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    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    

    After that he could describe his cars for three [LP] sides and get away with it." Christgau on Carly Simon: "If a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn't rhyme 'yacht,' 'apricot,' and 'gavotte.'" Christgau on Van Morrison: "This is a man who gets stoned on a drink of water and urges us to turn our radios all the way into the mystic. Visionary hooks his specialty." Christgau on Lou Reed: "Reed Sounds like he's imitating his worst enemy, himself." (Lou Reed on Robert Christgau: "What a moron! Studying rock and roll. I can't believe it!") An indispensable book, Christgau's Rock Albums the '70s is the definitive guide to nearly 3,000 albums of the decade that brought us progressive rock, country rock, glam rock, funk, disco, punk, heavy metal, and new wave.

    In the spirit of Dr. Johnson’s Lives of the Poets, acclaimed critic and scholar John Sutherland selects 294 writers whose works illustrate the best of every kind of fiction—from gothic, penny dreadful, and pornography to fantasy, romance, and high literature. Each author was chosen, Professor Sutherland explains, because his or her books are well worth reading and are likely to remain so for at least another century. Sutherland presents these authors in chronological order, in each case deftly combining a lively and informative biographical sketch with an opinionated assessment of the writer's work. Taken together, these novelists provide both a history of the novel and a guide to its rich variety. Always entertaining, and sometimes shocking, Sutherland considers writers as diverse as Daniel Defoe, Henry James, James Joyce, Edgar Allan Poe, Virginia Woolf, Michael Crichton, Jeffrey Archer, and Jacqueline Susann.Written for all lovers of fiction, Lives of the Novelists succeeds both as introduction and re-introduction, as Sutherland presents favorite and familiar novelists in new ways and transforms the less favored and less familiar through his relentlessly fascinating readings.

    are in fact narratives of robust faith and morality ...“What Ms. Rowling has furnished us, besides what the Brits call ‘a good read,’ and a whopping good one, ... is a modern interpretation of the gospel, the wonderful news that ‘God was in Christ, reconciling the world to himself’ and making sure that the goodness of creation would never be obliterated by the forces of darkness and evil.”Since their first publication, J. K. Rowling’s Harry Potter novels have brought joy to children and adults alike. Many conservative Christians in the United States, however, have decried the books as wicked, as preaching witchcraft and the occult, and as glamorizing dishonesty. A minister in New Mexico held a “holy bonfire” on the Sunday after Christmas 2001, at which he publicly torched the Potter books, declaring them “an abomination to God and to me.”John Killinger, a Congregationalist minister and an academic in the field of contemporary literature, beautifully demolishes the objections of right-wing Christians to this bestselling children’s series. He compellingly argues that, far from corrupting children’s morals, the Potter stories actually influence young readers to follow the teachings of Jesus. He cites passage after passage to illustrate how the world of Harry Potter would be inconceivable apart from the strictures of Judeo-Christian theology and the way human existence should be approached by every follower of Jesus. Additionally, he reflects on the possibility that Harry Potter, like Dostoevsky’s Prince Myshkin and others, is a witting or unwitting Christ figure who actually battles the forces of darkness for the souls of the faithful.All through this extraordinarily well-written, compelling, and very entertaining little book, the author points out that stories like this are worth more than any sermon toward producing people who truly follow the lessons of Jesus.

    Two complete unabridged novels in one volume: HIDEAWAY, tells of an accident victim being miraculously resuscitated, and THE VISION is the story of a clairvoyant who can foresee murders but cannot prevent them taking place.