Virgil Rawlins is left without family or friends as he is swept into the maelstrom that encompasses the last years of the American Civil War. Lost in a world of brutality and inhumanity, the teenaged Rawlins matures—as did many of the Wild West’s first outlaws—with revenge and hatred as his only motivations. He heads westward before the war’s end, making his way to the town of Independence and the Oregon Trail, but along the way he meets the remarkably beautiful Sarah McCaskey and learns that the rights and wrongs in his life cannot be defined simply as blue and gray.When Sarah tells Rawlins of her loss to Confederate guerrilla Bloody Bill Anderson, Rawlins begins to question his own assumptions. Joining a wagon train as a hunter/scout, he heads westward into the raging Indian War of 1865. Along the way he earns a reputation as a well-respected fighter, and he must finally decide what kind of man he will be—outlaw, lawman, or perhaps, neither.Rawlins, No Longer Young is guaranteed to stir debate and enlighten readers with the experiences of these turbulent years as seen through the eyes of a young Confederate soldier.

    As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs.Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the ’60s and ’70s—including:

    To compensate, they join the ranks of ideological tribes spawned by identity politics and react with frenzy against any perceived threat to their group. As identitarians track and expose the ideologically impure, other citizens face the consequences of their rancor: a litany of “isms” run amok across all levels of cultural life; the free marketplace of ideas muted by agendas shouted through megaphones; and a spirit of general goodwill warped into a state of perpetual outrage.  How did we get here? Why have we divided against one another so bitterly? In Primal Screams, acclaimed cultural critic Mary Eberstadt presents the most provocative and original theory to come along in recent years. The rise of identity politics, she argues, is a direct result of the fallout of the sexual revolution, especially the collapse and shrinkage of the family.  As Eberstadt illustrates, humans from time immemorial have forged their identities within the structure of kinship. The extended family, in a real sense, is the first tribe and first teacher. But with its unprecedented decline across a variety of measures, generations of people have been set adrift and can no longer answer the question Who am I? with reference to primordial ties. Desperate for solidarity and connection, they claim membership in politicized groups whose displays of frantic irrationalism amount to primal screams for familial and communal loss.Written in her impeccable style and with empathy rarely encountered in today’s divisive discourse, Eberstadt’s theory holds immense explanatory power that no serious citizen can afford to ignore. The book concludes with three incisive essays by Rod Dreher, Mark Lilla, and Peter Thiel, each sharing their perspective on the author’s formidable argument.

    Covering Sid's early years in South Africa and life as a ladies' hairdresser, his obsession with gambling and women, his questioning by Scotland Yard in a murder case, Hancock's Half Hour and the Carry On films, and Sid's death on stage at the age of 63, Cliff Goodwin reveals the amazing truth behing the legend.

    You are married to the black mafia, and not even jail or death will separate us – James Salzano Six siblings sharing different mothers and fathers have one thing in common – their love for Trevor Bruce. When the bullet meant for James Salzano hits Trevor Bruce, these siblings come together, in one home, to console each other and prepare their next moves. In a short amount of time, things change drastically for every person and couple involved. Both enemies and law officials strike simultaneously, hoping to catch the siblings and their partners off guard and finally take down the Salzano family. In “Loveshed: Married to the Mafia” there’s crime, passion, angst, lust, betrayal, and sex. The lines between love and loyalty are blurred. There’s bloodshed and there’s loveshed. And these siblings find out the hard way that when the mafia welcomes you in… there’s absolutely no way to get out.

    Josh is just as blindsided as Candice at the emotions which rush through him when she walks in. He’s been jaded for so long that he’s pretty much decided he’s numb to everything except sleeping with women —but Candice makes him feel everything. In return, he turns her safe world inside out, showing her the limits of passion. When she hires on at his company, there’s no hope for Josh, even though he knows he should turn and walk away from Candice’s innocence. They begin a turbulent, passionate relationship. But when Josh’s fear of commitment rises to the fore, will Candice be able to make him see that there’s more to life than one night stands? This is a hot and sexy romance box set with a guaranteed HEA. I’ve also included several more exclusive bonus books for your pleasure, including an exclusive new novel yet to be published and only available through this box set. It’s book one from my new and upcoming series! FREE with Kindle Unlimited! Readers should be 18+ due to mature situations and language

    Collected here are selections from the first twenty years of Cometbus; including the ultra-rare intros, notes, and a scrapbook.

    This history of 20th-century magic presents a detailed analysis of a pre-Christian occult tradition which survived persecution and reappeared in recent times.

    

    After five years, the nightmares that she had every night reminded her repeatedly of the things she went through as a child, and the murder she witnessed when she was a teenager. When the opportunity presented itself, Lisa moved away from her family and created a life that didn’t involve them. Lisa had great friends and strived for the normal life that she craved. Everything was going as planned, until her routine life was interrupted by a phone call from the brother that she feared. Lisa was brought back to the place that she vowed to never return to. It was her childhood home that held secrets and lies of a life that she no longer wanted. Her therapist, Dr. Mage, encouraged her to spend time with her siblings in their time of need, but a trip to the cabin, made Lisa realize how angry she was. Not only at her mother, but at a woman that took her brother under her wing and created the monster that he was. They called her Aunt Janet, a name in the household that no one was able to say without looking behind them. She was ruthless and evil in the cruelest way. Lisa didn’t like it and couldn’t wait to go back home when she heard that her brother and sister had been keeping in touch with her. But, a long-lost friend helped her cope with her reality and promised her that he would stay by her side, no matter what. In turn, it made Lisa think twice about leaving. She wanted to give him a chance, but knew that it was going to be difficult to let him in. Especially with a serial killer for a brother and an Aunt. Will Lisa be able to save her family from the woman that caused them so much pain, or will Aunt Janet have the last laugh?

    Neumann, one of Jung's most creative students and a renowned practitioner of analytical psychology in his own right, shows how the stages begin and end with the symbol of the Uroboros, or tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying of the Dragon, Rescue of the Captive, and Transformation and Deification of the Hero. Throughout the sequence the Hero is the evolving ego consciousness.

    This is called "initiation" or "vision quest" in many traditional societies and ... a dangerous variety of self-psychotherapy in modern terminology. I do not recommend it for everybody... the main thing I learned is that "reality is always plural and mutable." — From the Preface

    Moreover both political systems have some similar objectives. What communism tried to achieve with the use of most brutal measures on a massive scale has been to a considerable degree achieved in a liberal democracy through a more or less spontaneous development and more or less humane social engineering – an almost total identification of man with a political regime, politicization of culture and social relations, omnipresence of ideology, and a peculiar combination of a utopian impulse with the insistence of human mediocrity. Both systems reduce human nature to that of the common man who is led to believe himself liberated from unnecessary obligations of the past, unaware that he shackled himself with other chains which dramatically narrowed his perspective. Both the communist man and the liberal democratic man refuse to admit that there exists anything of value outside the political systems to which they pledged their loyalty and both refuse to undertake any critical examination of their ideological prejudices.

    His works were extraordinary bestsellers for their era, achieving fame both here and abroad. Now, for the first time in over 25 years. Poems and Other Writings offers a full-scale literary portrait of America's greatest popular poet. Here are the poems that created an American mythology: Evangeline in the forest primeval, Hiawatha by the shores of Gitchee Gumee, the midnight ride of Paul Revere, the wreck of the Hesperus, the village blacksmith under the spreading chestnut tree, the strange courtship of Miles Standish, the maiden Priscilla and the hesitant John Alden; verses, like "A Psalm of Life" and the "The Children's Hour", whose phrases and characters have become part of the culture. Erudite and fluent in many languages, Longfellow was endlessly fascinated with the byways of history and the curiosities of legend. His many poems on literary themes, such as his moving homages to Dante and Chaucer, his verse translations from Lope de Vega, Heinrich Heine, and Michelangelo, and his ambitious verse dramas, notably The New England Tragedies (also complete), are remarkable in their range and ambition. As a special feature, this volume restores to print Longfellow's novel Kavanagh, a study of small-town life and literary ambition that was praised by Emerson as an important contribution to the development of American fiction. A selection of essays rounds out of the volume and provides testimony to Longfellow's concern with creating an American national literature.