Riders to the Sea


J.M. Synge - 1904
    Although from a middle-class Protestant background, Synge's writings are mainly concerned with the world of the Roman Catholic peasants of rural Ireland. He is best known for his play The Playboy of the Western World, which caused riots in Dublin. His experiences on the Aran islands were to form the basis for many of his plays, including Riders to the Sea. Set in a cottage on Inishmaan, it is about a man whose body was washed up on the far away coast of Donegal, and who, by reason of certain peculiarities of dress, was suspected to be from the island.

The Changeling


Thomas Middleton - 1622
    The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater.

Volpone


Ben Jonson - 1606
    The plot concerns a wealthy, lecherous old man who feigns a mortal illness in order to solicit bribes from greedy acquaintances who hope to inherit his fortune. Many complexities of plot and connivance ensue, but in the end, the guilty parties are exposed and punished. Explanatory footnotes.

Top Girls


Caryl Churchill - 1982
    Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations, Top Girls was hailed as 'the best British play ever from a woman dramatist' by The Guardian.

Major Barbara


George Bernard Shaw - 1905
    When a Salvation Army officer learns that her father, a wealthy armaments manufacturer, has donated lots of money to her organization, she resigns in disgust but eventually sees the truth of her father's reasoning that social iniquity derives from poverty; it is only through accumulating wealth and power that people can help each other.

The Jew of Malta


Christopher Marlowe
    A paragon of remorseless evil, Barabas befriends and betrays the Turkish invaders and native Maltese alike, incites a duel between the suitors for his daughter's hand, and takes lethal revenge upon a convent of nuns.Both tragedy and farce, this masterpiece of Elizabethan theater reflects the social and political complexities of its age. Christopher Marlowe's dramatic hybrid resonates with racial tension, religious conflict, and political intrigue — all of which abounded in 16th-century England. The playwright, who infused each one of his plays with cynical humor and a dark world view, draws upon stereotypes of Muslim and Christian as well as Jewish characters to cast an ironic perspective on all religious beliefs.The immediate success of The Jew of Malta on the Elizabethan stage is presumed to have influenced Marlowe's colleague, William Shakespeare, to draw upon the same source material for The Merchant of Venice. The character of Barabas is the prototype for the well-known Shylock, and this drama of his villainy remains a satirical gem in its own right.

The Country Wife


William Wycherley - 1675
    

Educating Rita


Willy Russell - 1980
    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

Under Milk Wood


Dylan Thomas - 1954
    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

Venus in Fur


David Ives - 2011
    At the end of a long day in which the actresses Thomas auditions fail to impress him, in walks Vanda, very late and seemingly clueless, but she convinces him to give her a chance. As they perform scenes from Thomas’s play, and Vanda the actor and Vanda the character gradually take control of the audition, the lines between writer, actor, director, and character begin to blur. Vanda is acting . . . or perhaps she sees in Thomas a masochist, one who desires fantasy in “real life” while writing fantasies for a living.   An exploration of gender roles and sexuality, in which desire twists and turns in on itself, Venus in Fur is also a witty, unsettling look at the art of acting—onstage and off.

The Elephant Man


Bernard Pomerance - 1979
    A horribly deformed young man, who has been a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor, who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.

The Spanish Tragedy


Thomas Kyd
    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

The Iceman Cometh


Eugene O'Neill - 1946
    He completed The Iceman Cometh in 1939, but he delayed production until after the war, when it enjoyed a modest run in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to O'Neill’s dark play. In the half century since, The Iceman Cometh has gained in stature. Kevin Spacey and James Earl Jones have played Hickey. The Iceman Cometh focuses on a group of alcoholics who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.

Oleanna


David Mamet - 1993
    Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship and abuse.

Mother Courage and Her Children


Bertolt Brecht - 1941
    Set in the seventeenth century, the play follows Anna Fierling -- "Mother Courage" -- an itinerant trader, as she pulls her wagon of wares and her children through the blood and carnage of Europe's religious wars. Battered by hardships, brutality, and the degradation and death of her children, she ultimately finds herself alone with the one thing in which she truly believes -- her ramshackle wagon with its tattered flag and freight of boots and brandy. Fitting herself in its harness, the old woman manages, with the last of her strength, to drag it onward to the next battle. In the enduring figure of Mother Courage, Bertolt Brecht has created one of the most extraordinary characters in the literature of drama.