This is a raw and honest personal account of mental illness offered to those looking to consider, to understand or to feel, in some small way, known. Ache is a unique journey that holds strange beauty in its truth.

    Vincent Millay to Edward Lear's whimsical "The Owl and the Pussycat" and James Whitcomb Riley’s homespun "When the Frost Is on the Punkin." Famous poets such as Wordsworth, Tennyson, Whitman, and Frost are well-represented, as are less well-known poets such as John McCrae ("In Flanders Fields") and Ernest Thayer ("Casey at the Bat"). Includes 10 selections from the Common Core State Standards Initiative: "The Owl and the Pussycat," "Casey at the Bat," "Jabberwocky," "O Captain! My Captain!," "Paul Revere's Ride," "Ozymandias," "The Raven," "Because I Could Not Stop for Death," "Mending Wall," and "Ode on a Grecian Urn."

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    From Robert Lowell and Elizabeth Bishop, John Ashbery and Adrienne Rich, to Robert Haas and Louise Gluck, this anthology takes the full measure of our poetry's daring energies and its tender understandings.

    Poems to Read is a welcoming avenue into poetry for readers new to poetry, including high school and college students. It is also meant to be a fresh, valuable collection for readers already devoted to the art. This anthology concentrates on the actual pleasures of reading poems: hearing the poem in your voice, bringing it to other people, musing about it, taking excitement or comfort from it, wandering with it or—as in the Keats letter quoted in the Introduction—having it as a starting post. Many of these 200 poems are accompanied by comments from readers of various ages, regions, and backgrounds who participated in the Favorite Poem Project. Included are poems by John Donne, Walt Whitman, William Butler Yeats, Langston Hughes, Elizabeth Bishop, Gwendolyn Brooks, Seamus Heaney, Allen Ginsberg, and Louise Glück, to name a few. The editors offer their own comments on some of the poems, which are arranged in thematic chapters.

    Then there's a group of tales that Poe acknowledged reading, and that clearly influenced him: tales of premature burial, of a man trapped beneath a great clanging bell, of a doomed girl reborn and doomed again. To describe this book as a "must" for all admirers of Edgar Allen Poe is surely unnecessary: it's so self-evident.

    Whether he is wrestling with the mundane, history and its disasters, or sexual love, he can sound both classical and contemporary, with the modern austerity of Cavafy and Bishop. Often exploring the darker places of the heart, his sonnets do not lie down obediently, but spark with an honest self-awareness.Cole's lucid, empathetic poems--with lyrical beauty and ethical depth--seem to transmute the anxious perplexities of our time.

    Seamlessly weaving the suspenseful with the macabre on every page, each story takes pleasure in taking you beyond the limits of what the human mind can endure.If you're the type of horror fan who enjoys stories that make your hair stand on end, drop this book right now. This tome of terrific terrors will take you farther than you've ever been down the rabbit hole of your worst nightmares.

    Some of the stories are inspired by true events. Find out which ones inside this scary collection. "The Girl I Married" Jonathan noticed that after marrying Jeanette, she starts acting strange. As if she is not the same girl he dated. Why is she so different and what secrets is she hiding? "I`m Sorry Daddy" After an accident at work, Mr. Williams starts developing unusual symptoms. He is turning into a monster and there is nothing to stop this. "The House Next Door part 2" Jessica decides to find out what happened to her friend Sarah. What new discoveries will she make and will the same fate befall her?

    The poems expertly gathered here offer all that one might hope for in such spiritual friendship: wisdom, compassion, peacefulness, good humor, and the ability to both absorb and express the deepest human emotions of grief and joy.The Poetry of Impermanence, Mindfulness, and Joy offers a wide-ranging collection of 129 ancient and modern poems unlike any other anthology on bookshelves today. It uniquely places Buddhist poets like Han Shan, Tu Fu, Saigyo, Ryokan, Basho, Issa, and others alongside modern Western poets one would not expect to find in such a collection—poets like Wallace Stevens, Robert Frost, Elizabeth Bishop, William Stafford, Denise Levertov, Jack Gilbert, Ellen Bass, Billy Collins, and more. What these poems have in common, no matter whether they are explicitly Buddhist, is that all reflect the essential truths the Buddha articulated 2,500 years ago. The book provides an important poetic complement to the many prose books on mindfulness practice—the poems here both reflect and embody the dharma in ways that can’t be matched by other modes of writing. It’s unique features include an introduction that discusses the themes of impermanence, mindfulness, and joy and explores the relationship between them. Biographical notes place the poets in historical context and offer quotes and anecdotes to help readers learn about the poets’ lives. A short essay at the back of the book on “Mindful Reading” helps readers approach the poems from an experiential, non-analytical perspective and illustrates the similarities between meditation and the mindful reading of poetry. Brehm also includes a guided meditation on sound that helps readers appreciate the sonic qualities of poetry and shows how the anthology might be used in ongoing spiritual practice.

    This is the poetry of a beautiful life.

    an anthology is that it presents the full range of Black-American poetry, from the slave songs to the present day. It is important that folk poetry be included because it is the root and inspiration of later, literary poetry. Not only does this book present the full range of Black poetry, but it presents most poets in depths, and in some cases presents aspects of a poet neglected or overlooked before. Gwendolyn Brooks is represented not only by poems on racial and domestic themes, but is revealed as a writer of superb love lyrics. Tuming away from White models and retuming to their roots has freed Black poets to create a new poetry. This book records their progress."—from the Introduction by Dudley Randall

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    Editor Terrance Hayes has selected more than 130 poems, spanning four decades, for this powerful gathering of Coleman's work that bestselling author Mary Karr has called, "words to crack you open and heal you where it counts."

    Something that's very hard to learn on your own. This is something about putting yourself first because it's okay to love yourself before anyone else. This is something about doing what's best for you, no matter what people say, because only you know what you deserve. This is something about being real, being real to who you are and accepting things as they come and change. This is something about your mistakes, about your flaws, and about how beautiful it is to get up and try again. This is something about being you, about using your voice when you're afraid. About building enough courage when you feel like standing up to something you don't believe in, something that's wrong. This is about you, and every day should be about you, and that's something you should always consider.