It is 1904. When Frederick and Jette must flee her disapproving mother, where better to go than America, the land of the new? Originally set to board a boat to New York, at the last minute, they take one destined for New Orleans instead ("What's the difference? They're both new"), and later find themselves, more by chance than by design, in the small town of Beatrice, Missouri. Not speaking a word of English, they embark on their new life together. Beatrice is populated with unforgettable characters: a jazz trumpeter from the Big Easy who cooks a mean gumbo, a teenage boy trapped in the body of a giant, a pretty schoolteacher who helps the young men in town learn about a lot more than just music, a minister who believes he has witnessed the Second Coming of Christ, and a malevolent, bicycle-riding dwarf. A Good American is narrated by Frederick and Jette's grandson, James, who, in telling his ancestors' story, comes to realize he doesn't know his own story at all. From bare-knuckle prizefighting and Prohibition to sweet barbershop harmonies, the Kennedy assassination, and beyond, James's family is caught up in the sweep of history. Each new generation discovers afresh what it means to be an American. And, in the process, Frederick and Jette's progeny sometimes discover more about themselves than they had bargained for. Poignant, funny, and heartbreaking, A Good American is a novel about being an outsider - in your country, in your hometown, and sometimes even in your own family. It is a universal story about our search for home.

    

    When his band, Lunacy is in the market for a female vocalist, they discover rising star, Riley James. She’s gorgeous, has a rocking body and an even more rockin’ voice. She’s perfect for the band, and as soon as Finley sets eyes on her, he knows he has to have her, but the longer Finley gets to know Riley, the more he realises she’s also perfect for him. However, Riley doesn’t fall for his charms and fights him off at every turn but how long can she deny the sexy, determined Finley Parker? After the dramas of her ex-boyfriend, Riley doesn’t trust men so easily because all they seem to want her for is a one way ticket to fame and she’s not interested in becoming another notch in Finley’s bed post. She despises players and men who think they run the world because women literally throw themselves at their feet, but one thing Riley doesn’t know, is that Finley won’t give in so easily, he knows how hard to fight for something he truly wants and he has his eyes set on the beautiful Riley.

    Promise me, Eadgyth, you will always be that for my son.”Eadgyth’s happy childhood as the adored daughter of King Edward of the Anglo-Saxons came to an abrupt end at the age of nine, when her mother was cast away. Distraught at the rejection by her father, she learnt to keep her heart closely guarded.After ten years shut in a convent Eadgyth is commanded by her half-brother, King Athelstan, to go with her younger sister to the court of King Henry of Germany, where his son, the brave, young Otto will choose one of them as his wife.Indifferent to her fate, she travels to Saxony where she is welcomed by King Henry and his wife, the beautiful Queen Mathilda. As her friendship with the Queen grows Eadgyth warms to her new life, while her relationship with Otto, little more than a boy at seventeen, takes a turn she had not anticipated. Despite the ever present threat of war on the nearby Slavic front, Eadgyth dares to believe she can be happy.But beneath the surface of this contented family, tensions are building. Otto’s brothers harbour concealed ambitions, Mathilda’s love for her son seems strangely uncertain and Otto himself reveals an unexpected secret. And as Otto prepares himself to take the throne of Germany, the hostility boils over leaving Eadgyth facing a desperate struggle to hold her family together, terrified that yet again she could lose the man at the heart of it…

    Molly gives us his unforgettable encounters with The Beatles, Elton John, David Bowie, The Rolling Stones, Madonna, John Farnham, Bruce Springsteen, the Bee Gees, Rod Stewart, Russell Crowe, Oasis, Beyonce and Prince. As well as the tales that surround his other loves: the Australian cricket team, the St Kilda footy club and the Melbourne Storm."I have a lot of love for the great Ian 'Molly' Meldrum" - Shane WarneNo one has lived a life like Ian 'Molly' Meldrum. And no one can tell a story like Molly.

    No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound-influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock-the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration-and a reflection of a musical, cultural, and technology zeitgeist.

    His magnificent new biography of Ludwig van Beethoven peels away layers of legend to get to the living, breathing human being who composed some of the world’s most iconic music. Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and “fate’s hammer,” his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven’s key works. More than a decade in the making, this will be the standard Beethoven biography for years to come.

    From The Wire: "Matthew Ingram, aka Woebot, has published a book titled 100 Lost Rock Albums From The 1970s. The book takes in strands of metal, glam rock, French artists, punk and pub rock, and is released digitally as a self-published eBook via Amazon. Ingram says: 'Last year I started writing an article on the 100 Lost Rock Albums From The 1970s but it ballooned out of all proportions and I decided to turn it into an eBook.''Over time we have lost touch with the original character of the 70s. Using 'lost' records I've attempted to re-examinine the decade and redress what I see as imbalance. Beyond small reviews of a meticulously-selected 100 albums there's quite a lot of contemporary history, much theorising and lots of gags.'"

    A collection of some of Bowie's most famous and insightful words that will continue to inspire gener....

    And They All Sang is nothing less than “a tribute to music’s universality and power” (Philadelphia Inquirer), featuring more than forty of Terkel’s unforgettable conversations with some of the greatest musicians of the past century—including Louis Armstrong, Leonard Bernstein, Big Bill Broonzy, Bob Dylan, Dizzy Gillespie, Mahalia Jackson, Janis Joplin, Rosa Raisa, Pete Seeger, and many others.As the esteemed music critic Anthony DeCurtis wrote in the Chicago Tribune, “the terms ‘interview’ or ‘oral history’ don’t begin to do justice to what Terkel achieves in these conversations, which are at once wildly ambitious and as casual as can be.” Whether discussing Enrico Caruso’s nervousness on stage with opera diva Edith Mason or the Beatles’ 1966 encounter in London with revered Indian sitar player Ravi Shankar, “Terkel’s singular gift for bringing his subjects to life in their own words should strike a chord with any music fan old enough to have replaced a worn-out record needle” (The New York Times).

    Whether you are teaching yourself piano or learning with a music instructor, this book and streaming video course will take your piano playing to a whole new level!Ask yourself this:1. Have you always wanted to learn how to play famous piano pieces, but did not know where to start?2. Did you start piano lessons once and give up because the lessons were too difficult?3. Are you struggling to follow online piano lessons that seem to jump all over the place without any sense of direction or consistency?4. Would you like to expand your musical understanding and learn how to play the piano through an affordable, step-by-step book and video course?If your answer to any of the these questions is yes, then this beginner piano book and video course is definitely for you!The following great music is covered in this book and streaming video course:* Für Elise by Beethoven
* The Entertainer by Scott Joplin
* Amazing Grace
* Pachelbel's Canon
* House of the Rising Sun
* Scarborough Fair
* Turkish Rondo by Mozart
* Shenandoah
* Happy Birthday
* Danny Boy
* Kum-Bah-Yah
* Jingle Bells
* J.S. Bach's Prelude in C Major
* Home on the Range
* This Little Light of Mine
* Hall of the Mountain King by Grieg* Take Me Out to the Ballgame
* Red River Valley
* Silent Night
* New World Symphony Theme
* When the Saints Go Marching In
* Greensleeves
* Aura Lee
* Brahms' Famous Lullaby
* Simple Gifts
* And Many More Great Songs and Pieces!

    If anything, today, the cult of Jawbreaker-in their own words, "the little band that could but would probably rather not"-is now many times greater than it was when they broke up in 1996. Like the best work of Fugazi, The Clash, and Operation Ivy, the album is now is a rite of passage and a beloved classic among partisans of intelligent, committed, literary punk music and poetry.Why, when a thousand other artists came and went in that confounding decade of the 90s, did Jawbreaker somehow come to seem like more than just another band? Why do they persist, today, in meaning so much to so many people? And how did it happen that, two years after releasing their masterpiece, the band that was somehow more than just a band to its fans-closer to equipment for living-was no longer?Ronen Givony's 24 Hour Revenge Therapy is an extended tribute in the spirit of Nicholson Baker's U & I a passionate, highly personal, and occasionally obsessive study of one of the great confessional rock albums of the 90s. At the same time, it offers a quizzical look back to the toxic authenticity battles of the decade, ponders what happened to the question of "selling out," and asks whether we today are enriched or impoverished by that debate becoming obsolete.

    January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.

    Unexpurgated personal journals and tour diaries documenting the turbulent life and misadventures of Peter Doherty, transcribed and edited by Nina Antonia.

    Collating classic music press and glossy magazine articles, Morrissey in Conversation describes the rocker's crazy-quilt career in his own words. It’s all here — how the Smiths created 1980s indie rock; the anti-rock credentials, feminist sympathies, and militant vegetarianism; Morrisey’s obsession with pop culture and girl groups, his (a)sexuality, and sardonic salvos against the mediocre. This is the story of how one man bewitched the ‘80s, peaked in the ‘90s, and triumphed in the new millennium.