But in his early thirties, before writing that novel and before his previous work, Rust and Bone, was made into an Oscar-nominated film, Davidson experienced a period of poverty, apparent failure and despair. In this new work of intimate, riveting and timely non-fiction, based loosely on a National Magazine Award-winning article he published in The Walrus, Davidson tells the story of one year in his life--a year during which he came to a new, mature understanding of his own life and his connection to others. Or, as Davidson would say, he became an adult.     One morning in 2008, desperate and impoverished and living in a one-room basement apartment while trying unsuccessfully to write, Davidson plucked a flyer out of his mailbox that read, "Bus Drivers Wanted." That was the first step towards an unlikely new career: driving a school bus full of special-needs kids for a year. Armed only with a sense of humour akin to that of his charges, a creative approach to the challenge of driving a large, awkward vehicle while corralling a rowdy gang of kids, and surprising but unsentimental reserves of empathy, Davidson takes us along for the ride. He shows us how his evolving relationship with the kids on that bus, each of them struggling physically as well as emotionally and socially, slowly but surely changed his life along with the lives of the "precious cargo" in his care. This is the extraordinary story of that year and those relationships. It is also a moving, important and universal story about how we see and treat people with special needs in our society.From the Trade Paperback edition.

    Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

    Befitting someone who "speaks things into being," Christmas extracts from family history, queer lineage, and the political landscape of a racialized life to create a rich, softly defiant collection of poems. Christmas draws a circle around the things she calls "holy" the family line that cannot find its root but survived to fill the skies with radiant flesh; the body, broken and unbroken and broken and new again; the lover lost, the friend lost, and the loss itself; and the hands that hold them all with brilliant, tender care. Expansive and beautiful, these poems allow readers to swim in Jillian Christmas's mother-tongue and to dream at her shores.

     As the sun Dipped into the Pacific they found themselves sequestered by a weathered native peddler (presumably named Tony) who mimed towards his cart and through guttural broken english encouraged them to “Put Tony’s nuts in your mouth…” 60 pesos later, as a cold cerveza complimented the first of Tony’s nuts, pen was put to parchment and book four of Season One came to be.

    Epic and enchanting, 'The Birth House' is a gripping saga about a midwife's struggles in the wilds of Nova Scotia. As a child in the small village of Scot's Bay, Dora Rare -- the first female in five generations of Rares -- is befriended by Miss Babineau, an elderly midwife with a kitchen filled with folk remedies and a talent for telling tales. Dora becomes her apprentice at the outset of World War I, and together they help women through difficult births, unwanted pregnancies and even unfulfilling marriages. But their traditions and methods are threatened when a Doctor comes to town with promises of painless childbirth, and sets about undermining Dora's credibility. Death and deception, accusations and exile follow, as Dora and her friends fight to protect each other and the women's wisdom of their community. Hauntingly written and alive with historical detail, 'The Birth House' is an unforgettable, page-turning debut.

    Since, he's found increasing opportunities to take his show on the road. In An Embarrassment of Critch's, the star of CBC's This Hour Has 22 Minutes revisits some of his career's--and the country's--biggest moments, revealing all the things you might not know happened along the way: A wishful rumour spread by Mark's father results in his big break; two bottles of Scotch nearly get him kicked out of a secret Canadian airbase in the United Arab Emirates; and for anyone wondering how to get an interview with the Prime Minister and Bono (yes, that Bono) on the same evening, Critch might recommend a journey to the 2003 Liberal Convention.Critch's top-secret access to all of the funniest behind-the-scenes moments involve many of the charismatic and notorious politicians we love to see blush, including fearless leaders Justin Trudeau, Stephen Harper, Paul Martin, and Jean Chr�tien, celebrities such as Pamela Anderson and Robin Williams, and other colourful figures he's met over years of pulling off daring skits at home and abroad. Remember when MP Carolyn Parrish took her boot to George W. Bush's head in an interview? Or when Critch asked Justin Trudeau where the best place to smoke pot on Parliament Hill was before pulling out a joint for them to share? There's more to each of those stories than you know. Though Critch has spent years crisscrossing the country--and the globe--with the explicit aim of causing trouble everywhere he goes, like the best journeys, this one takes him right back home.

    Ran away from my crazy religious parents, ran away from the judgment, and ran away from what I couldn't accept about myself. And all of that wouldn't be so bad... if I hadn't also run away from my best friend. But now I'm forced by circumstance to come back. And I'm terrified. Because I made a lot of mistakes in leaving, some of the worst mistakes of my life. I don't know if I've grown up enough to face them. I don't know if I can face Amy. Or, even worse, if she doesn't forgive me... I don't know if I can survive walking away again. Nobody has ever made me feel as good and as bad as she does.  I've never been as close to anyone as I was to Jessica. But she just left when I was at my most vulnerable. She did worse than that, in fact. There are things I don't know if I can forgive, things I never planned to forgive. And then she just waltzes back into my life unexpectedly I'm supposed to just forgive her? What if I don't want to forgive her? But that's the problem, I do want to forgive her. I want to have her as my best friend again... and so much more. But I'm terrified of what is going to happen if I allow myself to love her again. This is a standalone lesbian romance novel with HEA ending!

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    With a particular focus on obsession and the abnormal, We So Seldom Look On Love explores life at its quirky extremes, pushing past limits of convention into lives that are fantastic and heartbreakingly real. Whether writing about the dilemma of a two-headed man who attempts to expunge his own pain, the shock of a woman who discovers she has married a transsexual, the erotic delusions of a woman who repeatedly exposes her body to an unknown voyeur, or the bizarre predilections of a female necrophile (a story made into the acclaimed motion picture, "Kissed"), Gowdy convinces us with incisive detail, only to disarm us with black humor.

    She believed that names explained not only who you were, but where you came from and who you could be. She became a name nerd, and later a name snob, before settling into the role she was born to play—a Name Therapist, giving straight talk baby-and-grown-up-name advice to just about everyone.       In a romp through North American naming trends, traditions, and pop culture, Duana brings us the hilarious, insightful, and surprising truths about hipster names in Brooklyn and Malibu, and the most “intelligent” names at Harvard University; digs into the stereotypes about culture and class where names are concerned; and heads backstage to find out the stories behind those supposed stripper names. And if you don’t know what a Starbucks name is, Duana points out why you obviously never needed one.      The Name Therapist’s explorations will help you understand your feelings about your own name, whether it’s one you share with millions (hi, Jennifer!), or one you grew up waiting in vain for the Romper Room host to say. Would you, by any other name, still be you?

    Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.

    In essays drawn from her witty and sometimes brutally candid column in the New York Observer, Candace Bushnell introduces us to the young and beautiful who travel in packs from parties to bars to clubs. Meet "Carrie," the quintessential young writer looking for love in all the wrong places..."Mr. Big," the business tycoon who drifts from one relationship to another..."Samantha Jones," the fortyish, successful, "testosterone woman" who uses sex like a man...not to mention "Psycho Moms," "Bicycle Boys," "International Crazy Girls," and the rest of the New Yorkers who have inspired one of the most watched TV series of our time. You've seen them on HBO, now read the book that started it all...

    She tells people that she was born with an extra gene, but her sister has to buy hers at the mall (ha, ha!!). Being in three dance numbers in the school production of Grease is a big job, but with the help of her Best Buddy, Gianni, Erika knows her can be a star.The other is a Grade 11 boy with a secret. Like his Best Buddy, Erika, who is born with Down Syndrome, Gianni loves to sing and dance. He also knows that he’s different from the other boys in his school - but is he that different from that cool, attractive actor in the school play? Or is he just imagining that the sparks between them are mutual? And will the rough gang of guys at school also pick up on who he really is?Told in the alternating voices of Erika and Gianni, Born With is the story of two teens who help each other to find their own versions of success and acceptance.Each One-to-One novel tells the story of a different pair of teens participating in the Best Buddies program at Sir Winston Churchill Secondary School.Ages 12 +

    Here you'll find unsound advice on everything from engineering a revenge affair to picking the gateway drug that's best for you.Chapters include:- 12 Steps to a Drinking "Problem"- Condoms Are for Suckers- How to Lose Way Too Much Weight in 90 Days - And more!As you travel down the road to self-destruction, let this hedonistic handbook be your guide. It may steer you wrong--in fact, it's sure to do so--but when being wrong is this much fun, who wants to be right?

    Grin, giggle, and guffaw your way through this celebrated cartoonist's graphic commentary of contemporary lesbian life.