While many of the poems utilize nature and spirituality as sophisticated metaphors, others are beautifully simplistic and elegant. This collection of poems exquisitely illustrates the difficulty and intensity of facing one's demons, shame, and secrecy. They offer a provocative glimpse inside the mind of an individual struggling with grief, trauma, depression, and stigma. Despite the dark imagery some of the poems conjure, they often transcend these painful shadows into messages of hope, inspiration, and healing. They have a distinctive ability to evoke tears as well as courage and valor during life's obstacles.

    This set includes Singing And Swinging And Getting Merry, I Know Why The Caged Bird Sings, Maya Angelou: Poems and Wouldn't Take Nothing For My Journey Now.

    Gruber shows him just how fun it can be. But he’s not the only one—Mr. Brown has an artistic streak, too. So when a painting contest comes to town, the winning picture is a surprise to all. Because when Paddington is involved, the ordinary turns extraordinary!Paddington’s Prize Picture is a Level One I Can Read book, which means it’s perfect for children learning to sound out words and sentences.

    All encased in the usual lavish, beautiful CrimethInc production.

    -- For beginner readers - phonics-based text is cleverly blended with a funny story-- Includes phonics guide for parents...and some pages have fold-out flaps!

    Now available in a sturdy board book edition, this glittering Nativity, by the author of "The Rainbow Fish," is a perfect Christmas gift for the entire family to share.

    Now the adventure of these two unlikely sweethearts has been paired with vibrant paper-collage illustrations by Anne Wilson. Her colorful art creates a whimsical backdrop for Owl's romantic pursuit of Pussycat. "The Owl and the Pussycat" will delight children and adults and show a new generation of readers the magic of true love. Awards and honors for "The Owl and the Pussycat": "Publishers Weekly" starred review

    But with tons of new stuff to learn and explore, by the closing bell they can hardly wait for day two! There's something for everyone in this quintessential back-to-school book from Stan, Jan, and Mike Berenstain.

    As W. H. Auden told friends, it is "really about the Christian conception of art" and it is "my Ars Poetica, in the same way I believe The Tempest to be Shakespeare's." This is the first critical edition. Arthur Kirsch's introduction and notes make the poem newly accessible to readers of Auden, readers of Shakespeare, and all those interested in the relation of life and literature--those two classic themes alluded to in its title.The poem begins in a theater after a performance of The Tempest has ended. It includes a moving speech in verse by Prospero bidding farewell to Ariel, a section in which the supporting characters speak in a dazzling variety of verse forms about their experiences on the island, and an extravagantly inventive section in prose that sees the uncivilized Caliban address the audience on art--an unalloyed example of what Auden's friend Oliver Sachs has called his "wild, extraordinary and demonic imagination."Besides annotating Auden's allusions and sources (in notes after the text), Kirsch provides extensive quotations from his manuscript drafts, permitting the reader to follow the poem's genesis in Auden's imagination. This book, which incorporates for the first time previously ignored corrections that Auden made on the galleys of the first edition, also provides an unusual opportunity to see the effect of one literary genius upon another.

    Fusing family memoir with a meditation on creative block, depression, solitude, class, place and the intractable politics of our present moment, Dan Fox draws upon his experiences as a writer to consider the role that fallow periods and states of impasse play in art and life. LIMBO is an essay about getting by when you can't get along, employing a cast of artists, exiles, ghosts, hermits and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and how these are also crucial to our understanding of inspiration, flow and productivity. From Thomas Aquinas to radical behavioural experiments, from creative constraints to the social horrors of THE TWILIGHT ZONE and Get Out's SUNKEN PLACE, LIMBO argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal.

    Over the past several years a dialogue has evolved in which the poet has come to advise the illustrator on the natural history of the animals and plants seen so intimately in the poems. Then came the august book designer Dave Bullen, who has been designing the books of Wendell Berry for more than thirty years.The resulting volume of 21 poems includes dozens of the sketches, drawings and watercolors in what amounts to a visual meditation on the poem they work to illustrate and is simply staggering in both its beauty and its meaning to those of us who remain lovers of the book as physical object.In the full-color Terrapin we have not only a volume of staggering beauty but a consummate example of the collaborative effort that is fine bookmaking, the perfect gift for children, grandchildren or anyone who remains a lover of the book as physical object.

    Authors Patricia MacLachlan and Emily MacLachlan Charest and illustrator Barry Moser give voice to and celebrate our most opinionated furry friends in this spirited collection of poems filled with rich language, perfect for reading aloud. Cat Talk is sure to make readers wonder what their own four-legged friends have to say.Supports the Common Core State Standards

    The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges erudition on the following topics: Dante's The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The Kabbalah, and Blindness.

    When their radically new ballet, The Rite of Spring, was first performed in Paris on May 29, 1913, the reaction was so polarized, there were fistfights and riots! Brilliant or disastrous, the performance marked the birth of modern music and dance. Stringer’s rhythmic text and gloriously inventive, color-rich paintings capture the wild and imaginative collaboration of composer and choreographer. The fascinating author note includes photos of the dynamic duo and The Rite of Spring dancers.