But Robyn refuses to set Mia up with the guy of her dreams, which forces Mia to take matters into her own hands. She uses Robyn's matchmaking service to make sure popular Vince Demetrius falls for her. Vince asks her out, but Mia doesn't count on Logan, the persistent school newspaper photographer who seems to like her out of the blue. Now she has to choose between Vince - the guy she knows is right for her - and Logan, who insists that she give him a chance. And she needs to make sure Robyn doesn't find out that Mia's been matchmaking behind her back. Mia has two weeks before homecoming. Can she fix the mess she made or will she have to kiss her perfect match goodbye forever?

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    Ten years ago, Ben, Lindsey, Chuck, Alison, and Jack graduated from New York University and went out into the world, fresh-faced and full of dreams for the future. But now Ben's getting a divorce; Lindsey's unemployed; Alison and Chuck seem stuck in ruts of their own making; and Jack is getting more publicity for his cocaine addiction than his multimillion-dollar Hollywood successes.Suddenly, turning thirty-- past the age their parents were when they were born, older than every current star athlete or pop music sensation-- seems to be both more meaningful and less than they'd imagined ten years ago.Jonathan Tropper's wonderful debut novel is about more than friendship, love, celebrity, addiction, kidnapping, or even turning thirty-- it's a heartfelt comic riff on what it means to be an adult against your will, to be single when you thought you'd have a family, to discover you are not, in fact, immortal, and to learn that Star Wars is as good a life lesson today as it was when you were six years old.

    As his family debate withdrawing life support, and his friends talk about how his girlfriend Bea needs to move on, he can only listen.But Alex soon begins to suspect that the accident that put him here wasn’t really an accident. Even worse, the perpetrator is still out there and Alex is not the only one in danger.As he goes over a series of clues from his past, Alex must use his remaining senses to solve the mystery of who tried to kill him, and try to protect those he loves, before they decide to let him go.A stunning edge-of-your-seat debut novel with an unforgettable narrator.

    And someone will die.#1 New York Times bestselling author Ellen Hopkins tackles gun violence and white supremacy in this compelling and complex novel.People kill people. Guns just make it easier.A gun is sold in the classifieds after killing a spouse, bought by a teenager for needed protection. But which was it? Each has the incentive to pick up a gun, to fire it. Was it Rand or Cami, married teenagers with a young son? Was it Silas or Ashlyn, members of a white supremacist youth organization? Daniel, who fears retaliation because of his race, who possessively clings to Grace, the love of his life? Or Noelle, who lost everything after a devastating accident, and has sunk quietly into depression?One tense week brings all six people into close contact in a town wrought with political and personal tensions. Someone will fire. And someone will die. But who?

    The moving, uplifting true story of an unlikely friendship between a man on the streets and the ginger cat who adopts him and helps him heal his life.

    When an alien race came to make Earth theirs, they brought with them a weapon we had no way to fight, a universe-altering force known as thelemity. It seemed nothing could stop it—until we discovered we could wield the power too.Five hundred years later, the Earth is locked in a grinding war of attrition. The talented few capable of bending thelemity to their will are trained in elite military academies, destined for the front lines. Those who refused to support the war have been exiled to the wilds of a ruined Earth.But the enemy's tactics are changing, and Earth's defenders are about to discover this centuries-old war has only just begun. As a terrible new onslaught looms, heroes will rise from unlikely quarters, and fight back.

    What I found was that she hadn't kept some of it. She had kept all of it - every bus ticket, postcard, school report - from the moment I was born to the moment I finally had the confidence to turn round and say 'Why is our house full of this shit?'Sadly, a recycling 'incident' destroyed the bulk of this archive. This has meant two things: firstly, Dear Reader, you will never get to see countless drawings of wizards, read a poem about corn on the cob, or marvel at the kilos of brown flowers I so lovingly pressed as a child. Secondly, it's left me with no choice but to actually write this thing myself.This, my first ever book, will answer questions such as 'Is Mary Berry real?', 'Is it true you wear a surgical truss?' and 'Is a non-spherically symmetric gravitational pull from outside the observable universe responsible for some of the observed motion of large objects such as galactic clusters in the universe?'Most of this book is true. I have, of course, amplified my more positive characteristics in an effort to make you like me. Thank you for reading.

    Perhaps the oddest quirk of Britain's railway network is also one of its least well known: around 150 of the nation's stations are request stops. Take an unassuming station like Shippea Hill in Cambridgeshire - the scene of a fatal accident involving thousands of carrots. Or Talsarnau in Wales, which experienced a tsunami. Tiny Stations is the story of the author's journey from the far west of Cornwall to the far north of Scotland, visiting around 40 of the most interesting of these little used and ill-regarded stations. Often a pen-stroke away from closure - kept alive by political expediency, labyrinthine bureaucracy or sheer whimsy - these half-abandoned stops afford a fascinating glimpse of a Britain that has all but disappeared from view. There are stations built to serve once thriving industries - copper mines, smelting works, cotton mills, and china clay quarries where the first trains were pulled by horses; stations erected for the sole convenience of stately home and castle owners through whose land the new iron road cut an unwelcome swathe; stations created for Victorian day-tripping attractions; a station built for a cavalry barracks whose last horse has long since bolted; and many more. Dixe Wills will leave you in no doubt that there's more to tiny stations than you might think.

    For Agnes's mother Florence, a fresh chapter is starting as her youngest flies the nest and her marriage settles into a new routine. But she can't help feeling that something is missing. As Agnes travels to London and Florence follows her heart to Europe, both will discover a world of possibilities they never could have dreamed of. Because wherever you are in life, there is always time to finally become the person you were always meant to be.

    His success in the high-profile Dryden case - 'the scandal of 1929' - catapulted him to the front pages of the national newspapers. His services are now much in demand and, after careful consideration, he agrees to defend Mary Dutton. Dubbed 'The Collingford Poisoner' by the press, Mary is accused of poisoning her husband after years of abuse. Together with his trusted assistant, Skelton digs deeper and discovers that secrets and lies run deep in the Dutton family and all is not as it appears.

    My reason for writing it is simple: to give an account of the truth ... Writing this memoir has entailed recording some very personal, intimate and emotional aspects of our lives. Sharing these with strangers does not come easily to me, but if I hadn't done so I would not have felt the book gave as full a picture as it is possible for me to give. As with every action we have taken over the last four years, it ultimately boils down to whether what we are doing could help us to find Madeleine. When the answer to that question is yes, or even possibly, our family can cope with anything ... "What follows is an intensely personal account, and I make no apology for that ... "Nothing is more important to us than finding our little girl."  — Kate McCann, May 2011 "It is a sad fact that not a single police force anywhere is proactively looking for Madeleine (as is the case for many other missing children). I am sure this book will re-energise the search for our daughter and the public will get behind the Find Madeleine campaign once again. It is simply not acceptable that the authorities have given up on Madeleine — especially when no comprehensive review of the case has been undertaken. Our daughter, and whoever took her, are out there. We need your help to find them."  — Gerry McCann, May 2011

    However, once she is at the camp she starts receiving text messages from someone pretending to be her dead sister.

    Her memory loss is caused by an emotional trauma she knows nothing about, and only when handsome, quiet Grady Goodall arrives at the hospital does she learn she has a home, a career, and a wedding just two months away. What went wrong? Grady seems to care for her, but Lucie is no more sure of him than she is of anything. As she collects the clues of her past self, she unlocks the mystery of what happened to her. The painful secrets she uncovers could hold the key to her future—if she trusts her heart enough to guide her.

    Before it can be contained it spreads through the population, faster and more deadly than anyone could have imagined. Three weeks is all it takes to decimate the country.Johnny tells Liz not to phone the NHS when their young son starts to show symptoms. But she ignores him and a few hours later the army arrives and boards them into their house.Now Nathan is dying and there is nothing they can do to help him. Hours pass like weeks as their little boy grows weaker and weaker. All Liz wants is that they die with some dignity but the authorities refuse to help. Then the broadband dies and the phones stop working. Cut off from the world and boarded into their house, the family try their best to cope. But there is nothing they can do to stop the plague.UK Vine Voice and Top 50 Reviewer Shaun Horrigan said: Plague is one of, if not the best story I have read so far this year.