Twenty years later, one is found--but she's still the same age as when she disappeared. The secrets of witches have reached across the centuries in this chilling Gothic thriller from the author of the acclaimed The Nesting. When single mother Liv is commissioned to paint a mural in a 100-year-old lighthouse on a remote Scottish island, it's an opportunity to start over with her three daughters--Luna, Sapphire, and Clover. When two of her daughters go missing, she's frantic. She learns that the cave beneath the lighthouse was once a prison for women accused of witchcraft. The locals warn her about wildlings, supernatural beings who mimic human children, created by witches for revenge. Liv is told wildlings are dangerous and must be killed.Twenty-two years later, Luna has been searching for her missing sisters and mother. When she receives a call about her youngest sister, Clover, she's initially ecstatic. Clover is the sister she remembers--except she's still seven years old, the age she was when she vanished. Luna is worried Clover is a wildling. Luna has few memories of her time on the island, but she'll have to return to find the truth of what happened to her family. But she doesn't realize just how much the truth will change her.

    After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

    After months of grief, this will be the place where they start their life as a family of two.But something is wrong—Daniel can’t settle. There’s an odd, cold feeling in the master bedroom, and a mysterious dripping noise that seems to move from room to room. Whispers of I can’t sleep echo through the corridors, long into the night.And then Daniel uncovers the chilling story of the family who lived in the house years before, of betrayal, tragedy, and murder. Could the Nightingale House be not the home Daniel dreamed of for his daughter—but a place that will bring their worst nightmares to life?

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    She finds refuge at her friend’s home nestled in the woods atop Coltsfoot Mountain in Connecticut. The house stands alone except for old cellar holes from the 18th century ghost-town called Dudleytown, formerly inhabited by charcoal makers. The isolation and the deep, dark woods surrounding the house relax her, but there is something sinister living in the woods. As a vindictive Kevin searches for her, Sandy meets Nathan Bishop, a descendant of one of the original Dudleytown settlers. He tells her about the curse that had been visited upon Dudleytown by the spirit of a murdered Indian sachem, resulting in murders, suicides, Indian massacres, shootings, and other forms of mayhem inflicted upon the villagers. What they are both about to discover is that the curse has returned . . . for them.Based on the true-life story of Dudleytown, Dark Entry is an engrossing and chilling tale that will have you reading with the lights on.

    Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    Guilt-ridden over the belief that she’s somehow responsible for her mom’s death, Riley is desperate to see her mother’s elusive spirit to gain her forgiveness. When her father moves the family to Scotland so they can all start over, Riley believes her life couldn’t get worse––that is until the ghost of nineteen-year-old Ian MacKinnon catches her purposely cutting herself. An uneasy truce quickly turns into friendship, and soon Riley’s falling hard for Ian. Riley believes her gift could help Ian end the curse that has kept him tied to the land for centuries, but that would mean letting him go forever and she’s not sure she is strong enough to do that. As if her life wasn’t complicated enough, the spirit of the woman who killed Ian returns and she’ll stop at nothing to keep Riley from helping Ian find eternal peace.

    A city of gas lamps, cobblestone streets, and horse-drawn carriages—and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: What if the world’s most celebrated mythological beasts—mermaids, minotaurs, and satyrs—were in fact the evolutionary ancestors of humankind?  The Resurrectionist offers two extraordinary books in one. The first is a fictional biography of Dr. Spencer Black, from a childhood spent exhuming corpses through his medical training, his travels with carnivals, and the mysterious disappearance at the end of his life. The second book is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts—dragons, centaurs, Pegasus, Cerberus—all rendered in meticulously detailed anatomical illustrations. You need only look at these images to realize they are the work of a madman. The Resurrectionist tells his story.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    It includes lots of cursing, descriptive sex, biting sarcasm, and dark themes. HYDE was inspired by Stevenson's novella but is not a retelling, in part because he and this author have very different definitions of 'bad boy'.Honesty is impossible when you don't know the truth to begin with.Mitchell Turner is everything women want most in a man--he's charismatic, successful, and undeniably gorgeous. But he's not a man--he's a monster. By venting his rage 24/7, Mitch keeps people out of the danger zone that surrounds him. But, after the most incredible night of his life, he realizes that might not be possible. Except the woman he wakes up with claims she doesn't remember any of it. And that kind of thing can make a guy insecure.Eden Colfax is kind, loyal, honest to a fault, and cavity-inducing sweet. To rid herself of the monsters that haunted her broken childhood, Eden doesn't lie, doesn't curse, and definitely never wakes up naked in strangers' beds...until the day she does. Then the flashbacks start--places she's never been, people she's never met, blood she's never spilled. And the only person with any answers is a man she never wants to see again.What they don't know is that someone is manipulating them, determined to find out exactly what they're capable of. And when the truth leaves them nothing to hold onto, they will be forced into a partnership neither expected. Or wanted.But in life, who you trust is as important as who you are. And when you can't even trust yourself, sometimes the only person you can rely on is the last person on earth you should be falling for.

    In the trunk of the car rests a cache of diaries dating back 200 years, tied and retied with strings through generations. The diaries carry the rules for survival that have been handed down from mother to daughter since the 19th century. But how can Hannah escape an enemy with the ability to look and sound like the people she loves? Stephen Lloyd Jones's debut novel is a sweeping thriller that extends from the present day, to Oxford in the 1970s, to Hungary at the turn of the 19th century, all tracing back to a man from an ancient royal family with a consuming passion -- a boy who can change his shape, insert himself into the intimate lives of his victims, and destroy them. If Hannah fails to end the chase now, her daughter is next in line. Only Hannah can decide how much she is willing to sacrifice to finally put a centuries-old curse to rest.

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.