Takeo Doi to explore and define an area of the psyche which has previously received little attention. The resulting essay, The Anatomy of Dependence, is one of the most penetrating analyses of the Japanese mind ever written, as well as an important original contribution to psychology which transcends the boundaries of cultures and nations.Published in Japan as Amae no Kozo (The Structure of Amae), Dr. Doi's work is focused upon the word "amae" (indulgence) and its related vocabulary. Expressive of an emotion central to the Japanese experience, "amae" refers to the indulging, passive love which surrounds and supports the individual in a group, whether family, neighborhood, or the world at large. Considering the lack of such words in Western languages, Dr. Doi suggests inherent differences between the two cultures-contrasting the ideal of self-reliance with those of interdependence and the indulgence of weaknesses. Yet, he finds that Western audiences have no difficulty in recognizing and identifying with the emotions he describes, and are even searching for a way to express this need.While there is no doubt that the concept of "amae" is more developed in Japan and the feelings it engenders more profound, Dr. Doi's work is widely recognized as having a universal application. This translation of his most important essay has now been long welcomed as a major contribution-not only as an insight into the Japanese mind, but into the minds of men everywhere.

    Hiroki Azuma's 'Otaku' offers a critical, philosophical, and historical inquiry into the characteristics and consequences of this consumer subculture.

    to 1850), modern (1850-1945), and postwar (1945-1989) Japanese civilization from imperial rule through the death of Emperor Hirohito. Professor Reischauer, a former U.S. ambassador to Japan, explores the roots and development of the military dictatorship that brought Japan into World War II, the dubious leadership of its emperor, and the effects of the postwar American occupation.Download PDFhttp://www.2shared.com/document/vwGCG...

    Previously known as Gone Fishin', this book has brought Jay Rubin more feedback than any of his literary translations or scholarly tomes, "even if," he says, "you discount the hate mail from spin-casters and the stray gill-netter."To convey his conviction that "the Japanese language is not vague," Rubin has dared to explain how some of the most challenging Japanese grammatical forms work in terms of everyday English. Reached recently at a recuperative center in the hills north of Kyoto, Rubin declared, "I'm still pretty sure that Japanese is not vague. Or at least, it's not as vague as it used to be. Probably."The notorious "subjectless sentence" of Japanese comes under close scrutiny in Part One. A sentence can't be a sentence without a subject, so even in cases where the subject seems to be lost or hiding, the author provides the tools to help you find it. Some attention is paid as well to the rest of the sentence, known technically to grammarians as "the rest of the sentence."Part Two tackles a number of expressions that have baffled students of Japanese over the decades, and concludes with Rubin's patented technique of analyzing upside-down Japanese sentences right-side up, which, he claims, is "far more restful" than the traditional way, inside-out."The scholar," according to the great Japanese novelist Soseki Natsume, is "one who specializes in making the comprehensible incomprehensible." Despite his best scholarly efforts, Rubin seems to have done just the opposite.Previously published in the Power Japanese series under the same title and originally as Gone Fishin' in the same series.

    Rescuing vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, he forces us to see Japan's “modern century” (from the beginnings of contact with the West to defeat in World War II) through fresh eyes. In doing so, he presents a formidable challenge to the success story of Japan's “economic miracle.”Starting with the Meiji restoration of 1868, Professor Hane shows how modernization actually widened the gulf, economically and socially, between the rich and the poor, between the mo-bo and the mo-ga (“modern boy” and “modern girl”) of the cities and their farm counterparts. He laces his scholarly narrative with sharply etched individual accounts that make us see what Japan looked like from the bottom up. We learn what the back-breaking labor of a typical farm family was like; what it was like for poverty-stricken parents to sell their daughters into Japan’s new mills, factories, and brothels; what it was to her in rural areas scourged by famine; to be on strike in a company town; in revolt in the countryside; or conscripted into the army.Professor Hane presents us with a unique people’s history of a hitherto unknown Japan, a story as powerful and grim as any ever told by a Mayhew or a Dickens about England’s Industrial Revolution.—from the back cover of the bookIncludes Notes, and an Index

    As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships. From childhood Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of a feudal lord. He eventually married and had children but never obtained official preferment and was forced to supplement a meager stipend by dealing in swords, selling protection to shopkeepers, and generally using his muscle and wits. Katsu's descriptions of loyalty and kindness, greed and deception, vanity and superstition offer an intimate view of daily life in nineteenth-century Japan unavailable in standard history books. Musui's Story will delight not only students of Japan's past but also general readers who will be entranced by Katsu's candor and boundless zest for life.

    This lusty tale of their disreputable doings was originally issued serially in 1802, and was so successful that the author wrote numerous sequels, appearing year by year.

    This is a warm, witty memoir of one man's unlikely quest to create out of a mountainous Welsh landscape a garden fit for inclusion in the prestigious Yellow Book - the 'Gardens of England and Wales Open for Charity' guide - in just one year.

    

    

    It was unlike any other garden she knew. It had no flowers or vegetables. Instead, Ojiichan made it out of stones: “big ones, little ones and ones in-between.” Every summer, Mayumi visits her grandfather in Japan, and they tend the garden together. Raking the gravel is her favorite part. Afterward, the two of them sit on a bench and enjoy the results of their efforts in happy silence. But then one summer, everything changes. Ojiichan has grown too old to care for his home and the garden. He has to move. Will Mayumi find a way to keep the memory of the garden alive for both of them? This gentle picture book story will warm children's hearts as it explores a deep intergenerational bond and the passing of knowledge from grandparent to grandchild over time. The lyrical text by Chieri Uegaki and luminous watercolor illustrations by Genevieve Simms beautifully capture the emotional arc of the story, from Mayumi's contentment through her anger and disappointment to, finally, her acceptance. The story focuses on an important connection to nature, particularly as a place for quiet reflection. It contains character education lessons on caring, responsibility, perseverance and initiative. It's also a wonderful way to introduce social studies conversations about family, aging and multiculturalism. Mayumi lives in North America with her Japanese mother and Dutch father, and visits her grandfather in Japan. Some Japanese words are included.

    The author draws on Japanese, Soviet, and western sources to put the seemingly obscure conflict--actually a small undeclared war-- into its proper global geo-strategic perspective.The book describes how the Soviets, in response to a border conflict provoked by Japan, launched an offensive in August 1939 that wiped out the Japanese forces at Nomonhan. At the same time, Stalin signed the German- Soviet Nonaggression Pact, allowing Hitler to invade Poland. The timing of these military and diplomatic strikes was not coincidental, according to the author. In forming an alliance with Hitler that left Tokyo diplomatically isolated, Stalin succeeded in avoiding a two-front war. He saw the pact with the Nazis as a way to pit Germany against Britain and France, leaving the Soviet Union on the sidelines to eventually pick up the spoils from the European conflict, while at the same time giving him a free hand to smash the Japanese at Nomonhan.Goldman not only demonstrates the linkage between the Nomonhan conflict, the German-Soviet Nonaggression Pact, and the outbreak of World War II, but also shows how Nomonhan influenced Japan's decision to go to war with the United States and thus change the course of history. The book details Gen. Georgy Zhukov's brilliant victory at Nomonhan that led to his command of the Red Army in 1941 and his success in stopping the Germans at Moscow with reinforcements from the Soviet Far East. Such a strategy was possible, the author contends, only because of Japan's decision not to attack the Soviet Far East but to seize the oil-rich Dutch East Indies and attack Pearl Harbor instead. Goldman credits Tsuji Masanobu, an influential Japanese officer who instigated the Nomonhan conflict and survived the debacle, with urging his superiors not to take on the Soviets again in 1941, but instead to go to war with the United States.

    Sometimes overtly sexual, always intensely cute, the beautiful fighting girl has been both hailed as a feminist icon and condemned as a symptom of the objectification of young women in Japanese society.In Beautiful Fighting Girl, Saito Tamaki offers a far more sophisticated and convincing interpretation of this alluring and capable figure. For Saito, the beautiful fighting girl is a complex sexual fantasy that paradoxically lends reality to the fictional spaces she inhabits. As an object of desire for male otaku (obsessive fans of anime and manga), she saturates these worlds with meaning even as her fictional status demands her ceaseless proliferation and reproduction. Rejecting simplistic moralizing, Saito understands the otaku’s ability to eroticize and even fall in love with the beautiful fighting girl not as a sign of immaturity or maladaptation but as a result of a heightened sensitivity to the multiple layers of mediation and fictional context that constitute life in our hypermediated world—a logical outcome of the media they consume.Featuring extensive interviews with Japanese and American otaku, a comprehensive genealogy of the beautiful fighting girl, and an analysis of the American outsider artist Henry Darger, whose baroque imagination Saito sees as an important antecedent of otaku culture, Beautiful Fighting Girl was hugely influential when first published in Japan, and it remains a key text in the study of manga, anime, and otaku culture. Now available in English for the first time, this book will spark new debates about the role played by desire in the production and consumption of popular culture.

    In the remote village of Izumi five high school friends died within the space of a fortnight.The circumstances were never explained. Four years later a British paranormal researcher travels to Izumi in an attempt to unravel the mystery. There he encounters much more than culture shock. He encounters the dark side of Japanese culture – the side they don't talk about in guidebooks. He encounters Reiko.

    atomic bomb attacks on Hiroshima and Nagasaki and the ensuing death and destruction that led to the end of World War II. The events that culminated in the fall of Japan - which forever changed the course of diplomacy, geopolitics, and warfare in the twentieth century - are vividly recreated through dramatic first-hand accounts of the major participants on both sides of the Pacific. They include: Harry Truman, the inexperienced American president who made the decision that would lead to unprecedented death and destruction; the war-mongering, but mysterious, Japanese Emperor Hirohito, who ultimately presided over his country's surrender; General Leslie Groves, the no-nonsense director of the Manhattan Project; and Paul Tibbets, the pilot of the plane, the Enola Gay, which dropped the very first nuclear bomb on Hiroshima in August 1945.