Is the dream of equality Dr. King envisioned still alive today? Can our historic national hurts still be healed? How can we rise above the racial tension threatening the nation? The Dream King is the astonishing true story of two men whose lives are woven together by history and the hidden hand of God. It reveals an inspiring narrative that exposes systemic injustice and delivers new keys for understanding the nation’s past, present, and future. • Learn about the nation’s hidden history and the unknown heroes who overcame injustice. • Discover how your life is an important part of a much bigger story. • Be equipped to be a countercultural dreamer and change the world around you.

    I became a journalist because I did not want to rely on newspapers for information." Love, Poverty and War: Journeys and Essays showcases America's leading polemicist's rejection of consensus and cliché whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.

    Craven Prize, Los Angeles Times Book Award, Francis Parkman Prize, and Lionel Trilling Prize.

    The 1979 Islamic revolution in Iran was one of the seminal events of our time. It inaugurated more than thirty years of war in the Middle East and fostered an Islamic radicalism that shapes foreign policy in the United States and Europe to this day. Drawing on his lifetime of engagement with Iran, James Buchan explains the history that gave rise to the Revolution, in which Ayatollah Khomeini and his supporters displaced the Shah with little diffi­culty. Mystifyingly to outsiders, the people of Iran turned their backs on a successful Westernized government for an amateurish religious regime. Buchan dispels myths about the Iranian Revolution and instead assesses the historical forces to which it responded. He puts the extremism of the Islamic regime in perspective: a truly radical revolution, it can be compared to the French or Russian Revolu­tions. Using recently declassified diplomatic papers and Persian-language news reports, diaries, memoirs, interviews, and theological tracts, Buchan illumi­nates both Khomeini and the Shah. His writing is always clear, dispassionate, and informative. The Iranian Revolution was a turning point in modern history, and James Buchan’s Days of God is, as London’s Independent put it, “a compelling, beautifully written history” of that event.

    Today, even the name itself has become a battleground for conflicting Israeli and Palestinian visions of the country's past. Israelis treat the very notion of 'Palestine' as a modern invention, while rooting their own nation's history in the ancient Kingdom of Israel. But, as Nur Masalha shows, the concept of Palestine (derived from the biblical 'Philistine') is one which can be traced to the beginning of recorded history, grounded in a distinctive Palestinian culture that long predates the Old Testament narrative of Israelite conquest. Beginning with the earliest references to the area in ancient texts, Masalha explores how the concept of Palestine and its associated identity has evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine's past has been distorted and mythologised by Biblical lore and the Israeli-Palestinian conflict. In the process, this magisterial work uncovers the true depth and complexity of Palestine's millennia-old heritage, and represents the authoritative account of the country's history.

    As Sean McMeekin shows us in this revelatory new history of what he calls the “wars of the Ottoman succession,” we know far less than we think. The Ottoman Endgame brings to light the entire strategic narrative that led to an unstable new order in postwar Middle East—much of which is still felt today.The Ottoman Endgame: War, Revolution, and the Making of the Modern Middle East draws from McMeekin’s years of groundbreaking research in newly opened Ottoman and Russian archives. With great storytelling flair, McMeekin makes new the epic stories we know from the Ottoman front, from Gallipoli to the exploits of Lawrence in Arabia, and introduces a vast range of new stories to Western readers. His accounts of the lead-up to World War I and the Ottoman Empire’s central role in the war itself offers an entirely new and deeper vision of the conflict. Harnessing not only Ottoman and Russian but also British, German, French, American, and Austro-Hungarian sources, the result is a truly pioneering work of scholarship that gives full justice to a multitiered war involving many belligerents. McMeekin also brilliantly reconceives our inherited Anglo-French understanding of the war’s outcome and the collapse of the empire that followed. The book chronicles the emergence of modern Turkey and the carve-up of the rest of the Ottoman Empire as it has never been told before, offering a new perspective on such issues as the ethno-religious bloodletting and forced population transfers which attended the breakup of empire, the Balfour Declaration, the toppling of the caliphate, and the partition of Iraq and Syria—bringing the contemporary consequences into clear focus.Every so often, a work of history completely reshapes our understanding of a subject of enormous historical and contemporary importance. The Ottoman Endgame is such a book, an instantly definitive and thrilling example of narrative history as high art.

    Looking for a hopeful response to the plague of Holocaust denial sweeping across the Arab and Muslim worlds, Robert Satloff sets off on a quest to find the Arab hero whose story will change the way Arabs view Jews, themselves, and their own history. The story of the Holocaust's long reach into the Arab world is difficult to uncover, covered up by desert sands and desert politics. We follow Satloff over four years, through eleven countries, from the barren wasteland of the Sahara, where thousands of Jews were imprisoned in labor camps; through the archways of the Mosque in Paris, which may once have hidden 1700 Jews; to the living rooms of octogenarians in London, Paris and Tunis. The story is very cinematic; the characters are rich and handsome, brave and cowardly; there are heroes and villains. The most surprising story of all is why, more than sixty years after the end of the war, so few people-- Arab and Jew--want this story told.

    Christopher Phillips argues instead that the international dimension was never secondary but that Syria’s war was, from the very start, profoundly influenced by regional factors, particularly the vacuum created by a perceived decline of U.S. power in the Middle East. This precipitated a new regional order in which six external protagonists—the United States, Russia, Iran, Saudi Arabia, Turkey, and Qatar—have violently competed for influence, with Syria a key battleground.  Drawing on a plethora of original interviews, Phillips constructs a new narrative of Syria’s war. Without absolving the brutal Bashar al-Assad regime, the author untangles the key external factors which explain the acceleration and endurance of the conflict, including the West’s strategy against ISIS. He concludes with some insights on Syria and the region's future.

    And while the election of Jeremy Corbyn may have thrown a harsher spotlight on the crisis, it is by no means a recent phenomenon.The widening gulf between British Jews and the anti-Israel left - born out of antiapartheid campaigns and now allying itself with Islamist extremists who demand Israel’s destruction - did not happen overnight or by chance: political activists made it happen. This book reveals who they were, why they chose Palestine and how they sold their cause to the left.Based on new academic research into the origins of this phenomenon, combined with the author's daily work observing political extremism, contemporary hostility to Israel, and anti-Semitism, this book brings new insight to the left's increasingly controversial 'Jewish problem'.

    First published in 1982, this book has become a classic, a textbook case of the relationship between the United States and the Third World. The authors make extensive use of U.S. government documents and interviews with former CIA and other officials. It is a warning of what happens when the United States abuses its power.

    A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a twenty-five-year-old national correspondent for the "Los Angeles Times," was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, including Israel, Egypt, Libya, and Yemen, witnessing the changes that swept the Muslim world and laboring to tell its stories. "Every Man in This Village Is a Liar" is Megan K. Stack's riveting account of what she saw in the combat zones and beyond. She relates her initial wild excitement and her slow disillusionment as the cost of violence outweighs the elusive promise of freedom and democracy. She reports from under bombardment in Lebanon; records the raw pain of suicide bombings in Israel and Iraq; and, one by one, marks the deaths and disappearances of those she interviews. Beautiful, savage, and unsettling, "Every Man in This Village Is a Liar" is a memoir about the wars of the twenty-first century that readers will long remember.

    Published just months after the end of the 1948 war (in which the author fought) the book as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars. An absolute must for anyone interested in Middle Eastern literature and history.

    This historical magnum opus covers 4,000 years of the extraordinary history of the Jews as a people, a culture, and a nation, showing the impact of Jewish character and imagination upon the world.

    In this timely account, John McHugo seeks to contextualize the headlines, providing broad historical perspective and a richly layered analysis of a country few in the United States know or understand.McHugo charts the history of Syria from World War I to the tumultuous present, examining the country’s thwarted attempts at independence, the French policies that sowed the seeds of internal strife, and the fragility of its foundations as a nation. He then turns to more recent events: religious and sectarian tensions that have riven Syria, the pressures of the Cold War and the Arab-Israeli conflict, and two generations of rule by the Assads.The result is a fresh and rigorous narrative that explains both the creation and unraveling of the current regime and the roots of the broader Middle East conflict. As the Syrian civil war threatens to draw the U.S. military once again into the Middle East, here is a rare and authoritative guide to a complex nation that demands our attention.

    Weizman traces the development of these ideas, from the influence of archaeology on urban planning, Ariel Sharon’s reconceptualization of military defense during the 1973 war, through the planning and architecture of the settlements, to contemporary Israeli discourse and practice of urban warfare and airborne targeted assassinations.In exploring Israel’s methods to transform the landscape and the built environment themselves into tools of domination and control, Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation.