None haunts her dreams more than the killer who took her son's life sixteen years ago, then silently disappeared into the dark. Now an urgent request for help from the Chicago police has reawakened Ivy's greatest nightmare. The Madonna Murderer has returned to fulfill his calling. This time Ivy understands the killer instinct. She knows what man is capable of. This time she's ready to confront her deepest fear, face-to-face. For the very last time...

    But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.Torn between loyalty to her family and dread of what she might find, Cara digs into the early years of her parents’ troubled marriage, hunting down long-lost relatives who might help unravel the mystery. But the picture that begins to emerge is not at all the one she’d expected—because as she soon discovers, lies have a habit of multiplying . . . Revised edition: This edition of Postcards from a Stranger includes editorial revisions.

    Outside the school, the town of Broken Branch watches and waits.Officer Meg Barrett holds the responsibility for the town's children in her hands. Will Thwaite, reluctantly entrusted with the care of his two grandchildren by the daughter who left home years earlier, stands by helplessly and wonders if he has failed his child again. Trapped in her classroom, Evelyn Oliver watches for an opportunity to rescue the children in her care. And thirteen-year-old Augie Baker, already struggling with the aftermath of a terrible accident that has brought her to Broken Branch, will risk her own safety to protect her little brother.As tension mounts with each passing minute, the hidden fears and grudges of the small town are revealed as the people of Broken Branch race to uncover the identity of the stranger who holds their children hostage.

    Eight years ago, she left the land that nine generations of gifted healers had tended, determined to distance herself from the whispers about her family’s strange legacy. But when her beloved grandmother Althea dies, Lizzy must return and face the tragedy still hanging over the farm’s withered lavender fields: the unsolved murders of two young girls, and the cruel accusations that followed Althea to her grave.Lizzy wants nothing more than to sell the farm and return to her life in New York, until she discovers a journal Althea left for her—a Book of Remembrances meant to help Lizzy embrace her own special gifts. When she reconnects with Andrew Greyson, one of the few in town who believed in Althea’s innocence, she resolves to clear her grandmother’s name.But to do so, she’ll have to decide if she can accept her legacy and whether to follow in the footsteps of all the Moon women who came before her.

    In the first a doctor has to confront his father's killer, in the second a detective investigates a series of horrific murders, and in the third an international organization devises a masterplan of apocalyptic dimensions.

    And her father’s wisdom and empathy are as unusual as his despised profession. It is 1659, the Thirty Years’ War has finally ended, and there hasn’t been a witchcraft mania in decades. But now, a drowning and gruesomely injured boy, tattooed with the mark of a witch, is pulled from a river and the villagers suspect the local midwife, Martha Stechlin.Jakob Kuisl is charged with extracting a confession from her and torturing her until he gets one. Convinced she is innocent, he, Magdalena, and her would-be suitor race against the clock to find the true killer. Approaching Walpurgisnacht, when witches are believed to dance in the forest and mate with the devil, another tattooed orphan is found dead and the town becomes frenzied. More than one person has spotted what looks like the devil—a man with a hand made only of bones. The hangman, his daughter, and the doctor’s son face a terrifying and very real enemy.Page Numbers Source ISBN: 054774501X

    Her sister Andrea has an altogether different point of view. When the sisters go to the Canaan Valley to search for paintings mentioned in a document found in an old hotel once owned by their grandparents—paintings that might be Monets—Andrea immediately becomes involved in tracking down a murderer. Kathleen would much rather be looking for the paintings, but she goes along with Andrea, since the victim was their hotel-keeper, murdered just down the hall from their room. The question is: Does the murder have something to do with the elusive paintings?There are many clues and many suspects, including hotel staff, valley residents, and the mysterious foreigners who come from the Eastern Seaboard for skiing. There are also many types of danger—icy roads, sub-zero temperatures, and a killer who doesn’t care how many people die in the attempt to make sure the right ones do.

    A mysterious ball of light disturbs her peace and leads her to a secret beach where she finds the diary of a girl who disappeared in 1975. Now Beth is on a mission, not only to bury her own past, but to put to rest the spirit of Firefly Beach. See also Firefly Beach 2009.

    Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.

    With her inheritance, she purchased an old school building in Bellingwood and is in the middle of renovating it when the bones of two bodies are pulled out of a ceiling. The whole town knows who those bones belong to, but when she also finds crates and crates of items from the sixties through the early nineties in the old root cellar, they wonder if the two things are connected.A welcoming committee shows up at Polly's front door and these women soon become her fast friends. Fortunately, the leader of the group is married to the Sheriff and he is there to make sure mysteries are solved and everyone stays safe, but when Polly's old boyfriend from Boston shows up, that becomes a little more difficult. The women might be a little older than Polly, but she finds out they might be even more wild than the friends she had when living back east. Lydia Merritt, the Sheriff's wife, is a woman filled with love and passion. Beryl Watson is an artist and more than a little flamboyant. Andy Saner wants to organize and label the world, but loves with a great big heart and Sylvie Donovan, with her two young sons is trying to make it as a single mother. The men in Polly's world are just as interesting. Henry Sturtz is the carpenter and contractor in charge of construction and might have a little crush on his boss, while Doug Randall and Billy Endicott are her Jedi Knights in Shining Armor. Polly's immediate family might be gone, but her new family offers a great deal of love, fun and entertainment.Read along as the extraordinary, yet quite ordinary, people in Bellingwood tell their stories.

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

    Standing in the way are [among others] an editor who wants Jack to "break her cherry," Stoma's ambitious pop-singer widow, and the soulless, profit-hungry newspaper owner Jack once publicly humiliated. As clues from Stoma's music give Jack Tagger the chance to trade obits for a story that could hit the front page, murder gives his career a new lease on life.

    Now they are in a race to find the murderer before he or she strikes again because they could very well be next!

    But as Long Man opens, the Tennessee Valley Authority's plans to dam the river and flood the town of Yuneetah for the sake of progress-to bring electricity and jobs to the hardscrabble region-are about to take effect. Just one day remains before the river will rise, and most of the town has been evacuated. Among the holdouts is a young mother, Annie Clyde Dodson, whose ancestors have lived for generations on her mountaintop farm; she'll do anything to ensure that her three-year-old daughter, Gracie, will inherit the family's land. But her husband wants to make a fresh start in Michigan, where he has found work that will secure the family's future. As the deadline looms, a storm as powerful as the emotions between them rages outside their door. Suddenly, they realize that Gracie has gone missing. Has she simply wandered off into the rain? Or has she been taken by Amos, the mysterious drifter who has come back to town, perhaps to save it in a last, desperate act of violence? Suspenseful, visceral, gorgeously told, Long Man is a searing portrait of a tight-knit community brought together by change and crisis, and of one family facing a terrifying ticking clock. It is a dazzling and unforgettable tour de force.

     In the winter of 1928, still seeking some kind of resolution to the horrors of World War I, Freddie is traveling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn to wait out the blizzard. There he meets Fabrissa, a lovely young woman also mourning a lost generation. Over the course of one night, Fabrissa and Freddie share their stories. By the time dawn breaks, Freddie will have unearthed a tragic, centuries-old mystery, and discovered his own role in the life of this remote town.