The photo shows a shuttered, ramshackle house on top of a steep hill. On the back, a puzzling inscription: Destiny calls us.Ava is certain that it’s a clue to her elusive past. Twenty-three years ago, she’d been found wrapped in a yellow blanket in the narthex of the Holy Saviour Catholic Church—and rescued—or so she’d been told. Her mother claimed there was no more to the story, so the questions of her abandonment were left unanswered. For Ava, now is the time to find the roots of her mother’s lies. It begins with the house itself—once the scene of a brutal double murder.When Ava enlists the help of the two people closest to her, a police detective and her best friend, she fears that investigating her past could be a fatal mistake. Someone is following them there. And what’s been buried in Ava’s nightmares isn’t just a crime. It’s a holy conspiracy.

    Best-case scenario for lead detective Lena Gamble: Nikki Brant’s husband killed her, case closed.Unfortunately for Lena, she knows that best-case scenarios only happen in the movies. The murder is only the first in a series of brutal crimes against beautiful women thought to be perpetrated by the same man, a serial killer dubbed Romeo in the press. It’s the case of a lifetime, and promises to either elevate Lena to the upper echelons of a publicity-hungry LAPD in need of heroes, or bring about a very public and painful fall from grace. Lena has been in the public eye before, on the night her rock-star brother was gunned down on a dark street in Hollywood--an unsolved murder so grisly she’s never recovered.As the investigation plays out and a massive forest fire blankets the city with acrid smoke, a cloud of conspiracy descends on Lena’s investigation, and she knows she’ll have to grind this one out . . . because Nikki Brant’s death just breathed new life into more than one closed case . . . because the web of conspiracy is spun more intricately than she can possibly imagine . . . and because Lena knows there’s only one rock solid rule to murder in L.A.: the deeper you dig, the darker it gets.

    She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, already counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean—or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did?

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    Her nine-year-old son, Ethan, is missing—vanished from the cabin where he’d been on an overnight field trip with his class. Shocked and distraught, Kat rushes to the campground where he was last seen. But she’s too late; the authorities have returned from their search empty-handed after losing Ethan’s trail in the mountain forest.Another mother from the school, Stef Huntington, seems like she has it all: money, prominence in the community, a popular son and a loving husband. She hardly knows Kat, except for the vicious gossip that swirls around Kat’s traumatic past. But as the police investigation unfolds, Ethan’s disappearance will have earth-shattering consequences in Stef’s own life—and the paths of these two mothers are about to cross in ways no one could have anticipated.Racing against the clock, their desperate search for answers begins—one where the greatest danger could lie behind the everyday smiles of those they trust the most.Praise for The Marriage Lie “[W]ill keep you reading into the wee hours of the night.” —Redbook“A good, old-fashioned page-turner, with a poisonous sting in the tail.” —Daily Mail“[A] compelling domestic thriller.” —BuzzFeed“Fans of Gone Girl and The Girl on the Train will eat up Kimberly Belle’s latest novel…. This one is a true brain twister!” —

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    Except one person. Someone who knows Aimee very well—and what she’s done. . .When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is—but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    . .Jeffery Deaver has created the most riveting and original novel of the year: a race-against-the-clock mystery, told in reverse.Gabriela waits desperately for news of her abducted daughter.At last, the door opens.But it’s not the negotiators. It’s not the FBI.It’s the kidnapper.And he has a gun.How did it come to this? Two days ago, Gabriela’s life was normal. Then, out of the blue, she gets word that her six-year-old daughter has been taken. She’s given an ultimatum: pay half a million dollars and find a mysterious document known as the “October List” within 30 hours, or she’ll never see her child again.A mind-bending novel with twists and turns that unfold from its dramatic climax back to its surprising beginning, The October List is Jeffery Deaver at his masterful, inventive best.

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Known to the world as thriller author Elizabeth Fairchild, she had become the subject of a fanatic's obsession. After being held in a van for three days by her kidnapper, Levi Brooks, Beth managed to escape, and until he is captured, she's got to get away. Cold and remote, Alaska seems tailor-made for her to hideout.Beth's new home in Alaska is sparsely populated with people who all seem to be running or hiding from something, and though she accidentally booked a room at a halfway house, she feels safer than she's felt since Levi took her. That is, until she's told about a local death that's a suspected murder. Could the death of Linda Rafferty have anything to do with her horror at the hands of Levi Brooks?As Beth navigates her way through the wilds of her new home, her memories of her time in the van are coming back, replaying the terror and the fear--and threatening to keep her from healing, from reclaiming her old life again. Can she get back to normal, will she ever truly feel safe, and can she help solve the local mystery, if only so she doesn't have to think about her own?

    Eight months ago, a shocking nighttime assault by unidentified men killed his partner Stephanie, nearly killed him, and left him enraged, ashamed, and ready to explode. He is unfit for duty...until he meets his new partner.Maggie is not doing so well, either. A German shepherd who survived three tours in Iraq and Afghanistan sniffing explosives before losing her handler to an IED, her PTSD is as bad as Scott's.They are each other's last chance. Shunned and shunted to the side, they set out to investigate the one case that no one wants them to touch: the identity of the men who murdered Stephanie. What they begin to find is nothing like what Scott has been told, and the journey will take them both through the darkest moments of their own personal hells. Whether they will make it out again, no one can say.

    ("My sister's married to a Polynesian! I just love your culture!") So Sophie knows it's not paranoia, or post-divorce, living-alone-again jitters, when she becomes convinced that a crazed reader is sneaking into her apartment to reenact scenes from her books. The police, however, can't tell a good plot from an unmarked grave.When a filmmaker friend is brutally murdered in the manner of a death scene in one of his movies, Sophie becomes convinced that a copycat killer is on the loose...and that she's the next target. If she doesn't solve the mystery, her own best seller will spell out her doom. Cursing her grisly ending (why, oh, why did she have to pick the axe?), Sophie engages in some real-life gumshoe tactics.The man who swoops in to save her in dark alleys at night is mysterious new love interest Anatoly Darinsky. Of course, if this were fiction, Anatoly would be her prime suspect.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.