Staff nursing in a ward where she's challenged by an inventory driven ward sister, she reckons it's time to swap such trivialities for life as a district nurse.Independent thinking is one thing, but Jane's about to find that the drama on district can demand instant reaction; and without hospital back up, she's usually the one having to provide it. She meets a rich cast of patients all determined to follow their own individual star, and goes to Edinburgh where Queen Victoria's Jubilee Institute's nurse training is considered the cr me de la cr me of the district nursing world.Call Me Sister recalls Jane's challenging and often hilarious route to realizing her own particular dream.

    He survives this perilous wheel of fortune, and thrives in the face of danger! I would like to add to why my book is important, is that we are true authentic Alaskans that live life off of the grid and that we have been entrepreneurs, making our living off of the land and sea. We are wilderness and off the grid consultants if that is important. On our website we have a variety of things we consult on from sport fishing, hunting, adventures, lodges/outfitters, developing or improving remote properties, and much more.

    It has been out of print since at least 1977 and was never published outside the USA.

    He sheds light on Diana Ross’s relationship with Berry Gordy and her cutthroat rise to top billing in the group, as well as Florence Ballard’s corresponding decline. He also takes us inside the studio, examining how timeless classics were conceived and recorded on the Motown “assembly line,” and considers the place of Motown in an era of cultural upheaval, when not being “black enough” became a fierce denunciation within the black music industry.Deftly combining personal testimony, history, and expert analysis, Ribowsky not only tells the full, heartbreaking story of the Supremes, but shows why Gordy’s revolutionary concept of “blacks singing white” was essential to the modern evolution of music.

    I am her son. Please do not take this from me. There is no justice in taking her life. There is no justice in denying the healing power of forgiveness.”Stephen Owens was 12 years old in 1985 when he discovered his father at home badly beaten and near death. Evidence proved Stephen’s mom, Gaile, had hired a hit man to carry out the murder, and she was sent to death row. Stephen and Gaile did not see each other for decades, but through an amazing series of life transformations and revelations about the tragic event, God opened a door for both of them to be set free -- one from a prison of unforgiveness, the other from a literal prison cell.While the events surrounding Gaile Owens’ release made national headlines and have stirred widespread fascination, Set Free far exceeds the experience and expectations of a modern true crime story, proving to be much more about God as the loving author of true forgiveness.

    Hewitt has even been the inspiration for some of Weller's songs - and he has extraordinary in-depth knowledge of the inspiration behind the rest.Once, when Hewitt interviewed Weller for a music magazine, he complained - 'I don't know why people ask me all these questions. All the answers are in my songs.' Largely unnoticed, Weller has used thirty-years of lyrics to explore his personal history and beliefs. Taking as his starting point these lyrics, alongside a lifetime's friendship, Paolo Hewitt shows us the real Paul Weller, the man inside the music.

    From his discovery in the middle of a Minnesota field to his 1943 comeback season at Wrigley, from the University of Minnesota to the Hall of Fame, Bronko Nagurksi's life is a story of grit, hard work, passion, and, above all, an unstoppable drive to win.Monster of the Midway recounts Nagurski's unparalleled triumphs during the 1930s and '40s, when the Chicago Bears were the kings of professional football. From 1930, the Bronk's first year, through 1943, his last, the Bears won five NFL titles and played in four other NFL Championship Games. Focusing on Nagurski's 1943 comeback season, and how he miraculously led the Bears to their fourth NFL championship against the backdrop of World War II era Chicago, Jim Dent uncovers the riveting drama of Nagurski's playing days. His efforts were the stuff of legend, and his success in 1943 accomplished in spite of a battered frame, worn-out knees, multiple cracked ribs, and a broken bone in his lower back.While chronicling the drama of the '43 championship chase, Dent also tells of both the Bears' colorful early years and Bronko's improbable rise to fame from the backwoods of northern Minnesota. Woven into the narrative are the sights and smells and sounds of one of the most romantic, flavorful eras of the twentieth century. And laced through it all are stories of legend: Bronko rubbing shoulders with colorful characters like George Halas, Red Grange, Sid Luckman, and Sammy Baugh; Bronko running into (and breaking) the brick wall at Wrigley Field; Bronko winning All-American spots for two positions; Bronko knocking scores of opponents unconscious; and Bronko reaching the heights of football glory and, with rare grace, turning his back on the game after winning his last championship.Rich in unforgettable stories and scenes, this is Jim Dent's account of Bronko Nagurski-arguably the greatest football player who ever lived-and his teammates, the roughest, toughest, rowdiest group of players ever to don leather helmets, and the original Monsters of the Midway.

    As a memoir The Jan and Dean Story has elements of humor, tragedy and redemption. It tells their story from the early high school friendship struck up between Jan Berry and Dean Torrence and their ascent to the dizzying heights of stardom riding the crest of the “surf” craze. The Jan and Dean Story is as much about the culture of the 1960s as it is about music. Dean has lived an incredible life and continues to promote a lifestyle and surf culture that is now universally admired and followed throughout the world.The story also recounts Jan’s tragic car accident and his ability to recover enough to continue to perform will be inspiring to many readers even those not familiar with surf music. For pop culture addicts and music buffs alike this book is indispensable. As early teen icons, Jan and Dean left an indelible mark on the music of the 60’s and the American psyche.Dean Torrence is still touring and creating music and often appears with the Beach Boys and other groups from the heyday of surf music.

    This is the story of lifelong musician Buzzy Martin, music teacher to the hardened criminals inside the walls of San Quentin Prison-and what he learned, note by incredible note.

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

     Make no mistake about it, it was a war targeting the insidious nature of the mob and their detrimental effect on Rhode Island and throughout New England. Indeed, the book reveals the extensive nature of Organized Crime throughout the United States. From the opening moments detailing a mob enforcer’s near death in a hail of gunfire to the potentially deadly confrontation between then Detective Brendan Doherty and a notorious mob associate, Gerard Ouimette, this book puts you right there in the middle. Most books on the mob tell a sanitized story of guys who relished their time as mobsters. As Nicholas Pileggi, author of “Wiseguys,” put it, “most mob books are the egomaniacal ravings of an illiterate hood masquerading as a benevolent godfather.” This is not that kind of book. This is the story of the good guys. It’s just the way it was.

     Beast: John Bonham and the Rise of Led Zeppelin is the first-ever biography of the iconic John Bonham, considered by many to be one of the greatest (if not THE greatest) rock drummer of all time. Bonham first learned to play the drums at the age of five, and despite never taking formal lessons, began drumming for local bands immediately upon graduating from secondary school. By the late 1960s, Bonham was looking for a more solid gig in order to provide his growing family with a more regular income. Meanwhile, following the dissolution of the popular blues rock band The Yardbirds, lead guitarist Jimmy Page sought the company of new bandmates to help him record an album and tour Scandinavia as the New Yardbirds. A few months later, Bonham was recruited to join the band who would eventually become known as Led Zeppelin-and before the year was out, Bonham and his three bandmates would become the richest rock band in the world. In their first year, Led Zeppelin released two albums and completed four US and four UK concert tours. As their popularity exploded, they moved from ballrooms and smaller clubs to larger auditoriums, and eventually started selling out full arenas. Throughout the 1970s, Led Zeppelin reached new heights of commercial and critical success, making them one of the most influential groups of the era, both in musical style and in their approach towards the workings of the entertainment industry. They added extravagant lasers, light shows, and mirror balls to their performances; wore flamboyant and often glittering outfits; traveled in a private jet airliner and rented out entire sections of hotels; and soon become the subject of frequently repeated stories of debauchery and destruction while on tour. In 1977, the group performed what would be their final live appearance in the US, following months of rising fervor and rioting from their fandom. And in September of 1980, Bonham-plagued by alcoholism, anxiety, and the after-effects of years of excess-was found dead by his bandmates. To this day, Bonham is posthumously described as one of the most important, well-known, and influential drummers in rock, topping best of lists describing him as an inimitable, all-time great. As Adam Budofsky, managing editor of Modern Drummer, explained, "If the king of rock 'n' roll was Elvis Presley, then the king of rock drumming was certainly John Bonham."

    The first Indian Army officer to be promoted to the five-star rank of Field Marshal, Sam Bahadur continues to be the most admired of our Army Chiefs.