's past help Elizabeth find her future?