Find out how being conceived in an air-raid gave her curly hair; what pranks led to her being known as the naughtiest girl Oxford High School ever had; how she ended up posing nude for Augustus John as a teenager; why Bob Monkhouse was the best (male) kiss she's ever had; and what happened next after Warren Beatty asked 'Do you fuck?'From declaring her love to Vanessa Redgrave to being told to be quiet by the Queen, this book is packed with hilarious stories. With a cast list stretching from Scorsese to Streisand, a cross-dressing Leonardo di Caprio to Isaiah Berlin, This Much Is True is as full of life and surprises, as its inimitable author.

    By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms. Nobody Passes explores and critiques the various systems of power seen (or not seen) in the act of “passing.” In a pass-fail situation, standards for acceptance may vary, but somebody always gets trampled on. This anthology seeks to eliminate the pressure to pass and thereby unearth the delicious and devastating opportunities for transformation that might create.Mattilda, aka Matt Bernstein Sycamore, has a history of editing anthologies based on brazen nonconformity and gender defiance. Mattilda sets out to ask the question, “What lies are people forced to tell in order to gain acceptance as 'real'.” The answers are as varied as the life experiences of the writers who tackle this urgent and essential topic.

    Comprising a range of voices from both within and outside the academy, this collection draws from traditional feminisms, postmodern feminism, queer theory, and sex radicalism. It stretches the boundaries of contemporary feminism, holding accountable both traditional feminism for stigmatizing sex workers, and also the sex industry for its sexist practices.

    Rich in anecdote and insight, Vested Interests offers a provocative and entertaining view of our ongoing obsession with dressing up--and with the power of clothes.

    She has endometriosis - hard to pronounce, hard to diagnose and even harder to live with.Two excision surgeries and one thriving endo Instagram community later, Bridget knows firsthand how much personal research and self-advocating endo sufferers have to do just to have their pain acknowledged. With her trademark enthusiasm, Bridget has blended her own experience with a raft of tips and strategies from health experts and endo warriors to help you thrive whenever you can, and survive on days when you just can't. Covering everything from diet to acupuncture, fertility to mental health, and surgery to sex, How to Endo is the essential guide to navigating this sucker punch of a chronic illness.Inspiring, vivacious and completely honest, Bridget's book is for everyone on the endo spectrum: the battle-hardened warriors, the newly diagnosed and thosestill searching for answers.

    But have you ever considered the kids’ perspective?Them Before Us has flipped the script on adult-centric attitudes toward marriage, parenthood, and reproductive technologies by framing these issues around a child’s right to be raised by both their mother and father. Set against a backdrop of sound research, the compelling stories throughout each chapter confirm that a child’s mental, physical, and emotional well-being depends on being loved by the two people responsible for their existence. It’s a paradigm shift that will impact the personal and the political, and reframe every marriage and family conversation across the globe. Them Before Us dispels many prevalent, harmful myths concerning children’s rights, such as:     • Kids need only love and safety—moms and dads are optional.     • Love makes a family—biology is irrelevant.     • Marriage is about adults—it has nothing to do with kids.     • Children are resilient and will “get over” divorce.     • Studies show “no difference” in outcomes for kids with same-sex parents.     • Sperm and egg donor kids are fortunate because they are so wanted.     • Surrogacy is a great way to help wannabe parents have a baby.     • Reproductive technologies are just like adoption. Are you tired of a culture that views adults as victims in family matters, when it’s clear that kids are the ones who truly pay the price? If so, we are your people, and this is your movement.

    In Life of the Party, she weaves together her own coming of age with an investigation into our culture's romanticization of violence against women. In precise, searing language—at times blistering and riotous, at times soulful and exuberant—she explores the boundary between what is real and what is imagined in a life saturated with fear. How does one grow from a girl to a woman in a world wracked by violence? Where is the line between perpetrator and victim? What is the meaning of bravery? Visceral and haunting, this multifaceted collection illustrates that what happens to our bodies makes us who we are.

    Period. is an agenda-setting manifesto to remove the stigma and myths continuing to surround the female body. Bold and unapologetic, Emma Barnett is on a crusade to ignite conversation among women--and men--everywhere.

    Continuing the comedic insight from I’m Too Young to be Seventy, these verses of memories and advice from eighty years of love, marriage, and grandchildren are sure to bring laughs.What does it mean to be eighty? In her wise and playful poems, Judith Viorst discusses love, friendship, grand parenthood, and all the particular marvels—and otherwise—of this extraordinary decade. She describes the wonder of seeing the world with new eyes—not because of revelation but because of a successful cataract operation. She promises not to gently fade away, and not to drive after daylight’s faded away either. She explains how she’s gotten to be a “three-desserts” grandmother (“Just don’t tell your mom!”), shares how memory failure can keep you married, and enumerates her hopes for the afterlife (which she doesn’t believe in, but if it does exist, her sister-in-law better not be there with her). As Viorst gleefully attests, eighty is not too old to dream, to flirt, to drink, and to dance. It’s also not too late to give up being cheap or to take up with a younger man of seventy-eight. Zesty, hopeful, and full of the pleasures of living, Viorst’s poems speak to her legions of readers, who recognize themselves in her knowing observations, in her touching reflections, and in her joyful affirmations. Funny, moving, inspirational, and true—the newest in Judith Viorst’s beloved “decades” series extols the virtues, victories, frustrations, and joys of life.

    Exploring themes such as global gender relations and the practical uses of masculinity research, this text looks at the implications for the field, particularly with regard to understanding current world issues.

    She's frustrated with Rose and her constant complaints but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and Rose travel to the searing, arid coast of southern Spain to see a famous consultant, Dr. Gomez—their very last chance—in the hope that he might cure Rose's unpredictable limb paralysis, but Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Rose's illness becomes increasingly baffling. Sofia's role as detective—tracking Rose's symptoms in an attempt to find the secret motivation for her pain—deepens as she discovers her own desires in this transient desert community.

    Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a "continuous present," an effort which parallels many of the most important technological and scientific developments of her era—from moving pictures to Einstein's revision of our understanding of space and time. Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative "reading poesis" for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.

    He calls for a radical feminist challenge to institutionalized male dominance; an uncompromising rejection of men’s assertion of a right to control women’s sexuality; and a demand for an end to the violence and coercion that are at the heart of all systems of domination and subordination. The End of Patriarchy makes a powerful argument that a socially just society requires no less than a radical feminist overhaul of the dominant patriarchal structures.

    In new afterwords, the co-editors reveal how the book came to be and what happened to their lives when, for the first time in history, a lesbian book from a small publisher went mainstream. Each nun in these stories describes her individual and searing path in, or out of, the convent to discover and face the truth of herself. Still myth-shattering, the stories remind us of the courage required to live—and love—in congruence with our authentic selves. "Oblivious to the controversies that surrounded the initial publication of Lesbian Nuns: Breaking Silence, whether they originated within the Catholic Church or the lesbian feminist movement, thousands of readers across the decades have embraced the book and found their lives changed by its message of empowerment." - Joanne E. Passet, Ph.D., Professor of History, Indiana University East

    The dogs, led by the cruel, charismatic bitch named Miss Dog, alternate between being brutal attack animals and loyal companions, being real and otherworldly. Some chapters draw upon the ecstatic and horrifying visions of Christian mystics; others take place in the landscapes of familiar fairytales; others in the banal settings of the late-night pick-up bars or suburban picnics. The narrator uneasily inhabits these worlds until the dogs force her to take irrevocable action."A snarling attack on the fairytale form. A good girl's fears of inadequacy materialize as a pack of vicious dogs."—Publishers Weekly"A strange and wonderful first-person voice emerges from the stories of Rebecca Brown, who strips her language of convention to lay bare the ferocious rituals of love and need."—The New York Times"Using unsentimental language that slices, pries and exposes layers of emotion and sexuality as a scalpel does a body, Brown veers into the uncharted territory."—The San Francisco Chronicle"I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around."—Dorothy Allison"A dry, witty, graceful—if savage—gift."—Mary GaitskillRebecca Brown is the author of other fictions, including The Terrible Girls, Annie Oakley’s Girl, and The Gifts of the Body. She is the winner of the 2003 Washington State Book Award, and was awarded a Genius Award and grant from Seattle's weekly magazine, The Stranger. She lives in Seattle.