Invaded by both Germany and the Soviet Union, it remained under occupation by foreign armies from the first day of the war to the last. The conflict was brutal, as Polish armies battled the enemy on four different fronts. It was on Polish soil that the architects of the Final Solution assembled their most elaborate network of extermination camps, culminating in the deliberate destruction of millions of lives, including three million Polish Jews. In The Eagle Unbowed, Halik Kochanski tells, for the first time, the story of Poland's war in its entirety, a story that captures both the diversity and the depth of the lives of those who endured its horrors.Most histories of the European war focus on the Allies' determination to liberate the continent from the fascist onslaught. Yet the "good war" looks quite different when viewed from Lodz or Krakow than from London or Washington, D.C. Poland emerged from the war trapped behind the Iron Curtain, and it would be nearly a half-century until Poland gained the freedom that its partners had secured with the defeat of Hitler. Rescuing the stories of those who died and those who vanished, those who fought and those who escaped, Kochanski deftly reconstructs the world of wartime Poland in all its complexity-from collaboration to resistance, from expulsion to exile, from Warsaw to Treblinka. The Eagle Unbowed provides in a single volume the first truly comprehensive account of one of the most harrowing periods in modern history.

    From Zanjeer to Deewaar and Sholay to Shakti, their creative output changed the destinies of several actors and filmmakers and even made a cultural phenomenon of the Angry Young Man. Even after they decided to part ways, success continued to court them-a testament not only to their impeccable talent and professional ethos, but also their enterprising showmanship and business acumen. Fizzing with energy and brimming over with enough trivia to delight a cinephile's heart, Written by Salim-Javed tells the story of a dynamic partnership that transformed Hindi cinema forever.

    While paying tribute to Slovakia's resilience and struggle for survival, it describes contributions to European civilization in the Middle Ages; the development of Slovak consciousness in response to Magyarization; its struggle for autonomy in Czechoslovakia after the Treaty of Versailles; its resistance, as the first Slovak Republic, to a Nazi-controlled Europe; its reaction to Communism; and the path that led to the creation of the second Slovak Republic. Now fully updated to the present day, the book examines the vagaries of Slovak post-Communist politics that led to Slovakia's membership in NATO and the European Union.

    With an American TV actor named Clint Eastwood and a script based on a samurai epic, Leone wound up creating "A Fistful of Dollars", the first in a trilogy of films (with "For a Few Dollars More" and "The Good, the Bad, and the Ugly") that was violent, cynical, and visually stunning. Along with his later masterpiece, "Once Upon a Time in the West", these films came to define the Spaghetti Western

    Since known as “The Miracle of the Vistula,” it remains one of the most crucial conflicts of the Western world. Drawing on both Polish and Russian sources, Norman Davies shows how this war was a pivotal event in the course of European history.

    Drawing on the Kosciuszko Squadron’s unofficial diary–filled with the fliers’ personal experiences in combat–and on letters, interviews, memoirs, histories, and photographs, the authors bring the men and battles of the squadron vividly to life. We follow the principal characters from their training before the war, through their hair-raising escape from Poland to France and then, after the fall of France, to Britain. We see how, first treated with disdain by the RAF, the Polish pilots played a crucial role during the Battle of Britain, where their daredevil skill in engaging German Messerschmitts in close and deadly combat while protecting the planes in their own groups soon made them legendary. And we learn what happened to them after the war, when their country was abandoned and handed over to the Soviet Union. A Question of Honor also gives us a revelatory history of Poland during World War II and of the many thousands in the Polish armed forces who fought with the Allies. It tells of the country’s unending struggle against both Hitler and Stalin, its long battle for independence, and the tragic collapse of that dream in the “peace” that followed. Powerful, moving, deeply involving, A Question of Honor is an important addition to the literature of World War II.

     "Adam Zamoyski's The Polish Way is a stunner; a comprehensive history of Poland. . . Clear, calm, beautifully written, its scope is enormous, its story enthralling and its illustrations magnificent." BERNARD LEVIN, The Times of London "Mr. Zamoyski, although born in New York and educated at Oxford, writes as an insider. Is this because the Zamoyskis have for the last 400 years been playing a leading role in Poland, a role often characterized by a greater public spirit and sense of responsibility than those possessed by the other magnate families? Mr. Zamoyski believes there is a need for a new synthesis of Poland's past because of the heavily nationalist and political coloring of existing works. 'Foreign historians,' he writes, 'have patronised, while Poles have fought back with all the handicaps of the besieged.' He strives to place Polish history more squarely in its European context, and he pays special attention to developments that had repercussions beyond the boundaries of the country. For example, he emphasizes the phenomenon of the Polish parliamentary state in Central Europe, its spectacular 16th century success and its equally spectacular disintegration two centuries later. . . This is popular history at its best, neither shallow nor simplistic. . . lavish illustrations, good maps and intriguing charts and genealogical tables make this book particularly attractive." New York Times Book Review Publishing House: Hippocrene Books, New York 1993 Softcover book measuring 6" x 9.5" 422 pages English Language Version All books are shipped through t

    His best-known films, Blue; White; Red; The Double Life of Veronique; and The Decalogue, remain watershed events in lmmaking history. Author Annette Insdorf, Kieslowskis close friend and translator, offers a revealing portrait of his life and monumental body of work. From the gold-bathed images of The Double Life of Veronique to the emotionally dark, visually haunting Blue, Kieslowskis films explore personal and social issues with inimitable brilliance. This paperback edition includes an updated introduction with information on the much anticipated release of Heaven (March 2002) which Kieslowski wrote and planned to film, before he died unexpectedly in March 1996.

    One of America's most famous celebrities, a movie and television star, offers an honest and revealing portrait of his life and career, reviewing his many loves, his many successes, and his many heartaches.

    Poland suffered terribly under the Nazis. By the end of the war six million had been killed: some were innocent civilians - half of them were Jews - but the rest died as a result of a ferocious guerrilla war the Poles had waged. On 1 August 1944 Andrew Borowiec, a fifteen-year-old volunteer in the Resistance, lobbed a grenade through the shattered window of a Warsaw apartment block onto some German soldiers running below. 'I felt I had come of age. I was a soldier and I'd just tried to kill some of our enemies'. The Warsaw Uprising lasted for 63 days: Himmler described it as 'the worst street fighting since Stalingrad'. Yet for the most part the insurgents were poorly equipped local men and teenagers - some of them were even younger than Andrew. Over that summer Andrew faced danger at every moment, both above and below ground as the Poles took to the city's sewers to creep beneath the German lines during lulls in the fierce counterattacks. Wounded in a fire fight the day after his sixteenth birthday and unable to face another visit to the sewers, he was captured as he lay in a makeshift cellar hospital wondering whether he was about to be shot or saved. Here he learned a lesson: there were decent Germans as well as bad. From one of the most harrowing episodes of the Second World War, this is an extraordinary tale of survival and defiance recounted by one of the few remaining veterans of Poland's bravest summer. Andrew Borowiec dedicates this book to all the Warsaw boys, 'especially those who never grew up'. Andrew Borowiec was born at Lodz in Poland in 1928. At fifteen he joined the Home Army, the main Polish resistance during the Second World War, and fought in the ill-fated Warsaw Uprising. After the war he left Poland and attended Columbia University's Graduate School of Journalism. He lives in Cyprus with his English wife Juliet.

    A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s.Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

    This is written in such a manner that once you start, it is difficult to put down until you finish." In 1949, Jeanne Crain was the # 1 box-office draw in Hollywood based on the money her movies made that year. Her controversial film, Pinky, was not only financially successful, but it earned Crain an Academy Award nomination as Best Actress. The beautiful star had a blossoming career, loving husband and, eventually, seven children, but along with the accomplishments and money were disappointments. Her career became stagnant at her home studio, 20th Century-Fox; the relationship between her mother and her husband was contentious to say the least, and her idyllic marriage was marred by public betrayal. Through the glorious times, as well as the darker ones, Jeanne Crain moved forward with beauty, grace and dignity. Her life was an interesting Cinderella-story. With a gorgeous face and petite figure, she claimed her place in classic film history. Her fame was at its highest during the post-war era, when being one of America’s top sweethearts in Hollywood was a peak position, and in the 1940s and '50s, she was everyone's favorite, Girl Next Door.

    Despite the extreme risk to himself and his family, he contacted the American Embassy in Bonn, and arranged a secret meeting. From the very start, he made clear that he deplored the Soviet domination of Poland, and believed his country was on the wrong side of the Cold War. Over the next nine years, Kuklinski -- code name "Jack Strong" -- rose quickly in the Polish defense ministry, acting as a liaison to Moscow, and helping to prepare for a "hot war" with the West. But he also lived a life of subterfuge -- of dead drops, messages written in invisible ink, miniature cameras, and secret transmitters. In 1981, he gave the CIA the secret plans to crush Solidarity. Then, about to be discovered, he made a dangerous escape with his family to the West. He still lives in hiding in America. Kuklinski's story is a harrowing personal drama about one man's decision to betray the Communist leadership in order to save the country he loves, and the intense debate it spurred over whether he was a traitor or a patriot. Through extensive interviews and access to the CIA's secret archive on the case, Benjamin Weiser offers an unprecedented and richly detailed look at this secret history of the Cold War.

    Billy Wilder collaborated on the screenplay with the very able Charles Brackett, and with D. M. Marshman Jr., who later joined the team. Together they created a film both allusive and literate, with Hollywood's worst excesses and neuroses laid out for all to see. After viewing Sunset Boulevard Louis B. Mayer exclaimed: "We should throw this Wilder out of town!" The New York Times, however, gave the movie a rave review, praising "that rare blend of pungent writing, expert acting, masterly direction, and unobtrusively artistic photography." The film was nominated for Best Picture, and Wilder won an Academy Award for Best Story and Best Screenplay.This facsimile edition of Sunset Boulevard makes it possible to get as much pleasure from reading the highly intelligent screenplay as from seeing the film. Jeffrey Meyers's introduction provides an intriguing array of background details about Wilder, the film's casting and production, and the lives of those connected to what has become a classic.

    Yet despite dazzling success with the public, it never received its fair share of praise from the critics. Gene Kelly's genius as a performer is there for all to see. What is less acknowledged is his innovatory contribution as director. Peter Wollen has finally done justice to this landmark film. In a brilliant shot-by-shot analysis of the famous title number, illustrated by specially produced frame stills, he shows how skillfully Kelly binds the dance and musical elements into the narrative, and how he successfully combines two distinctive traditions within American Dance, tap and ballet.Scriptwriters Betty Comden and Adolph Green, and indeed Kelly himself, were all under threat from the McCarthyism which menaced Hollywood at this time. The ethos in which the film was conceived could not long survive in the era of blacklisting. Wollen argues convincingly that "Singin' in the Rain" was the high point in the careers of those who worked on it.