She's starting seventh grade newly friendless and facing big changes at home, where she is about to go from only child to big sister. Feeling alone and adrift, and like her words don't deserve to be seen, Bea takes solace in writing haiku in invisible ink and hiding them in a secret spot.But then something incredible happens--someone writes back. And Bea begins to connect with new friends, including a classmate obsessed with a nearby labyrinth and determined to get inside. As she decides where her next path will lead, she just might discover that her words--and herself--have found a new way to belong.

    A wonderful story of triumph over imperfection, shame, and loss.

    But she knows she's not a boy. She knows she's a girl.George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part . . . because she's a boy. With the help of her best friend, Kelly, George comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.

    Her wish comes true when her dad decides to bring her along on a business trip. She can't wait to finally meet her extended family and stay in the brownstone where her dad grew up. Plus, she wants to visit every landmark from the Apollo to Langston Hughes's home.But her family, and even the city, is not quite what Amara thought. Her dad doesn’t speak to her grandpa, and the crowded streets can be suffocating as well as inspiring. But as she learns more and more about Harlem—and her father’s history—Amara realizes how, in some ways more than others, she can connect with this other home and family.This is a powerful story about family, the places that make us who we are, and how we find ways to connect to our history across time and distance.

    In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. These miracles fill Wunder with the feeling that he is not alone, that the world is magical, that he is part of something brighter than he can imagine.But then his newborn sister dies, at only eight days old. If that can happen, then miracles don’t exist. So Wunder gets rid of The Miraculous. And he stops believing.Then Wunder meets Faye—a cape-wearing, outspoken girl with losses of her own. Together, they find an abandoned house by the cemetery and the old woman who lives there—and who might be a witch. The old woman asks for Wunder and Faye’s help. She asks them to go through graveyards and forests, to townhalls and police stations, by bike and by train. She asks them to believe. And together, they go on a journey that leads them to friendship, to healing—and to miracles.THE MIRACULOUS is Jess Redman’s stunning debut about facing grief, trusting the unknown, and finding the brightness in the darkest moments.

    When life gives you lemons, you make lemonade. But what if those lemons are so big that you forget how?How do you make lemonade out of having to leave everything you know in San Francisco to move to the small town of Willow Creek, California and live with a grandfather you’ve never even met? In a town that smells like grass and mud and bugs. With tall pines instead of skyscrapers and dirt instead of sidewalks. Not to mention one woolly beast lurking in the woods.That’s right, Bigfoot.A ginormous wooden statue of the ugly thing stands right at the center of town like he’s someone real important, like the mayor or something. And the people here actually believe he’s real and hiding somewhere out in the pine filled forests.How can anyone possibly be expected to make lemonade out those rotten lemons?Everything is different and Lem just wants to go back home. And then she meets Tobin Sky, the CEO of Bigfoot Detectives, Inc. and sole investigator for the town. He invites her to be his Assistant for the summer and she reluctantly agrees. At least until she can figure out her escape plan.Together, Lem and Tobin try to capture a shot of the elusive beast on film and end up finding more than they ever could have even imagined.

    Between working at her father’s diner, taking care of her younger siblings, and living in the shadow of her more mature sisters, Edith feels lost in a sea of siblings. When a kind teacher encourages Edith to be a teacher herself one day, Edith sees prospects for a future all her own. Full of joy, pain, humor, and sadness, this novel in verse is a wonderful look at the life of Edith Paul, the author's mother, and is an enduring portrait (complete with family photos and an author's note at the end) of one family's pursuit of the American dream.

    Not when her feelings have such a strong grip on her heart. Not when she and her twin sister, Naomi, seem to be drifting apart. So when Elodee’s mom gets a new job in Eventown, moving seems like it might just fix everything.Indeed, life in Eventown is comforting and exciting all at once. Their kitchen comes with a box of recipes for Elodee to try. Everyone takes the scenic way to school or work—past rows of rosebushes and unexpected waterfalls. On blueberry-picking field trips, every berry is perfectly ripe.Sure, there are a few odd rules, and the houses all look exactly alike, but it’s easy enough to explain—until Elodee realizes that there are only three ice cream flavors in Eventown. Ever. And they play only one song in music class.Everything may be “even” in Eventown, but is there a price to pay for perfection—and pretending?

    But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live.Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him.