It covers the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more, and it will remind you why you fell in love with pop music in the first place.Bob Stanley—musician, music critic, and unabashed fan—recounts the progression from the Beach Boys to the Pet Shop Boys to the Beastie Boys; explores what connects doo wop to the sock hop; and reveals how technological changes have affected pop production. Working with a broad definition of “pop”—one that includes country and metal, disco and Dylan, skiffle and glam—Stanley teases out the connections and tensions that animate the pop charts and argues that the charts are vital social history.Yeah! Yeah! Yeah! is like the world’s best and most eclectic jukebox in book form. All the hits are here: the Monkees, Metallica, Patsy Cline, Patti Smith, new wave, New Order, “It’s the Same Old Song,” The Song Remains the Same, Aretha, Bowie, Madonna, Prince, Sgt. Pepper, A Tribe Called Quest, the Big Bopper, Fleetwood Mac, “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini,” Bikini Kill, the Kinks, Mick Jagger, Michael Jackson, Jay-Z, and on and on and on. This book will have you reaching for your records (or CDs or MP3s) and discovering countless others.For anyone who has ever thrilled to the opening chord of the Beatles’ “A Hard Day’s Night” or fallen crazy in love for Beyoncé, Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century.

    The story of their band spans thirty years and thirty albums, and through all the changes in the band's line-up and musical direction, the spirit of Genesis has remained constant and undimmed."Genesis: Chapter & Verse" is the ultimate addition to any fan's collection, setting the record straight as the band's members tell their story their way. Remarkably, the band survived the high-profile departure of not one lead vocalist, but two (Peter Gabriel and Phil Collins), two influential guitarists (Anthony Phillips and Steve Hackett), and its best-known drummer (Phil Collins). Genesis simply got stronger and bigger - matching the huge solo success of Gabriel, Collins, and Mike + The Mechanics.A collaboration between all the members of Genesis, past and present, "Genesis: Chapter and Verse" is the band's definitive autobiography: an intimate, no-holds-barred, no-stone-unturned history that allows character and personality to come to the forefront. Covering the band's story as well as the writing and performance of significant songs from each period, this treasure trove of text and photographs provides long-awaited insight into the way this exceptional group of songwriters worked together, allowing the band to dispatch more than a few sacred cows along the way. It is a book like none other, and an exclusive look into the life and times of one of rock's most influential and lasting groups.

    Formed in Burlington, Vermont, this determined foursome of high-IQ misfits developed their uniquely telepathic chemistry playing that college town's club scene. Vermont's best-kept secret rose to national prominence in the nineties, when they became the most obvious heirs to the Grateful Dead's legacy as onstage improvisers and touring Pied Pipers. With a raft of self-imposed challenges, Phish mapped out much new territory, as well. Wildly eclectic, endlessly resourceful, and ever unpredictable, Phish were at the forefront of the jam-band movement, an organic alternative to the mainstream status quo that caught the ears and imagination of millions. Drawing upon nearly 15 years of exclusive interviews with the members of Phish and those in their employ, veteran music journalist Parke Puterbaugh delivers an insightful and authoritative biography of this beloved band and their quixotic career. Phish: The Biography thoroughly traces the quartet's history from their formative years to their spectacular success as a prolific touring phenomenon. Puterbaugh examines the colorful chemistry - the unique mix of personalities, backgrounds and talents - that inspired the members of Phish to push their four-way experiment to the limit. He documents their rigorous work ethic, boundless creativity, and all of the resulting innovations, including a series of one-band festivals that served as the blueprint for Bonnaroo and a slew of latter-day rock festivals. Moreover, he details how Phish distilled classical discipline, jazz improvisation, and rock instrumentation and attitude into an intoxicating brew that kept hordes of fans coming back show after show, encouraging them to digest and debate every note and nuance. The book also candidly addresses the bumps in the road that followed Phish's ascent to popularity, as rock's hardest-working band also became one of its hardest-partying entities. Mounting excesses and internal dissent led to a two-year hiatus, a dramatic breakup, and a well-documented drug bust and courageous recovery from addiction for guitarist Trey Anastasio. The tale concludes with Phish's triumphant reunion in 2009, marking one of the greatest comebacks in music history. An intimate and fascinating portrait, Phish: The Biography is the definitive story of these Vermont jamband legends.

    With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

    Herman Poole "Sonny" Blount (1914–1993), has been hailed as "one of the great big-band leaders, pianists, and surrealists of jazz" (New York Times) and as "the missing link between Duke Ellington and Public Enemy" (Rolling Stone). Composer, keyboardist, bandleader, philosopher, poet, and self-proclaimed extraterrestrial from Saturn, Sun Ra led his "Intergalactic Arkestra" of thirty-plus musicians in a career that ranged from boogie-woogie and swing to be-bop, free jazz, fusion, and New Age music. This definitive biography reveals the life, philosophy, and musical growth of one of the twentieth century's greatest avant-garde musicians.

    And if UB 40 get a mention, I missed it. Isn`t that recommendation enough for you?' Mojo'Switches between informed analysis and intoxicating aural history...With epic contributions from major players such as PrinceBuster, Horace Andy, Bunny Lee and Dennis Bovell' GQ'Fascinating...written with passion, style and gusto. This is a book many musicians would benefit from reading' Jah Wobble, Independent on Sunday'A compelling social and musical history running from Fifties soundsystem roots to contemporary dancehall...filled to the brim with anecdotes to keep the most hardened music-head happy' Face'A classic...Hilarious in places, peppered with social and historical comment in others, this is a fascinating account detailing how reggae evolved in Jamaica and became a global phenomenon' New Nation

    Laura Jackson has interviewed members of Queen, many of their close friends, and several of the world's leading rock musicians to turn the spotlight on the private lives, professional struggles and personal triumphs of the band.

    The best and most complete biography about the influential Beatle.

    John, Paul, George and Ringo celebrate their new found success with a hectic six-week tour, briefly interrupted by an historic live appearance at the "Royal Variety Performance" at the London Palladium. This is the beginning of "Beatlemania" and American writer, Mike Braun, is there to chronicle events and watch as the drama unfolds. A year later, The Beatles are the world's biggest pop group. This book details what really happened in those first magic weeks.

    Holed up at his farmhouse in Scotland, he sank into a deep depression. To outsiders, McCartney seemed like a man adrift—intimidated by his own fame, paralyzed by the choices that lay before him, cut loose from his musical moorings. But what appeared to be the sad finale of a glorious career was just the start of a remarkable second act.   The product of a long series of one-on-one interviews between McCartney and Scottish rock journalist Tom Doyle, Man on the Run chronicles Paul McCartney’s decadelong effort to escape the shadow of his past, outrace his critics, and defy the expectations of his fans. From the bitter and painful breakup of the Beatles to the sobering wake-up call of John Lennon’s murder, this is a deeply revealing look at a sometimes frightening, often exhilarating period in the life of the world’s most famous rock star.   Sensing that he had nowhere to go but up, Paul McCartney started over from scratch. With emotional—and musical—backing from Linda, he released eccentric solo albums and embarked on a nomadic hippie lifestyle. He formed a new band, Wings, which first took flight on a ramshackle tour of British university towns and eventually returned Paul to the summit of arena rock superstardom.   In Man on the Run, Doyle follows McCartney inside the recording sessions for Wings’ classic album Band on the Run—and provides context for some of the baffling misfires in his discography. Doyle tracks the dizzying highs and exasperating lows of a life lived in the public spotlight: the richly excessive world tours, the Japanese drug bust that nearly ended McCartney’s career, his bitter public feuds with his erstwhile Beatle bandmates, and the aftermath of an infamous drug-and-alcohol-fueled jam session where McCartney helped reconcile the estranged John Lennon and Yoko Ono.   For Paul McCartney, the 1970s were a wild ride with some dark turns. Set against the backdrop of a turbulent decade, Man on the Run casts the “sunny Beatle” in an entirely new light.Praise for Man on the Run   ““Tom Doyle’s detailed chronicle, which includes rare interviews with McCartney and former Wings members, portrays a band that was far more contentious than eager-to-please hits like 1976’s ‘Let ’Em In’ had us believe, fronted by a legend who wanted to be both boss and buddy. The book is larded with tales of Seventies rock-star excess, Paul and Linda’s love of weed, docked paychecks, and grousing musicians.”—Rolling Stone   “Well-researched but still breezy and engaging, the book offers a comprehensive tour of the shaggy, bleary-eyed decade when the hardest-working ex-Beatle reached the zenith of his creative and commercial success. . . . Man on the Run makes an excellent contribution to the burgeoning literature devoted to McCartney’s post-Beatles career.”—The Boston Globe   “In the 1970s, a depressed, heavy-drinking Paul McCartney walked away from The Beatles and reinvented himself as the leader of another hitmaking rock ’n’ roll band. A new book by longtime Q magazine contributing editor Tom Doyle about that turbulent period in the legendary rock star’s life, Man on the Run, catches him in mid-flight.”—Billboard

    Two days later he was playing his first show as bass player with AC/DC; within a week he was on Countdown, rocking out next to wildman Bon Scott, who was dressed as a pigtailed, cigarette-smoking schoolgirl - and waving a mallet - and Angus who was - of course - decked out as a schoolboy. And all for the princely wage of $60 a week!Then came nearly being burnt alive on the video shoot for 'Jailbreak', and working with legends Vanda and Young on the massive album TNT, on which Mark's take-no-prisoners basslines anchored such immortal hits as 'TNT' and 'It's a Long Way To the Top'. Within a year, the band had relocated to London and were on the road to rock 'n' roll stardom, living the life of rock gods and making the most of all that had to offer. Until the tragic death of his good friend Bon Scott changed everything.Dirty Deeds is the first book about AC/DC written from the inside, by an insider - which is gold for any AC/DC fan. It is an honest, gripping, sometimes laugh-out-loud account of a band that lived fast, played hard and broke every one of the rules - before they broke all the records. It is also a revealing and frank memoir of a man who's had to contend with everything life has thrown at him - a rough-as-guts upbringing, lucky breaks and soaring highs, as well as terrible personal tragedy and loss. The hard lessons Mark has learned along the way will inspire any reader.

    Much more than simply their manager, confidant, and group guru, Epstein helped create a once-in-a-lifetime phenomenon.A Cellarful of Noise, Epstein's long out-of-print autobiography, gives readers the inside story of his discovery and management of the world's most famous rock 'n' roll band. From their initial struggles to their wild rocket ride to the pinnacle of success, this true story includes How a request for a record led to the discovery of the Beatles; Why Ringo Starr replaced the original Beatle drummer; How Paul McCartney was nearly blinded by a fan; and hundreds of other fascinating little-known facts of Epstein's life with the Beatles, Gerry and the Pacemakers, and other top stars.This new edition of A Cellarful of Noise features an introduction by world-renowned Beatles expert Martin Lewis, which, along with Epstein's own words, creates a compelling insightful exploration of the life and times of a gifted man who had an ear for genius.

    Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This golden age reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

    With their punk roots, state-of-the-art videos, and notoriously hedonistic lifestyle, they captivated audiences around the world. This new book traces their remarkable story: their rise to fame, their split in 1985, and the ensuing splinter groups, drug addiction, and rehabilitation. In 2001, the original five members regrouped and are enjoying a level of recognition and popularity that few serious music critics would have predicted. Their mixture of synth and swagger has ultimately triumphed due to the core friendships of the band, their flair for memorable pop hooks, and an ambition that dwarfed most of their contemporaries.

    In Defense of Ska is the much-needed response to years of ska-mockery. No longer do ska fans need to hide in the basement, skanking alone in their sharp suits, slim ties and porkpie hats. Now the time to take to the streets and fight music snobbery, or at least crank up the ska without being teased ruthlessly. In a mix of interviews, essays, personal stories, historical snapshots, obscure anecdotes, and think pieces, In Defense of Ska dissects, analyzes and celebrates ska in exactly the way fans have been craving for decades. This book will enlist ska-lovers as soldiers in the ska army, and challenge ska-haters’ prejudices to the core.