Here, a man acts rashly and life-threateningly to ensure he wins a prize . . .Dip in the Pool is taken from the short story collection Someone Like You, which includes seventeen other devious and shocking stories, featuring the wife who serves a dish that baffles the police; a curious machine that reveals the horrifying truth about plants; the man waiting to be bitten by the venomous snake asleep on his stomach; and others.'The absolute master of the twist in the tale.' (Observer )This story is also available as a Penguin digital audio download read by Adrian Scarborough.Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    “The real deal!”“Oh yeah?” Bobby replied. “Tell me more.”“She's the most amazing woman I've ever met!” He snatched his cigarettes from the coffee table...

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    Here’s the correct version, as published in Omni, 1990." -- Terry Bisson

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    As yet, I haven't done anything about it; I can't think of anything to do. I wrote to the Government, and they sent back a pamphlet on the repair and maintenance of frame houses. Anyhow, the whole thing is known; I'm not the first to discover it. Maybe it's even under control.

    P. Lovecraft written in 1919 and first published in the amateur publication Pine Cones in October 1919. Inspiration Lovecraft said the story was inspired by an April 27, 1919 article in the New York Tribune. Reporting on the New York state police, the article cited a family named Slater or Slahter as representative of the backwards Catskills population. The nova mentioned at the end of Lovecraft's story is a real star, known as GK Persei; the quotation is from Garrett P. Serviss' Astronomy with the Naked Eye (1908). The title of the story may have been influenced by Ambrose Bierce's "Beyond the Wall"; Lovecraft was known to be reading Bierce in 1919. Jack London's 1906 novel Before Adam, which concerns the concept of hereditary memory, contains the passage, "Nor...did any of my human kind ever break through the wall of my sleep.

    An immensely powerful being, Henry Phage has spent his lifetime as a conqueror, using his immense psychic powers and his ability to manipulate wormholes in order to take over planets across galaxies and feed upon the suffering of the denizens within, effectively making himself a god. From The Phage Building, located on the planet Kahlighoul, The Teknophage plots and plans the expansion of his intergalactic empire. However, when he turns his sights towards Kahlighoul's sister planet, Earth, the Teknophage encounters a source of resistance that he did not expect.

    And, weirdly, perhaps the most lasting.

    Definite spoilers for the book!

    “Night’s Slow Poison” is from the same setting as Ancillary Justice, and tells a rich, claustrophobic story of a galactic voyage that forces one guardsmen to confront his uneasy family history through the lens of a passenger with his lost lover’s eyes.

    Absolutely not a romance.A short story about a child with a gift for seeing past the world.

    I just want to know it’s real."It was a long email, the gist of which is that if we write something in the future of KD, then there would be world peace and end of famine and suffering. If only. 🙂I said we were taking a break from KD, but we understand that it’s hard to see the series end, so we wrote a little story for you to show you that the world goes on.Update: this is now a prologue to Aurelia Ryder series.

    The show's about to begin. Step right up for the Circus of the Dead: where YOU are the concessions. #CircusoftheDead

    Investigating the incident in his typically direct manner, Carrot Ironfoundersson discovers the truth...