This maxim was never truer than with Ulysses S. Grant and his wife, Julia. Through all the turbulence of his lengthy career, Julia stood firm to support him through all the obstacles that fortune threw in their way. Julia was certainly not passive as her husband rose through the ranks of the army and eventually became President of the United States. Indeed, through the course of the Civil War, she left their children with relatives and stayed with Ulysses during campaigns in Memphis, Vicksburg, Nashville and Virginia, travelling more than ten thousand miles in four years. She performed the role of First Lady with great dignity, organizing spectacular events and hosting leaders from across the globe. Yet, as Ross highlights, the marriage was not without difficulty and sometimes contradictions, for although Ulysses was fighting for the Union and the cause of emancipation, Julia had come from a slave-owning family and this had caused a great deal of consternation in his family. Ishbel Ross’s superb biography of this remarkable woman uncovers a truly remarkable marriage and has brought the life of this fascinating First Lady back from the shadows of her husband’s career and into the public eye once more. “Ulysses and Julia Grant were a profoundly united couple, and so it is not easy to make a clear distinction between his life and hers. The two loved and needed each other. … It is very pleasant to get to know Julia Grant, who, in her devotion, was one of the more potent women in American history.” The Saturday Review “Lengthy, well-written, carefully detailed, this biography of the plain, devoted and ambitious wife of a great general and lesser president will appeal greatly … its emphasis on the life and manners of the Grant era should make it a valuable addition to the domestic history of Victorian America.” Kirkus Reviews Ishbel Ross was a prominent biographer of many of the most important women in American history. Her book The General's Wife: The Life of Mrs. Ulysses S. Grant was first published in 1959, and she passed away in 1975.

    In fact, he has a hard enough time keeping the peace between the drunks in the local saloon. But with tough Sheriff Mont Naylor to back him up he figures he can handle whatever comes his way.Jim-Bob's first real assignment is no piece of cake. He must escort a ruthless outlaw into the hands of justice. All seems well with the lawless killer firmly in Jim-Bob's custody. But nothing prepares him for an angry mob, determined to take the law into their own hands and provide their own brand justice: a hangman's noose.Shadow of a Star is a gripping tale by Elmer Kelton, voted one of the best Western Writers of all time by Westerns Writers of America, Inc.

    Nell is in love with one man, but marries another. The heroine's frank discussion of her sexual attraction to her lover, and her dispassionate evaluation of loveless marriage as a form of self-sale was criticized by many critics of the day; however, Cometh Up was one of Rhoda Broughton's most successful sensation novels and was widely read.

    Drawing on newspapers, broadsides, diaries, and letters, he shows how patriotic celebrations and their reproduction in a rapidly expanding print culture helped connect local politics to national identity. Waldstreicher reveals how Americans worked out their political differences in creating a festive calendar. Using the Fourth of July as a model, members of different political parties and social movements invented new holidays celebrating such events as the ratification of the Constitution, Washington's birthday, Jefferson's inauguration, and the end of the slave trade. They used these politicized rituals, he argues, to build constituencies and to make political arguments on a national scale. While these celebrations enabled nonvoters to participate intimately in the political process and helped dissenters forge effective means of protest, they had their limits as vehicles of democratization or modes of citizenship, Waldstreicher says. Exploring the interplay of region, race, class, and gender in the development of a national identity, he demonstrates that an acknowledgment of the diversity and conflict inherent in the process is crucial to any understanding of American politics and culture.

    In this book, Denise D. Meringolo shows that the roots of public history actually reach back to the nineteenth century, when the federal government entered into the work of collecting and preserving the nation's natural and cultural resources. Scientists conducting research and gathering specimens became key figures in a broader effort to protect and interpret the nation's landscape. Their collaboration with entrepreneurs, academics, curators, and bureaucrats alike helped pave the way for other governmental initiatives, from the Smithsonian Institution to the parks and monuments today managed by the National Park Service.All of these developments included interpretive activities that shaped public understanding of the past. Yet it was not until the emergence of the education-oriented National Park Service history program in the 1920s and 1930s that public history found an institutional home that grounded professional practice simultaneously in the values of the emerging discipline and in government service. Even thereafter, tensions between administrators in Washington and practitioners on the ground at National Parks, monuments, and museums continued to define and redefine the scope and substance of the field. The process of definition persists to this day, according to Meringolo, as public historians establish a growing presence in major universities throughout the United States and abroad.

    Rosenberg shows how U.S. foreign relations evolved from a largely private system to an increasingly public one and how, soon, the American dream became global.

    Building on the legacy of two previous editions of The New American History, this volume presents an entirely new group of contributors and a reconceptualized table of contents.The new generation of historians showcased in American History No posed new questions and developed new approaches to scholarship to revise the prevailing interpretations of the chronological periods from the colonial era to the Reagan years. Covering the established subfields of women's history, African American history, and immigration history, the book also considers the history of capitalism, Native American history, environmental history, religious history, cultural history, and the history of "the United States in the world."American History Now provides an indispensable summation of the state of the field for those interested in the study and teaching of the American past.

    He heads down to Mulberry, Texas, to keep a promise to his fallen Union army brother-in-arms, Joe Farrell, to make sure that his family is safe. But what Sam finds is the Farrell family in shambles: a gang of former Confederate soldiers are harassing them because of Joe's Union service. In desperation, Joe's widow, Julia, has married the gang's sadistic leader -- a man Sam had haunting his dreams since the war. To rescue Julia, Sam will need to rely on his wits as much as his guns, and he'll need the help of the whole Farrell clan, including Joe's disarming younger sister, Mary. This is a new release of an edition originally published by C.J. Petit.

    Fate, however, seems eager to cheat him out of an honest living, when Jack begins visiting the notorious Black Lion, drinking den of the worst criminals in London.

    Male, female, deft, fraudulent, constantly shifting: which of the masquerade of passengers on the Mississippi steamboat Fidele is the confidence man? The central motif of Melville's last and most modern novel can be seen as a symbol of American cultural history.

    When she reluctantly agrees to care for Addie, a young Native Alaskan girl, she discovers she must seek help from the family she’s kept at arm’s length for years, and returns to the big home on Looking Lake and all her memories there.Her sister Tillie, the gardener, the artist, still has unspoken questions about the teenage accident with Emerson that claimed her legs from the knee down. Their aging mother Eve spreads her joy for life indiscriminately and wonders how she could ever have failed her daughters. Their neighbor Henry, the handsome sculptor, has his own silent history with Emerson, and knows more than he’s telling about her husband’s suicide.And ten-year-old Addie has come into this house full of strangers, bringing her own grief over her mother's illness, and an uncanny ability to recognize the aches these grown-ups carry inside themselves. As the five come together, new alliances are forged and old secrets are forced to the surface, weaving together questions of identity, forgiveness, and the bravery it takes to open our true selves to the ones we love.

    She enjoyed privileges, but her teenage years were blighted, leaving her unable to receive essential medical treatment until she was 21. She became a model and a designer, and in the 1970s embarked on a short and violent marriage to Lord Colin Campbell. In this autobiography she writes of a life-long struggle to be accepted as the woman she is. She tells of her formative years in Jamaica and New York, her many love affairs, her connection with members of the Royal Family, her activities as a socialite and international charity organizer, and her current life as the fulfilled mother of two adopted Russian children.

    

    William Dean Howells' richly humorous characterization of a self-made millionaire in Boston society provides a paradigm of American culture in the Gilded Age.After establishing a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston, where they awkwardly attempt to break into Brahmin society.

    Offensive tactics, which had been used successfully by Americans in the Mexican War, were much less effective in the 1860s because an improved weapon—the rifle—had given increased strength to defenders. This book describes tactical theory in the 1850s and suggests how each related to Civil War tactics. It also considers the development of tactics in all three arms of the service during the Civil War.   In examining the Civil War the book separates Southern from Northern tactical practice and discusses Confederate military history in the context of Southern social history. Although the Southerners could have offset their numerical disadvantage by remaining on the defensive and forcing the Federals to attack, they failed to do so. The authors argue that the Southerners’ consistent favoring of offensive warfare was attributable, in large measure, to their Celtic heritage: they fought with the same courageous dash and reckless abandon that had characterized their Celtic forebears since ancient times. The Southerners of the Civil War generation were prisoners of their social and cultural history: they attacked courageously and were killed—on battlefields so totally defended by the Federals that “not even a chicken could get through.”