Thousands of children have been inspired to weave their own stories to go with his intriguingly titled pictures. And now, some of our most imaginative storytellers attempt to solve the perplexing mysteries of Harris Burdick. Enter The Chronicles of Harris Burdick to read this incredible compendium of stories: magical, funny, creepy, poignant, inscrutable, these are tales you won't soon forget.(front flap)

    Jones turns well-known fairy tales upside-down in this humorous new series!This series is part of Scholastic's early chapter book line called Branches, which is aimed at newly independent readers. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow!In the Land of Fake Believe, Princess meets a strange girl named Moldylocks. When Princess's stomach grumbles, Moldylocks takes her to the home of the Three Beards. The girls sit in their chairs, eat their chili, and jump on their beds. The Three Beards are not happy when they get home--and they are very, very hungry! Will Moldylocks and Princess go into the chili pot? With easy-to-read text and engaging full-color artwork throughout, kids will be drawn right into this very funny land of fractured fairy tales!

    That’s what Humphrey was told when he was first brought to Room 26. And boy, is it true! In addition to having FUN-FUN-FUN in class, each weekend this amazing hamster gets to sleep over with a different student, like Lower-Your-Voice-A.J. and Speak-Up-Sayeh. Soon Humphrey learns to read, write, and even shoot rubber bands (only in self-defense, of course). With lots of friends to help, adventures to enjoy, and a cage with a lock-that-doesn’t- lock, Humphrey's life is almost perfect. If only the teacher, Mrs. Brisbane, wasn’t out to get him!Boys and girls can't help falling in love with Humphrey!

    Barrie first created Peter Pan as a baby, living a wild and secret life with birds and fairies in the middle of London. Later Barrie let this remarkable child grow a little older and he became the boy-hero of Neverland, making his first appearance, with Wendy, Captain Hook, and the Lost Boys, in Peter and Wendy. The Peter Pan stories were Barrie's only works for children but, as their persistent popularity shows, their themes of imaginative escape continue to charm even those who long ago left Neverland. This is the first edition to include both texts in one volume and the first to a present an extensively annotated text for Peter Pan in Kensington Gardens.

     In this classic that has delighted three generations of readers, Babar escapes from the hunter who killed his mother and comes to town. Here, with the help of an old friend, he will learn a lot of new things and one day, once returned to the great forest, he will be acclaimed King of the elephants! A story beautifully told accompanied by fascinating and hilarious illustrations! A must read for kids of any age!

    It is set in the time of the English Civil War and the Commonwealth. The story follows the fortunes of the four Beverley children who are orphaned during the war, and hide from their Roundhead oppressors in the shelter of the New Forest where they learn to live off the land.

    But the babies are sleeping, and Mama and Papa are worried that Penny will wake them up. Oh, but it is a good song, a really wonderful song . . . and Penny wants more than anything to sing it.What do you think will happen?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    But when her parents disappear completely and Emily is left home alone to face the weird strangers that begin to appear at her door, she takes all of the clues at her disposal and makes for the place where the letters came from -- the mysterious Night Post. What she'll discover is the secret world of the Midnight Hour -- a Victorian London frozen in time, full of magic and monsters.Kept safe by an age-old agreement, the Night Folk have been exiled to a parallel world that can only be accessed by a selected few, including the mail carriers of the infamous Night Post that operate between the two worlds. Emily's parents are key players in keeping the Night Folk safe, but when the division of the two worlds is threatened, Emily must search for her parents while navigating this dark and unknown version of London.Armed only with a packed lunch, her very sleepy pocket hedgehog, and her infamously big argumentative mouth, she must escape bloodthirsty creatures of the night, figure out her own family secrets, and maybe just save the world. This is a frightening and enchanting story, a world built out of creatures from our worst fears who become relatable, fully formed characters unlike any we've seen as these strangers of parallel worlds band together to save the day.

    It's an enjoyable story that pulls in even reluctant readers.

    Colin is a sick boy who can't get out of bed. But everything changes when they find each other - and the magic of The Secret Garden!

    There’s never been anyone like Gooney Bird Greene at Watertower Elementary School. What other new kid comes to school wearing pajamas and cowboy boots one day and a polka-dot t-shirt and tutu on another? Gooney Bird has to sit right smack in the middle of the class because she likes to be in the middle of everything. She is the star of story time and keeps her teacher and classmates on the edge of their seats with her “absolutely true” stories. But what about her classmates? Do they have stories good enough to share?

    The story is immediately engaging—two fourth-grade boys who write comic books and love to pull pranks find themselves in big trouble. Mean Mr. Krupp, their principal, videotapes George and Harold setting up their stunts and threatens to expose them. The boys' luck changes when they send for a 3-D Hypno-Ring and hypnotize Krupp, turning him into Captain Underpants, their own superhero creation. Later, Pilkey includes several pages of flip-o-ramas that animate the action. The simple black-and-white illustrations on every page furnish comic-strip appeal. The cover features Captain Underpants, resplendent in white briefs, on top of a tall building. This book will fly off the shelves.

    They collect wild mushrooms and blueberries and shelter under toadstools when it rains. They play with the squirrels and frogs, and when fall comes, they collect and prepare food to see them through the long winter, until the warm spring breeze starts to blow.A mini gift edition of Elsa Beskow's classic story.

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.