Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    Gary is a country boy turned pop star who is spinning out of control. Justin is in Shanghai to expand his family's real-estate empire, only to find that he might not be up to the task. He has long harboured a crush on Yinghui, who has reinvented herself from a poetry-loving, left-wing activist to a successful Shanghai businesswoman. She is about to make a deal with the shadowy figure of Walter Chao, the five-star billionaire of the novel, who - with his secrets and his schemes - has a hand in the lives of each of the characters. All bring their dreams and hopes to Shanghai, the shining symbol of the New China, which, like the novel's characters, is constantly in flux and which plays its own fateful role in the lives of its inhabitants. Five Star Billionaire, the dazzling kaleidoscopic new novel by the award-winning writer Tash Aw, offers rare insight into China today, with its constant transformations and its promise of possibility.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    Secretly, however, she longs to find out why her mysteriously distant mother agreed to have her sent away as a child.  She spends her time studying Italian with her absentminded uncle and talking about boys and clothes with her favorite cousin until she finds the perfect escape from her mother’s rejection--a passionate affair with a young American. But the affair will have a surprising outcome, forcing Sonil to forgive her mother and to look to herself for the answers she will need in the coming years.

    In an old ruined city, emptied of most of its inhabitants, Ustad Ramzi, a famous wrestler past his prime, and Gohar Jan, a well-known courtesan whose kotha once attracted the wealthy and the eminent, contemplate the former splendour of their lives and the ruthless currents of time and history that have swept them into oblivion.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    A man living on a tea plantation in the Nilgiri Hills realises he’s in love with his daughter-in-law; a young family eagerly awaits the launch of Shakti-Cola; a chronically anxious yoga retreat manager struggles with the demands of her enlightenment-seeking Western patrons; and a family legacy hangs in the balance when a horrifying discovery is unearthed on their Rajasthani estate. Traversing thirteen Indian states, One Point Two Billion illuminates the exhilarating diversity of the second most populous nation in the world. Moving from towering megacity to remote detention camp, from the canals of rural Punjab to an exclusive club in Delhi, these remarkable stories offer glimpses into the loves, triumphs, and tragedies of everyday life in a world torn between tradition and the shock of modernity. Laced with biting humour and injected with subtlety and emotion, the stories in this mesmerising collection portray the vast array of lives co-existing within the uneasy imbalance of Indian society. ‘Varied in range, concentrated in power - these stories are a deeply satisfying read.’ - Kamila Shamshie ‘This is a wonderful collection, slicing and dicing India in thirteen unexpected ways.’ - Siddhartha Deb ‘One of the finest books to come out of India this year. Rao zooms in on forgotten lives - ordinary, extraordinary, absurd, tragic. His writing is subtle, delightfully wry. I loved it.’ - Mirza Waheed ‘Sometimes a novel is so good that you don’t want it to end. I wanted each story to be expanded into a novel, which I then wouldn't have wanted to end.’ - Sandra Newman ‘These are deft, anxious, and haunting stories of a people caught between two chasms, the medieval and the modern.’ - Jeet Thayil

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

     Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    He returns home to tragic news that has also impacted another stranger, a shaken pilot on his way to another continent who seeks comfort from a journalist he meets that night. Her life shifts subtly as well, before she heads to the airport on an assignment that will shift more lives in turn.In this wondrous, profoundly moving novel, Szalay's diverse protagonists circumnavigate the planet in twelve flights, from London to Madrid, from Dakar to Sao Paulo, to Toronto, to Delhi, to Doha, en route to see lovers or estranged siblings, aging parents, baby grandchildren, or nobody at all. Along the way, they experience the full range of human emotions from loneliness to love and, knowingly or otherwise, change each other in one brief, electrifying interaction after the next.Written with magic and economy and beautifully exploring the delicate, crisscrossed nature of relationships today, Turbulence is a dazzling portrait of the interconnectedness of the modern world.

    The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape.The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen.An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.

    Though her friends and family remain baffled by her decision (after all, he doesn't beat her!), Esi holds fast. When she falls in love with a married man—wealthy, and able to arrange a polygamous marriage—the modern woman finds herself trapped in a new set of problems. Witty and compelling, Aidoo's novel, "inaugurates a new realist style in African literature."

    He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste.But everything is about to change.Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape and Tokue's dark secret is revealed, with devastating consequences.Sweet Bean Paste is a moving novel about the burden of the past and the redemptive power of friendship. Translated into English for the first time, Durian Sukegawa's beautiful prose is capturing hearts all over the world.