An absorbing, true story to read and re-read.

    The story follows her journey from 1978 to '89. She experiences a childhood surrounded by love, death, poverty, and beautiful nature. Vanessa discovers music to express her joy and grief. She puts her soul into the music notes melting her listeners’ hearts. Music brings her into the larger world and on a journey to a surprise discovery. Discover the Taiwanese culture in this heart touching and uplifting story.

    A mother speaks out against the fundamentalist leaders of her country. Meanwhile, her family’s watchful eyes never leave their beloved son and brother, whose rare heart condition means that he will never lead a normal life.When the Taliban gave an order for the execution of Hamed Amiri’s mother, the family knew they had to escape, starting what would be a long and dangerous journey, across Russia and through Europe, with the UK as their ultimate destination.Travelling as refugees for a year and a half, they suffered attacks from mafia and police; terrifying journeys in strangers’ cars; treks across demanding terrain; days spent hidden in lorries without food or drink; and being robbed at gunpoint of every penny they owned.The family’s need to reach the UK was intensified by their eldest son’s deteriorating condition, and the prospect of life-saving treatment it offered.The Boy with Two Hearts is not only a tale of a family in crisis, but a love letter to the NHS, which provided hope and reassurance as they sought asylum in the UK and fought to save their loved ones.

    Now she offers her most personal and most deeply felt memoir yet as she embarks on her greatest, most terrifying, most rewarding endeavor of all….A good mother, writes Jeanne Marie Laskas in her latest report from Sweetwater Farm, would have bought a house in the suburbs with a cul-de-sac for her kids to ride bikes around instead of a ramshackle house in the middle of nowhere with a rooster. With the wryly observed self-doubt all mothers and mothers-to-be will instantly recognize, Laskas offers a poignant and laugh-out-loud-funny meditation on that greatest–and most impossible–of all life’s journeys: motherhood.What is it, she muses, that’s so exhausting about being a mom? You’d think raising two little girls would be a breeze compared to dealing with the barely controlled anarchy of “attack” roosters, feuding neighbors, and a scheme to turn sheep into lawn mowers on the fifty-acre farm she runs with her bemused husband Alex. But, as any mother knows, you’d be wrong.From struggling with the issues of race and identity as she raises two children adopted from China to taking her daughters to the mall for their first manicures, Jeanne Marie captures those magic moments that make motherhood the most important and rewarding job in the world–even if it’s never been done right. For, as she concludes in one of her three a.m. worry sessions, feeling like a bad mother is the only way to know you’re doing your job.Whether confronting Sasha’s language delay, reflecting on Anna’s devotion to a creepy backwards-running chicken, feeling outclassed by the fabulous homeroom moms, or describing the rich, secret language each family shares, these candid observations from the front lines of parenthood are filled with love and laughter–and radiant with the tough, tender, and timeless wisdom only raising kids can teach us.

    Told in eloquent, honest prose, Art’s Cello is a story about coming to terms with the past and letting go of the failures we allow to define us — and, in the process, honoring the lives of those we’ve lost. Jim McKean is an international award-winning violinmaker, author, and corresponding editor of Strings Magazine. He is a graduate of the first violinmaking school in America and the former president of the American Federation of Violin and Bow Makers. His novel, Quattrocento, was published in 2002. Cover design by Evan Twohy.

    As they take on the management of their new employers’ majestic house, will the opportunities to create luscious food for the guests and explore rural France enable them to create a dream life? Or will French officialdom, family illness and a sudden career curveball send them hurrying home to New Zealand?Perfect for fans of Peter Mayle’s A Year in Provence, Janine Marsh’s My Good Life in France and Beth Haslam’s Fat Dogs and French Estates.

    Its isolation—miles from her teaching job in a neighboring city—feels right. She buys the house and ultimately doubles its size as she waits for the call from the adoption agency to tell her she’s going to be a mom. Now in her forties, she is swept into the strange new world of single motherhood, complicated by the fact that she’s white and her daughter is black. As Monroe learns to deal with her daughter’s hair and to re-enter the dating scene, all the while coping with her own and her daughter’s major illnesses, they live under the magnified scrutiny of the small, conservative town.  Confronting her past in order to make a better life for her daughter, Monroe rebuilds not only a half-ruined cabin in the woods but her sense of what it is that makes a sustainable family.“Having driven across the country to see her brand-new adopted granddaughter, Debra Monroe’s mother says the first thing that comes into her head: ‘I knew she’d be black, but not this black.’  Monroe simply says, ‘Mom, there’s a blank in the baby book called Grandma’s First Words.’  The sly, dry humor of this, the offering of the second chance, the reminder that everything, even the mistakes, will be written down—tells you most of what you need to know about Monroe’s approach to life, and to memoir. Her generosity of spirit never fails her.”—Marion Winik, author of First Comes Love“Monroe’s memoir forges a remarkable canniness about motherhood and its twin perils, grief and love.”—Karen Brennan, author of Being with Rachel

    She felt as if she were 19 again, the age at which she got pregnant out of wedlock and relinquished her newborn son for adoption. Suddenly, he was back — this stranger she had given birth to — and he wasn’t just searching for his roots. Joshua was looking for a mom. Eager to embrace the second chance she had been granted, Denise leapt wholeheartedly into the role. “It’s a BIG boy,” she announced to her family and friends, setting free her twenty-six-year secret. But Joshua was not a boy. He was a grown man, with a history that fell far short of what she had envisioned for him when she’d been assured he would be “better off” without her. His adoptive parents had essentially given up on him at age thirteen, sending him away with only an eighth-grade education. He drifted through a series of institutions and group homes, and ultimately onto the New York City streets, where he fell into drugs and crime. When an early marriage failed, he and his young wife surrendered an infant and toddler to adoption. By the time Denise and her son reunited, he was in his second marriage to a teenaged runaway who was six months pregnant with their first child. Despite her disappointment and his obvious problems, Denise was determined to restore their severed bond and give him the unconditional love that had been lacking in her own childhood.At the same time, she struggled with her parents’ adverse reaction to her reunion and their refusal to acknowledge their grandson’s existence. The shameful event that they had worked so vigorously to bury was back to haunt them. They could not accept their daughter’s happiness at having found her lost child.Still reeling in the overwhelming mix of joy and grief, gratitude and guilt triggered by reunion with her son, Denise received a letter from an aunt she never knew existed. Aunt Mabel revealed some startling information about Denise’s mother, who had claimed to be an only child raised by a kindly couple after both her parents passed away. In truth, she was one of nine siblings tossed to the winds by their mother after the death of their father in 1929. As she got to know her new-found aunts, uncles and cousins, Denise became obsessed with understanding how her grandmother could desert her children and how her mother, who so clearly bore the scars of abandonment, could then force her own daughter to give up a child.A year into their reunion, after Josh’s wife left him with their ten-month-old daughter, the rage that he had initially denied surfaced. Denise went from feeling like a new mom to the frustrated parent of an out-of-control teenager. In the face of his angry outbursts and threats to cut her off, she remained intent on “fixing” him, believing that, in time, she could heal his wounds. Once more, she put her own pain aside and stood by him as he married twice more and fathered another child.Only when Josh and Denise reached an impasse in year five, did she recognize how emotionally shutdown she had been since relinquishing her son — and how she had let her fear of losing him again hold her hostage. In the silence of their estrangement, she began the hard work that ultimately allowed her to resolve her own issues, reclaim the young woman she had left behind after surrendering what turned out to be her only child, and make peace with the past. She found acceptance and forgiveness for her mother, her son, and ultimately herself.

    Her sweet baby, Grace, was a dream come true. Then Vanessa made a highly uncommon gesture: when Grace’s biological parents became homeless, Vanessa invited them to stay.Without a blueprint for navigating the practical basics of an open adoption or any discussion of expectations or boundaries, the unusual living arrangement became a bottomless well of conflicting emotions and increasingly difficult decisions complicated by missed opportunities, regret, social chaos, and broken hearts.Written with wit, candor, and compassion, Rock Needs River is, ultimately, Vanessa’s love letter to her daughter, one that illuminates the universal need for connection and the heroine’s journey to find her tribe.

    I want to be big. I want to be gracious and cool. I want to be the Audrey Hepburn of cancer…” Gail Konop Baker was a runner, yoga practitioner, and lifelong subscriber to Prevention magazine. As her forty-sixth birthday approached, she looked forward to a time when she could at last take a deep breath, with one child heading off to college and the other two busy with their lives. She finally felt as if she was getting her life back.Then, right before Valentine’s Day 2006, she heard the words that would forever change her: Just to be safe, I think we should biopsy.It was the beginning of her year-long struggle with breast cancer and its fallout—one that would upstage any midlife crisis she’d fretted was waiting in the wings. “I want to feel bad about my neck. I do,” she writes. “But I feel bad I may not ever get to feel bad about my neck.” Gail was suddenly faced with the truth that awaits us all—this was her life, and she would do anything to hold on to it. As a doctor’s wife, she knew more than she should about her diagnosis and treatment. As a mother, she found unbearable the idea of not being there for the next birthday, next graduation, next anything. And as a woman who’d put her dreams on hold for years, she was determined to make every minute count.But Cancer Is a Bitch is about much more than the “C” word; it's about the outrageous challenges of marriage, the joys and unpredictability of motherhood, about figuring out what it is you want to do with your life, about wanting to live now.Funny, raw, and moving, this story will resonate with every mother and wife, and with anyone who has been affected by cancer. It is one woman’s unforgettable, beautifully told account of juggling midlife and motherhood with a rogue boob—and, ultimately, triumphing.

    Her army husband and three young children, including an adopted Chinese daughter, uproot themselves too. Aminta hopes to understand the country with its long civilization, ancient philosophy, and complex language. She is also determined that her daughter Grace, born in China, regain some of the culture she lost when the Arringtons brought her to America as a baby.In the university town of Tai'an, a small city where pigs' hooves are available at the local supermarket, donkeys share the road with cars, and the warm-hearted locals welcome this strange looking foreign family, the Arringtons settle in . . . but not at first. Aminta teaches at the university, not realizing she is countering the propaganda the students had memorized for years. Her creative, independent (and loud) American children chafe in their classrooms, the first rung in society's effort to ensure conformity. The family is bewildered by the seemingly endless cultural differences they face, but they find their way. With humor and unexpectedly moving moments, Aminta's story is appealingly reminiscent of Reading Lolita in Tehran. It will rivet anyone who is thinking of adopting a child, or anyone who is already familiar with the experience. An everywoman with courage and acute cultural perspective, Aminta recounts this transformative quest with a freshness that will delight anyone looking for an original, accessible point of view on the new China.

    All she knew about her was that the baby had been born in Wuhu, a city in southern China, and left near a police station in her first three days of life. Her birth mother had left a note with Lulu's western and lunar birth dates. In 1999 Emily and her daughter–now a happy, fearless four-year-old--returned to China to find out more. That journey and its discoveries unfold in this lovely, touching and sensitively observed book.In Wuhu Diary, we follow Emily and LuLu through a country where children are doted on yet often summarily abandoned and where immense human friendliness can coexist with outbursts of state-orchestrated hostility–particularly after the U. S. accidentally bombs the Chinese embassy in Belgrade. We see Emily unearthing precious details of her child’s past and LuLu coming to terms with who she is. The result is a book that will delight anyone interested in China, and that will move and instruct anyone who has ever adopted--or considered adopting--a child.

    Now, Son Rise: The Miracle Continues presents not only the expanded and updated journal of Barry and Samahria Kaufman's successful effort to reach their "unreachable" child but goes beyond to include a sensitive portrayal of how that singular event has become a worldwide phenomenon.When their son Raun was a year old, he began to withdraw from human contact. Diagnosed as autistic, Raun tested with an I.Q. of under 30. Experts offered no hope and advised institutionalizing him. Barry and Samahria refused to accept this prognosis. For several years they worked with Raun in a program of their own design, based on unconditional love and acceptance. By age three and a half, Raun was functioning above his age level — a bright and curious little person. The story of the Kaufmans' experience to this point makes up Part I of Son Rise: The Miracle Continues.Part II continues Raun's story and describes the intervening years as the Kaufmans offered hope and healing to thousands of families with special-needs children. At age twenty, Raun attended a top university, and displayed a near-genius I.Q. Today, he shows no trace of his former condition.Part III of the book highlights the moving stories of five families who, guided by the Kaufmans and the Son-Rise Program, have created "rebirths" for their own special children.

    This engrossing account traces the crests and dips in the path of Mona Ruiz's life - a life that forced her to assume contradicting roles: gang chola, high school drop-out, battered wife, welfare mother, student, cop, disowned daughter, policewoman and finally success story.No matter how desolate her prospects were, the Santa Ana native always knew a better life could be hers. When she was a child, her father once told her that police officers were "soldiers of Christ" and the image never left her mind. Despite hostility from the local cops who didn't like her looks or background, Mona made her unlikely dream come true. She now wears a badge as well as a gang tattoo. She is now an protector on the same streets where she once ran with the predators. A monument to courage, this compelling story well serve as an example for all women and all youth in crisis.

    One day… I wanted to explore the US in an RV. One day… I wanted to backpack in a foreign country. None of these things were happening because it seemed impossible to fit big adventures into a nine-to-five life. Until one day it hit me. One day was not just going to happen. I had to start taking the steps to make it happen and figure out how to fit it in. I got on the internet and searched for something to inspire me. I found the Becoming Ultra project. And thus began my journey to running a 50 mile race.