For fans of Nadine Dorries, Maeve Binchy, Freda Lightfoot and Dilly Court. Lives are on the line as the workers fight back in the Welsh countryside… 1829, Wales For centuries. generations of the Jenkins family have eked out a living from their Carmarthenshire hill farm. But when a fire destroys virtually all of their possessions the children witness their lives crumbling around them. Mary and William find they have barely enough land left to provide for their basic needs. Their only option is to take on more work, but William longs for action, and Mary begins to suspect that he has become embroiled with the Rebecca-ites, a shadowy group of nationalists pitted against the English landowners whose tolls have bankrupted so many Welshman. As tensions mount, Mary becomes ever more torn between her mistrust of the rebels’ violence and her growing attraction to Jac Tŷ Isha, one of their leaders. And when the British government decides to put a stop to the revolt, the danger to the men she loves increases a hundredfold… REBECCA’S CHILDREN is a poignant, beautifully crafted saga of love and betrayal, set against the background of Wales in mid-1800s – a country aflame with political and social unrest. "An accomplished first novel." - The Times "A well-handled tale of passion, social injustice and nationalist fervour in nineteenth century Wales." - The Liverpool Post “Kate Dunn is a fine storyteller.” - Ben Elton

    Now sixteen, Meriel chafes against the strict regime of tests and study that her grandfather imposes on her. Escaping, she discovers a world outside her narrow existence - one that promises admiration for her acting skills, social success and the excitement of seances.But what should have been a game turns serious as the young medium Sophie Casson passes on a message from Meriel's dead mother - and Meriel begins to suspect she might not be alone in the world after all. In searching for the truth about her past, Meriel uncovers a sinister scheme - and soon it's hard to know who she can really trust.

      The people of Fall River, Massachusetts, fear me. Perhaps rightfully so. I remain a suspect in the brutal deaths of my father and his second wife despite the verdict of innocence at my trial. With our inheritance, my sister, Emma, and I have taken up residence in Maplecroft, a mansion near the sea and far from gossip and scrutiny.   But it is not far enough from the affliction that possessed my parents. Their characters, their very souls, were consumed from within by something that left malevolent entities in their place. It originates from the ocean’s depths, plaguing the populace with tides of nightmares and madness.   This evil cannot hide from me. No matter what guise it assumes, I will be waiting for it. With an axe.

    PoeAda Concannon’s first day in America is a success. She’s the new maid for the respected but eccentric Dickinson family of Amherst, Massachusetts. Despite the differences in age and class, eighteen-year-old Ada, “a neat little Irish person, fresh off the boat,” strikes up a deep freindship with Miss Emily, the gifted elder daughter living a spinster’s life at home. Emily is a bastion of support as Ada struggles to find her place in this new world, while Ada’s toil gives Emily the freedom she needs to write.But Emily’s passion for words begins to dominate her life. She decides to wear nothing but white and increasingly avoids the outside world. When Ada’s safety and reputation are threatened, however, Emily faces down her own demons in order to help her friend, with shocking consequences.

    The Lancashire Witches begins in the 16th century, in Lancashire, England. When a Cistercian monk, Borlace Alvetham, is falsely accused of witchcraft and condemned to death by his rival, Brother Paslew, he sells his soul to Satan and escapes. Years later, granted the powers of a warlock, he returns in the guise of Nicholas Demdike to witness Paslew's execution for treason. Dying, Paslew curses Demdike's offspring -- who become the titular "Lancashire Witches." The rest of the book set in the 17th century. Mother Demdike, a powerful witch, and her clan face rival witches, raise innocent young Alizon Devi as their own, and try to corrupt Alizon despite her innocent ways. Ultimately, the book becomes a struggle between Heaven and Hell, with Alizon's fate hanging in the balance.

    James, prima ballerina of the Paris Opera Ballet and the people's saint, has spent seven years pretending. In the devastating aftermath of the Siege of Paris, she made a decision to protect her sister: she became the bland, sweet, pious “St. Amie” the ballet needed to restore its scandalous reputation. But when her first love reappears, and the ghosts of her past come back to haunt her, all her hard-fought safety is threatened.Dr. Benedict Moore has never forgotten the girl who helped him embrace life again after he almost lost his. Now, he's back in Paris after twelve years for a conference. His goals are to recruit promising new scientists, and, maybe, to see Amelie again. When he discovers she's in trouble, he's desperate to help her—after all, he owes her.When she finally agrees to let him help, they disguise their time together with a fake courtship. But reigniting old feelings is dangerous, especially when their lives are an ocean apart. Will they be able to make it out with their hearts intact?

    A dark, forbidding city, and no place for a girl with unexplainable powers.Sixteen-year-old Avery Kohl pines for the life she had before her mother was taken. She fears the mysterious men in crow masks who locked her mother in the Tombs asylum for being able to see what others couldn’t. Avery denies the signs in herself, focusing instead on her shifts at the ironworks factory and keeping her inventor father out of trouble. Other than secondhand tales of adventure from her best friend, Khan, an ex-slave, and caring for her falcon, Seraphine, Avery spends her days struggling to survive.Like her mother’s, Avery’s powers refuse to be contained. When she causes a bizarre explosion at the factory, she has no choice but to run from her lies, straight into the darkest corners of the city. Avery must embrace her abilities and learn to wield their power—or join her mother in the cavernous horrors of the Tombs. And the Tombs has secrets of its own: strange experiments are being performed on “patients”…and no one knows why.

    Three stories of love, war, and destiny in medieval Byzantium.A young empress defies her powerful father for love and her rightful place on the throne.A charismatic commander takes the gamble of a lifetime to save the lives of thousands of innocents.An exiled princess finds a new sense of purpose and creates a legacy that will stand through the ages.These stories provide a glimpse of the dynamic and proud Byzantines who lived during the height of the empire's splendor.

    Immediately fear starts to spread. The victim bears the same hallmarks as Jack the Ripper's recent killing spree in England. Could it be that the Ripper has crossed the Atlantic to fresh killing grounds? Or is this simply a copycat murder?To solve the case, one of the original English Ripper pathologists, Finley Jameson, is teamed up with Joseph Argenti, one of the new 'untouchable' detectives, hand-picked by a New York Mayor eager to fight corruption.But Michael Tierney, the city's leading gangster, has his own ideas about how the city should be run. And as the body-count rises, and Jameson & Argenti are taunted by the killer in open letters, they find themselves fighting not just to save the next victim, but for the city's very soul.

    In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

    Her mother already has schemes for her marriage prospects--and none of them include love, it seems. But when a dashing young duke begins to pursue her, Caroline has second thoughts. Caught between ambition and desire, Caroline may gamble her heart away without even realizing it . . .

    It’s a world of all-night beach parties and constant cocktail receptions, and within its languorous embrace her attraction for her much younger cousin grows.But the gilded lives of her aunt Julia’s family and their fellow white Africans on the coast are under threat — Islamist terror attacks are on the rise and Rebecca knows more about this violence than she is prepared to reveal. Will she be able to save her newfound family from the violence that encroaches on their seductive lives? Or, amidst growing unrest, will the true reason for her hasty exit from her posting be unmasked? Rebecca finds herself torn between the family she hardly knows and a past she dares not divulge.

    A knife flashes in the fog. A madman has begun the most notorious and shocking series of murders in history. With each new discovery of a woman's mutilated body, the citywide panic grows. The police seem unable to stop the killer, even when he taunts them with letters. Letters signed. . .Jack the Ripper. — In another part of London, the reign of terror has touched a young writer and theater manager named Bram Stoker. The police have closed his theater's production of Dr. Jekyll and Mr. Hyde and suspect its star of being Jack the Ripper. His livelihood endangered, Stoker sets out on his own to find the real killer. But Jack wants just as badly to find Stoker. When the madman and the author meet face to face, a new chapter will be written in the annals of horror

    When his wife is murdered, everything points to his guilt, even a handwritten confession. But the police discover Jacob Jones's diary, which tells a different story. Is Jones' diary a confession?

    A number of wonderful fantasy novels, including Stardust by Neil Gaiman, Jonathan Strange and Mr Norrell by Susanna Clarke, and The Prestige by Christopher Priest, owe their inspiration to works by nineteenth-century writers ranging from Jane Austen, the Brontës, and George Meredith to Charles Dickens, Anthony Trollope, and William Morris. And, of course, the entire steampunk genre and subculture owes more than a little to literature inspired by this period.Queen Victoria’s Book of Spells is an anthology for everyone who loves these works of neo-Victorian fiction, and wishes to explore the wide variety of ways that modern fantasists are using nineteenth-century settings, characters, and themes. These approaches stretch from steampunk fiction to the Austen-and-Trollope inspired works that some critics call Fantasy of Manners, all of which fit under the larger umbrella of Gaslamp Fantasy. The result is eighteen stories by experts from the fantasy, horror, mainstream, and young adult fields, including both bestselling writers and exciting new talents such as Elizabeth Bear, James Blaylock, Jeffrey Ford, Ellen Kushner, Tanith Lee, Gregory Maguire, Delia Sherman, and Catherynne M. Valente, who present a bewitching vision of a nineteenth century invested (or cursed!) with magic.The Line-up:“Queen Victoria’s Book of Spells” by Delia Sherman“The Fairy Enterprise” by Jeffrey Ford“From the Catalogue of the Pavilion of the Uncanny and Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire)” by Genevieve Valentine“The Memory Book” by Maureen McHugh“La Reine D’Enfer” by Kathe Koja“Briar Rose” by Elizabeth Wein“The Governess” by Elizabeth Bear“Smithfield” by James P. Blaylock“The Unwanted Women of Surrey” by Kaaron Warren“Charged” by Leanna Renee Hieber“Mr. Splitfoot” by Dale Bailey“Phosphorus” by Veronica Schanoes“We Without Us Were Shadows” by Catherynne M. Valente“The Vital Importance of the Superficial” by Ellen Kushner and Caroline Stevermer“The Jewel in the Toad Queen’s Crown” by Jane Yolen“A Few Twigs He Left Behind” by Gregory Maguire“Their Monstrous Minds” by Tanith Lee“Estella Saves the Village” by Theodora Goss