At nineteen, he is a Death Row warder at Maximum Security Prison in Pretoria, South Africa: a shepherd who cares for the condemned - and a butcher who escorts them to the gallows. In the summer of 1987, after thirty-two men were hanged in two weeks (all real cases), Leon loses control, with tragic results. And now he's the one facing the death penalty. Only the most precarious line of legal argument stands between Leon and the gallows. Chasing a defense, his advocate trawls the deepest recesses of life in the Pot - the twilight world of Death Row - in order to determine the effect of multiple executions on his young client. In 1987, 164 people were executed at Maximum Security. Two years later, the last man went to the gallows, after more than four thousand hangings in Pretoria in that century. Shepherds & Butchers portrays legal execution in unprecedented detail, revealing its devastating impact on all those involved. At the same time, it exposes the callous violence on the other side of the noose, where murderers reign. Chris Marnewick's first novel is a gripping courtroom drama steeped in the factual.

    It's everything. From lions hunting as a pride to penguins huddling together to keep from freezing in the bitter Antarctic winter, many animals are dependent on complex social relationships for their survival. Powerful dynasties lay claim to vast swathes of territory, fighting off rivals and securing their hunting grounds for generations to come.Dynasties offers an immersive insight into the shifting hierarchies of animal families. Each chapter follows a different dynasty, from the Marsh Lions of the Masai Mara to rival packs of painted wolves, from a tiger protecting her newborn cubs to a chimpanzee troop and the penguin colonies of the Antarctic. Alongside tender moments when bonds are strengthened through grooming and play, the book charts the rivalries that tip the balance of power, when family members turn against each other and younger animals grow strong enough to challenge for control.With over 200 stunning photographs and insights from the crew of the BBC series, Dynasties reveals in astonishing detail the intricate social lives of our planet’s most fascinating animals.

    And today, that means lifestyle photography, also referred to as "fine art wedding photography." Fine art wedding photography isn't just a catchy phrase; it's a modern approach in which design is paramount. Fine art wedding images are more graphic and stylized than traditional wedding photojournalism, as if they were pulled from the pages of a glossy wedding or lifestyle magazine. Acclaimed wedding photographer Jose Villa was a pioneer in fine art wedding photography before it became a trendy buzzword. Here, he shares his secrets for bringing a stylized sense of composition, lighting, posing, and most important, design, to your images, while still keeping them organic and narrative. You’ll learn Jose’s trademark technique of capturing the more natural moment after a pose, and tips for getting images right in-camera to avoid the need for heavy postproduction. Final chapters show you how to integrate design through the delivered product, whether an album or slideshow, and continue nurturing clients after the wedding by expanding to baby and family portraiture. Packed with real-life examples, solid techniques, and stunning images from one of the wedding industry's brightest stars, this book will both educate and inspire photographers seeking to update their work and satisfy a new generation of brides.

    Hanover Park. The heart of the Cape Flats. It is 1986. Michael Jackson and Brenda Fassie rule every hi-fi. Princess Di and George Michael hairstyles are all the rage. There are plans to commemorate the tenth anniversary of the 1976 student uprising.Neville and Magda Fourie live in Magnolia Court with their three children. They are trying to ‘raise them decent’ in a township festering with gang wars and barricaded with burning tyres. Suzette, the eldest, is beautiful and determined to escape her family’s poverty. Nicky, the sensitive middle child, has ambitions to use her intellect as a way out. Anthony, the only son, attracted by power and wealth, is lured away from his family by a gangster. In What Will People Say? a rich variety of township characters – the preachers, the teachers, the gangsters and the defeated – come to life in vivid language as they eke out their lives in the shadows of grey concrete blocks of flats.Which members of the Fourie family will thrive, which ones will not survive?Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.

    But despite Mandela’s mission of reconciliation, rampant inequality remains; race relations are uneasy, violence is endemic and many in the ANC appear to have lost sight of the liberation ideals. With the election in 2009 of Jacob Zuma, a charismatic populist embroiled in scandal, uncertainty over the trajectory of the nation has only intensified. South Africa now stands at a crossroads, and award-winning journalist Alec Russell draws on his deep knowledge of the country to tell us how it got there and to give us a compelling account, revised and updated for this edition, of the journey from Mandela to Zuma.

    As a landscape photographer you will find great subjects everywhere. Despite this, taking great landscape photos is more of a challenge. In fact landscape photography is one of the most difficult genres in photography to get right.This book discuss the basics and what you can do to improve as a landscape photographer. This is a beginners guide but intermediate landscape photographers will also find useful information in the book.Correct exposure and sharp images are the two biggest struggles for landscape photographers. The book covers both topics. Topics covered in the book:What to look for when buying a camera for landscape photographyLearn basic camera settings and understand exposureDifferent lenses and how focal length impact on your landscape imagesThe importance of light and time in landscape photographyHow to compose striking landscape photosHow to choose you image editing softwareImplement the tactics discussed in the book and you will immediately improve your landscape photography. Get started now!

    Herds of wild animals crossing acacia-dotted plains, remote cultures that time seems to have forgotten, the monumental vestiges of crumbled empires, as well ast he dire realities of war, disease and famine - Africa is all this and much more. From Cape Town's gleaming shopping arcades to the remote tribal settlements on Lake Turkana's shores, The Africa Book draws together a definitive collection of the sights, sounds and tastes of this spellbinding continent.Here's how to start - open at any page and begin your own journey. Float down the Nile in a felucca, visit the mountain gorillas of Rwanda, catch mbalax fever on Dakar's glittering dance floors, relax under the palms on Zanzibar's powdery white beaches. Let Lonely Planet's photographers, authors and travelers lead you through five regions, 54 countries and inspire you to embark on the journey of your life.

    For the first time in the history of humankind, more people live in cities than in the country. Yet, at the same time, more and more city dwellers are yearning for rural farms, mountain cabins, or seaside homes. These kinds of refuges offer modern men and women a promise of what urban centers usually cannot provide: quiet, relaxation, being out of reach, getting back to basics, feeling human again. Rock the Shack is a survey of such contemporary refuges from around the world--from basic to luxury. The book features a compelling range of sparingly to intricately furnished cabins, cottages, second homes, tree houses, transformations, shelters, and cocoons. The look of the included structures from the outside is just as important as the view from inside. What these diverse projects have in common is an exceptional spirit that melds the uniqueness of a geographic location with the individual character of the building's owner and architect.

    The McRaes, like so many white people, seemed oblivious to the violent injustices of apartheid. As the author grew up, the political differences between father and son widened and when Don refused to join up for National Service, risking imprisonment or exile overseas, the two were torn apart. It wasn't until years later that the author discovered that the father with whom he had fought so bitterly had later in his life transformed himself into a political hero. Risking everything one dark and rainy night Ian McRae travelled secretly into the black township of Soweto to meet members of Nelson Mandela's then banned African National Congress to discuss ways to bring power to black South Africa. He had no political ambitions; he was just a man trying to replace the worst in himself with something better.Under Our Skin is a memoir of these tumultuous years in South Africa's history, as told through the author's family story. It offers an intimate and penetrating perspective on life under apartheid, and tells a story of courage and fear, hope and desolation and love and pain, especially between a father and his son.

    In the communal world of the compound in which he lives, Omovo has many friends and some enemies, but most important of all there is Ifeyiwa, a beautiful young married woman who he loves with an almost hopeless passion - not because she doesn't return his love, but because they can never be together.

    Humane, evocative and magical, The Cobra's Heart makes the case for Kapuscinski as a great writer as well as a great journalist.

    The body has been scrutinized by medical and anatomical photographers; it has been celebrated by photographers of sport and dance; it has inspired a long tradition of photographing the nude; and it has been depicted in phantasmagoric terms. In this rich, involving archive of over 360 duotone and color images culled from worldwide collections, renowned photo curator William A. Ewing has compiled the most comprehensive and arresting visual survey ever published of the human form. From nineteenth-century erotica to the politicized images of the 1990s, The Body offers an exciting, elegantly packaged, provocative record of the camera's infatuation with the human figure.

    At eighteen, his world is shaken by his mother's revelation that his anonymous father is willing to give him a vast inheritance -- provided he can prove himself worthy of the prize as an officer in the King's Dragoon Guards. At a time when racism and prejudice are rife in Victorian society, Hart struggles to come to terms with his identity. Forced to leave the army, he decides to head to South Africa, and a fresh start. But George Hart has soldiering in his blood, and once in Africa the urge to serve again is strong. Yet now he is caught between two fierce and unyielding forces as Britain drives towards war with the Zulus. Hart must make a choice -- and fight for his life.

    I believe this is a function of the vector that the documentary photographer must have, to show one person's existence to another."—Sebastião SalgadoIllustrated with a compelling image from each photographer, Witness in Our Time traces the recent history of social documentary photography in the words of twenty-two of the genre's best photographers, editors, and curators, showing that the profession remains vital, innovative, and committed to social change. Featuring interviews with Hansel Mieth, Walter Rosenblum, Michelle Vignes, Wayne Miller, Peter Magubane, Matt Herron, Jill Freedman, Mary Ellen Mark, Earl Dotter, Eugene Richards, Susan Meiselas, Sebastião Salgado, Graciela Iturbide, Antonin Kratochvil, Donna Ferrato, Joseph Rodriguez, Dayanita Singh, Fazal Sheikh, Gifford Hampshire, Peter Howe, Colin Jacobson, and Ann Wilkes Tucker.Introduction: Seeing and believing / Kerry Tremain --Hansel Mieth: the depression and the early days of Life --Walter Rosenblum: Lewis Hine, Paul Strand, and the Photo League --Michelle Vignes: Magnum Photo Agency : the early years --Wayne Miller: World War II and the family of man --Peter Magubane: a black photographer in Apartheid South Africa --Matt Herron: the Civil Rights movement and the Southern documentary project --Jill Freedman: Resurrection City --Mary Ellen Mark: streetwise photographer --Earl Dotter: the United Mine Workers --Eugene Richards: Americans we --Susan Meiselas: Central America and human rights --Sebastião Salgado: workers --Graciela Iturbide: the indigenous of Mexico --Antonin Kratochvil: the fall of the Iron Curtain --Donna Ferrato: living with the enemy : domestic violence --Joseph Rodriguez: in the barrio --Dayanita Singh: a truer India --Fazal Sheikh: portrait of a refugee --Gifford Hampshire: the Environmental Protection Agency's Project DOCUMERICA --Peter Howe: Life magazine and Outtakes --Colin Jacobson: Independent magazine and Reportage --Anne Wilkes Tucker: the museum context --Fred Ritchin: the fish are last to know about the water: the emerging digital revolution --Rondal Partridge: Dorothea Lange in the field --Don McCullin: Vietnam : the Battle of Hue, 1968 --Bill Owens: Suburbia and a passion for seeing his world --Larry Fink: Social graces --David Goldblatt: once an enemy : Apartheid and the New South Africa --Maya Goded: Tierra Negra --Afterword: Witness in our time / Ken Light

    By day's end, two of these clients and six other tourists were dead at the hands of Rwandan rebels. As a man who loves East Africa, Ross felt betrayed by this horror, which made headlines around the world. He writes, 'The continent has always been the love of my life. Now there is trouble between us.' Dangerous Beauty is the story of that love and trouble. Ross writes here about his close-up encounters with danger and natural beauty in Kenya, Tanzania, Zimbabwe, and Uganda. He describes his walks in the bush and the way he teaches his clients to read unearthly silences and stillnesses in the wind that signify trouble. He writes about deadly charges by elephants and the electric excitement of witnessing the mass migrations of wildebeest and zebras. He writes, too, in detail about the terrible events of 1999. Imbued with Ross's passion for East Africa, this is an unforgettable account of a life of remarkable adventures, and a memorable vision of a beautiful, deadly, and fragile world.