Ramachandran won the Kerala State Sahitya Akademi (Kerala State Literature)award in 2005 for his first book `Uttarakhandiloode: Kailas-Mansasarassu Yatra',book on a trek to Mount Kailas through the tricky Uttarakhand rangesSri M K Ramachandran dedicatated his life completely to dangerous Himalayan travel, perhaps the only pilgrim who visited all five Kailash ,called "Panch Kailash" .These are Kailash Manasarovar, Adi Kailash, Kinnaur Kailash, Shrikant Mahadev Kailash and Manimahesh Kailash. He is one of the best selling travelogue writer in kerala ,India. His way of writings with the myths, reality and mystical experiences about his ineffable pilgrimages are truly amazing and has attracted millions of fans. His mystical experiences, such as encounters with Divya Yogis and Yoginis deep inside Himalayas are telling to the world that there are many facts that are unexplainable through modern sciences and logic . He has already covered 64 different destinations in Himalaya. Each one of his travel consist of days of research , preparation, arrangement, lonely dangerous trekking through Himalayan glaciers . For example 35 days of trekking is needed for Srikand mahadave kilash darshan. Welcome to the world of amazing Himalaya mystical Explorations .........,

    During Das's lifetime, it was published twice: first time in Poush 1349 Bengali calendar(December 1942 AD) with a cover by Sambhu Shaha including 12 poems, second time in Srabon 1359 Bengali calendar (1952 AD) an enlarged version with a cover by Satyajit Ray including 30 poems. Das named the volume after the poem: Banalata Sen, one of Das’s finest poems, certainly his most popular. The enlarged edition published by Signet Press was awarded in 1953 at the Nikhil Banga Rabindra Sahitya Sammelan (All Bengal Rabindra Literature Convention).The recurring themes in the poems of this volume are love, nature, time, temporariness of life and love and etc. Above all, a historical sense pervades everything. The names that frequent in many poems are Suchetana, Suranjana, Sudarshana and Syamali and these women are deemed above or beyond women in general. In these poems, the love Das talks about crosses the boundaries of time and place and sometimes seems impersonal too.

    The stories are satires on Indian political and social climate of 1960s and 70s.

    Tenida is the leader of a group of four young lads who lived in the neighbourhood of Potoldanga, Tenida was depicted as the local big-mouthed airhead with a heart of gold, who, although not blessed with academic capabilities, was admired and respected by the other three for his presence of mind, courage, honesty as well as his vociferous appetite. Descriptions of Tenida's nose also make frequent appearances in the text, being described as "a large nose resembling Mount Mainak". The narrator of the stories is Pyalaram, who seemed to share his leaders frailty in academic exertions. The other two characters who formed an integral part of the quartet were Habul Sen, who speaks with strong East Bengali accent (Dhakai) and Kyabla- the cleverest amongst the four. The stories of Tenida and his gang were usually one of comedy-adventure where the gang goes through a lot of pain- and humiliation- to solve a mystery which were mostly of comical solutions. The short stories were extensively based in Calcutta and it's suburbs, while some of the larger stories took the group to the Bengal countryside, and at times further away. It is said that Narayan Gangopadhyay created the character of Tenida on his landlord (who had the same name) - with whom he was a very good friend.

    More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

    Dakshinaranjan Mitra Majumder was the person who first collected some folk-stories of Bengal and published it under the name of Thakurmar Jhuli in 1907 (1314 of Bengali calendar). The Nobel-Laureate, Rabindra Nath Thakur wrote the introduction to the compilation. Since then, it has become a favourite of Bengali children. Over the years, it has become a household name in West Bengal and Bangladesh.Some characters and stories like Lalkamal-Nilkamal and Byangoma-Byangomi have gained a legendary status, especially among the children. Hundreds of edition of the book have been published from Bangladesh and West Bengal since the original publication. An English translation by Rina Pritish Nandy has been available lately

    Majeed's father was rich once, so could send him to a school in the distant town, although he was not very good at studies. Suhra's father on the other hand had trouble making both ends meet. Even then he wanted to send his daughter, who was good at studies to the school. But after her father's death, all her hopes of further studies was ruined. Majeed begs his father to sponsor Suhra's education, but he refuses. Majeed leaves home after a skirmish with his father, and wanders over distant lands for a long time before returning home. On his return, he finds that his family's former affluence is all gone, and that his beloved Suhra has married someone else. He is grief struck at the loss of love, and this is when Suhra turns up at his home. She is a shadow of her former self. The beautiful, sunshiny, vibrant Suhra of old is now a woman worn out by life, battered hard by a loveless marriage to an abusive husband. Majeed commands her, "Suhra, don't go back!" and she stays.

    It was the first novel of Zahir Raihan.

    T. Vasudevan Nair. It was translated into English as Second Turn in 1997. M. T. Vasudevan Nair won Vayalar Award, given for the best literary work in Malayalam, for the novel in 1985. Later, in the year 1995, Mr. Nair was awarded the highest literary award in India, Jnanpith Award, for his overall contribution to Malayalam literature.The novel is set as a retelling of the Indian epic Mahabharata, from the view of Bhima, the second Pandava.

    It's focal point is the reign of Narasimha Pallavan (Narasimhavarman). The narrative revolves around the struggle of the Pallava Emperor to enhance the prestige of the Pallava dynasty flag.Known for his patronage of the arts, Narasimha Pallavan took great interest in creating the remarkable shore town of Mamallapuram, with its famous Shore temple and the monolithic Rathas. He restored to Hinduism its elements of love and compassion. He succeeded in wiping out the extremist cult of Saivism, which believed in human sacrifice. In Parthiban Kanavu these historic facts are woven around a remarkable narrative, filled with thrill, suspense and romance.Paarthiban Kanavu deals with the attempts of the son of (fictional) Chola king Parthiban, Vikraman, to attain independence from the Pallava ruler, Narasimhavarman.

    

    ; 20 cm.

    The author of The Winter of Frankie Machine is back with a razor-sharp novel as cool as its California surfer heroes, and as heart-stopping as a wave none of them sees coming.

    It’s a young woman in the North Tower when the first plane crashed into the building who has the courage and determination to take on both sides of the law and avenge the old lady’s death. Anna Petrescu is missing, presumed dead, after 9/11 and she uses her new status to escape from America, only to be pursued across the world from Toronto to London, to Hong Kong, Tokyo and Bucharest, but it is only when she returns to New York that the mystery unfolds. Why are so many people willing to risk their own lives and others' to own the Van Gogh Self-Portrait with Bandaged Ear? Jeffrey Archer, one of the greatest popular novelists of our generation, delivers a truly page-turning thriller.