In this riveting, sharply etched study of a child in distress, the author, who is now in her late forties and a professor of clinical psychiatry, recalls how a childhood marked by family tragedy led to years of depression and the feeling that adults could not be trusted. After her mother was diagnosed with breast cancer, Cournos struggled to make herself into an adult by taking care of her younger sister and doing the housework, in hope that being good would save her mother's life. Upon her mother's death when Cournos was 11, the author and her sister went into foster care because her uncles and aunts refused to take them in. Cournos's prose captures her sense of abandonment and her ensuing emotional withdrawal. Despite many failed relationships with men, sexual passion allowed her to begin to feel again. A desire to understand her mother's death led Cournos to study medicine, during which time she began psychoanalysis, which provided her with the self-awareness she needed. Having overcome several setbacks, including a major depression, before becoming a happily married mother, Cournos is perceptive and convincing about the mark these experiences left on her. Agent, Richard Balkin.

    Completely revised for 2002.

    And more is better. This is the new equation for church development, a new equation with eternal results.Rejecting the “bigger is better” model of the complex, corporate megachurch, church innovator Dave Browning embraced deliberate simplicity. The result was Christ the King Community Church, International (CTK), an expanding multisite community church that Outreach magazine named among America’s Fastest Growing Churches and America’s Most Innovative Churches. Members of the CTK network in a number of cities, countries, and continents are empowered for maximum impact by Browning’s “less is more” approach. In Deliberate Simplicity, Browning discusses the six elements of this streamlined model:• Minimality: Keep it simple• Intentionality: Keep it missional• Reality: Keep it real• Multility: Keep it cellular• Velocity: Keep it moving• Scalability: Keep it expandingAs part of the Leadership Network Innovation Series, Deliberate Simplicity is a guide for church leaders seeking new strategies for more effective ministry.

    Wright Thompson, many times included in this volume over the years, takes his turn at the helm by curating this exceptional collection. The only shared trait among these diverse pieces is the extraordinarily high caliber of writing, but collectively they tap into the pure passion that can only come from sports. And for all aspiring sports writers, says Thompson, “these selections are both road map and compass.”  The Best American Sports Writing 2015 includesDon Van Natta Jr., Chris Ballard, Katie Baker, Christopher Beam, Wells Tower, Seth Wickersham, Ariel Levyand others WRIGHT THOMPSON, guest editor, started his sports writing career as a student at the University of Missouri, where he covered sports for the Columbia Missourian. He interned at the Times-Picayune in New Orleans and worked as the LSU beat writer. He then moved to the Kansas City Star, where he covered a wide variety of sports. In 2006 he joined ESPN.com and ESPN: The Magazine as a senior writer. He lives in Oxford, Mississippi. GLENN STOUT, series editor for The Best American Sports Writing since its inception, is the author of Young Woman and the Sea and Fenway 1912. He serves as the long-form editor for SB Nation and lives in Alburgh, Vermont.

    She chaperoned baby sea turtles on their journey to sea. She pursued bad guys on her galloping patrol horse. She jumped into rescue helicopters bound for the heart of the Grand Canyon. She won arguments with bears. She slept with a few too many rattlesnakes. Hell yeah, it was the best job in the world! Fortunately, Andrea survived it. In this graphic and yet surprisingly funny account of her and others’ extraordinary careers, Lankford unveils a world in which park rangers struggle to maintain their idealism in the face of death, disillusionment, and the loss of a comrade killed while holding that thin green line between protecting the park from the people, the people from the park, and the people from each other. Ranger Confidential is the story behind the scenery of the nation’s crown jewels—Yosemite, Grand Canyon, Yellowstone, Great Smokies, Denali. In these iconic landscapes, where nature and humanity constantly collide, scenery can be as cruel as it is redemptive.

    In myriad ways, each narrator’s life has been shaped by loss, injustice, and resilience—and by the struggle of how to share space with settler nations whose essential aim is to take all that is Indigenous.  Hear from Jasilyn Charger, one of the first five people to set up camp at Standing Rock, which kickstarted a movement of Water Protectors that roused the world; Gladys Radek, a survivor of sexual violence whose niece disappeared along Canada’s Highway of Tears, who became a family advocate for the National Inquiry into Missing and Murdered Indigenous Women and Girls; and Marian Naranjo, herself the subject of a secret radiation test while in high school, who went on to drive Santa Clara Pueblo toward compiling an environmental impact statement on the consequences of living next to Los Alamos National Laboratory. Theirs are stories among many of the ongoing contemporary struggles to preserve Native lands and lives—and of how we go home.

    That's what I would give to you." -Fanni Victoria Green-Lemons, in conversation with her daughter, Danyealah Green-Lemons In "Mom," Dave Isay-StoryCorps's founder and the editor of the project's bestselling collection, "Listening Is an Act of Love"-presents a celebration of American mothers. Featuring StoryCorps's most revelatory stories on the subject, "Mom" looks across a diversity of experience to present an entirely original portrait of motherhood. Through conversations between parents and children, husbands and wives, siblings and friends, the life of the American mother unfolds. In stories that take us from the woods of New Hampshire to urban Detroit and beyond, we meet mothers and children from all walks of life-an immigrant mother instilling in her children the importance of education, adult children caring for an elderly parent, a woman remembering the sound of her mother's laugh, and mothers and children of all ages learning to grow into new roles over time. Visiting families in moments of profound joy and sadness, courage and despair, struggle and triumph, we learn new truths about that most primal and sacred of bonds-the relationship between mother and child. With this vital contribution to the American storybook, StoryCorps has created a tribute to mothers that honors the wealth of our national experience. An appreciation of the wisdom and generosity passed between mothers and children, this generation to the next, "Mom" offers powerful lessons in the meaning of family and the expansiveness of the human heart. Watch a Video

    There, the local swimming pool became her first body of water. Through her life there have been others that have meant different things, but have still been, in their own way, home: from the wild coastline of New Zealand to a pond in northwest London.This lyrical collection of interconnected essays explores the bodies of water that separate and connect us, as well as everything from migration, food, family, earthquakes and the ancient lunisolar calendar to butterflies. In powerful prose, Small Bodies of Water weaves together personal memories, dreams and nature writing. It reflects on a girlhood spent growing up between two cultures, and explores what it means to belong.

    Narrated by a speaker in mourning marked as an at-risk juvenile, psychologically troubled, an offender, expelled and sent to alternative school for adolescents with behavioral issues, and eventually, a psychiatric hospital, she survives the school to prison pipeline, the immigrant working class condition, grueling low- pay service jobs, conservative classism against Latinos in Texas, queerness, assimilation, and life wrapped up in frivolous citations, fines, and penalties. The traumatic catalyst for the long line of trouble begins with the death of a beloved young grandmother from preventable cervical cancer—another violence of systemic racism and sexism that prevents regular reproductive and sexual health care to poor immigrant communities—and the subsequent deaths of other immigrant family members who are mourned in the dissociative states amidst the depressive trauma that opens the book. The dissociative states that mark the middle—a surreal kind of shadowland where the narrator encounters her animal self and ancestors imagined as animals faces brutal surreal challenges on the way back to life beyond trauma—is a kind of mictlan, reimagined as a state of constant mourning that challenges American notions of "healing" from trauma, and rather acknowledges sadness, mourning, and memory as a necessary state of constant awareness to forge a "way back" toward a broader healing of earth, time, body, history.

    “Real Women Write about Real Sex” in Sugar in My Bowl, as such marquee names as Gail Collins, Eve Ensler, Daphne Merken, Anne Roiphe, Liz Smith, Naomi Wolf, and Jennifer Weiner, to name but a few, join together to speak openly about female desire—what provokes it and what satisfies it. In the free, unfettered spirit of The Bitch in the House, Sugar in My Bowl explores the bedroom lives of women with daring, wit, intelligence, and candor.

    But after she graduated from college, broke and ready for a new challenge, she joined a Glacier National Park trail crew as a seasonal “traildog” maintaining mountain trails for the millions of visitors Glacier draws every year. Byl first thought of the job as a paycheck, a summer diversion, a welcome break from “the real world” before going on to graduate school. She came to find out that work in the woods on a trail crew was more demanding, more rewarding—more real—than she ever imagined.   During her first season, Byl embraces the backbreaking difficulty of the work, learning how to clear trees, move boulders, and build stairs in the backcountry. Her first mentors are the colorful characters with whom she works—the packers, sawyers, and traildogs from all walks of life—along with the tools in her hands: axe, shovel, chainsaw, rock bar. As she invests herself deeply in new work, the mountains, rivers, animals, and weather become teachers as well. While Byl expected that her tenure at the parks would be temporary, she ends up turning this summer gig into a decades-long job, moving from Montana to Alaska, breaking expectations—including her own—that she would follow a “professional” career path.   Returning season after season, she eventually leads her own crews, mentoring other trail dogs along the way. In Dirt Work, Byl probes common assumptions about the division between mental and physical labor, “women’s work” and “men’s work,” white collars and blue collars. The supposedly simple work of digging holes, dropping trees, and blasting snowdrifts in fact offers her an education of the hands and the head, as well as membership in an utterly unique subculture. Dirt Work is a contemplative but unsentimental look at the pleasures of labor, the challenges of apprenticeship, and the way a place becomes a home.

    In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged.

    Turning to loves she learned from her father, Polson explores the perilous terrain of grief through music, the natural world, and her faith. Her travels take her from the suburbs of Seattle to the concert hall where she sings Mozart's Requiem, and ultimately into the wilderness of Alaska's remote Arctic and of her heart. This deeply moving narrative is shot through with the human search for meaning in the face of tragedy. Polson's deep appreciation for the untamed and remote wilderness of the Alaskan Arctic moves her story effortlessly between adventure, natural history, and sacred pilgrimage, as much an internal journey as a literal one. Readers who appreciate music or adventure narratives and the natural world or who are looking for new ways to understand loss will find guidance, solace, and a companionable voice in this extraordinary debut.

    She fell in love with the silence, and in this profound, frank memoir she describes how she explored this new love, searching for silence and solitude.

    In defense of human rights and equality, she assails the corrupt and educates the misguided with compassion, Swiftian wit, and complete literary authority.In this compelling collection, Pollitt skewers one hypocrite after another. She suggests, for example, that creationists be permitted to oppose the teaching of evolution only so long as they agree to forgo the benefits of the theory–such as flu vaccines. She gently wonders if those who denounced the decision to allow Terri Schiavo to die in peace would themselves be satisfied to be video-diagnosed by Senator Bill Frist. And in the title essay about fundamentalists’ antagonism toward sex education and STD prevention, she asks, “What is it with these right-wing Christians? Faced with a choice between sex and death, they choose death every time.”Pollitt is one of the most eloquent and persuasive voices in American political conversation of this or any other era, and Virginity or Death! Is a marvelous demonstration of her keen insight, mordant humor, and sense of justice.“Katha Pollitt has long and rightly been hailed for her brilliance, wit, and great insight into politics, social issues, and women’s rights. As with all of her work, I am enormously grateful for Virginity or Death!, and also deeply jealous.”–Anne Lamott, author of Traveling Mercies