But Jude doesn't fit in. He's not part of The Crew because he isn't about to do anything unless it's court-appointed; he's not an Extra because nothing about him is anonymous; and he's not a Movie Star because even though everyone know his name like an A-lister, he isn't invited to the cool parties. As the director calls action, Jude is the flamer that lights the set on fire.Before everything turns to ashes from the resulting inferno, Jude drags his best friend Angela off the casting couch and into enough melodrama to incite the paparazzi, all while trying to fend off the haters and win the heart of his favourite co-star Luke Morris. It's a total train wreck!But train wrecks always make the front page.

    Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is twelve hours away from being deported to Jamaica. Falling in love with him won’t be my story.Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that. Something about Natasha makes me think that fate has something much more extraordinary in store—for both of us.The Universe: Every moment in our lives has brought us to this single moment. A million futures lie before us. Which one will come true?

    We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents.A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

    Before she knows it, Clare is whisked away to some ancient cottage on a tiny marsh island on Cape Cod to spend the summer with her father - a man she hasn't seen since she was three. Clare's biological father barely talks, and when he does, he obsesses about endangered turtles. The first teenager Clare meets on the Cape confirms that her father is known as the town crazy person. But there's something undeniably magical about the marsh and the island's connection to Clare's past that runs deeper than memory. Even her father's beloved turtles hold unexpected surprises. As Clare's father begins to reveal more about himself and his own struggle, Clare's summer becomes less of an exile and more of a return home.

    The only problem is Imogen’s protective best friend, Wynonna Jones. Wynonna has blue hair, jams to '80s rock, and has made a career out of tormenting Ezra for as long as he can remember.Then, on the night of a total solar eclipse, something strange happens to Ezra and Wynonna--and they wake up in each other’s bodies. Not only that, they begin randomly swapping back and forth every day! Ezra soon discovers Wynonna’s huge crush on his best friend, Holden, a five-foot-nothing girl magnet with anger management problems. With no end to their curse in sight, Ezra makes Wynonna a proposition: while swapping bodies, he will help her win Holden’s heart…but only if she helps him woo Imogen.Forming an uneasy alliance, Ezra and Wynonna embark on a collision course of mistaken identity, hurt feelings, embarassing bodily functions, and a positively byzantine production of Twelfth Night. Ezra wishes he could be more like Wynonna’s badass version of Ezra--but he also realizes he feels more like himself while being Wynonna than he has in a long time…Wildly entertaining and deeply heartfelt, Where I End and You Begin is a brilliant, unapologetic exploration of what it means to be your best self.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    Shy, anxious Jessie would give anything to have Annie’s beauty and confidence. And Annie thinks Jessie has the perfect life, with her close-knit family and killer grades. They're BFFs…until suddenly they're not. Told through alternating points of view, How It Ends is a wildly fast but deeply moving read about a friendship in crisis. Set against a tumultuous sophomore year of bullying, boys and backstabbing, the novel shows what can happen when friends choose assumptions and fear over each other.

    They moved to Homs, in Syria — just before the Syrian civil war broke out.Abu Bakr, one of eight children, was ten years old when the violence began on the streets around him: car bombings, attacks on his mosque and school, firebombs late at night. Homes tells of the strange juxtapositions of growing up in a war zone: horrific, unimaginable events punctuated by normalcy — soccer, cousins, video games, friends.Homes is the remarkable true story of how a young boy emerged from a war zone — and found safety in Canada — with a passion for sharing his story and telling the world what is truly happening in Syria. As told to her by Abu Bakr al Rabeeah, writer Winnie Yeung has crafted a heartbreaking, hopeful, and urgently necessary book that provides a window into understanding Syria.

    In this follow-up to her heartbreaking debut, Such a Pretty Girl, Laura Wiess once again spins a shattering tale of the tragedies that befall young women who are considered society's Leftovers.Blair and Ardith are best friends who have committed an unforgivable act in the name of love and justice. But in order to understand what could drive two young women to such extreme measures, first you'll have to understand why. You'll have to listen as they describe parents who are alternately absent and smothering, classmates who mock and shun anyone different, and young men who are allowed to hurt and dominate without consequence. You will have to learn what it's like to be a teenage girl who locks her bedroom door at night, who has been written off by the adults around her as damaged goods. A girl who has no one to trust except the one person she's forbidden to see. You'll have to understand what it's really like to be forgotten and abandoned in America today.Are you ready?

    Here she meets a roommate with a secret (and a plastic baby), a doctor who focuses way too much on her weight, and a cute, shy boy who just might like her.But wait! Being trapped in a loony bin isn’t supposed to be about making friends, losing weight, and having a crush, is it? In her fiction debut, Julie Halpern finds humor in the unlikeliest of places, and presents a character whose voice—and heart—will resonate with all of us who have ever felt just a little bit crazy.

    But what? What do they mean?LAURETH PEAK'S father has taught her to look for recurring events, patterns, and numbers - a skill at which she's remarkably talented. When he goes missing while researching coincidence for a new book, Laureth and her younger brother fly from London to New York and must unravel a series of cryptic messages to find him. The complication: Laureth is blind. Reliant on her other senses and on her brother to survive, Laureth finds that rescuing her father will take all her skill at spotting the extraordinary, and sometimes dangerous, connections in a world full of darkness.

    He is a compulsive liar, a sickly weakling in a town famous for begetting brutish giants. Then Lucy accepts employment assisting the majordomo of the remote, foreboding Castle Von Aux. While tending to his new post as undermajordomo, he soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle's master, Baron Von Aux. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder.Undermajordomo Minor is an ink-black comedy of manners, an adventure, and a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love story. And Lucy must be careful, for love is a violent thing.

    One window. No way to escape. Hannah knows there's been a mistake. She didn't need to be institutionalized. What happened to her roommate at her summer program was an accident. As soon as the doctors and judge figure out that she isn't a danger to herself or others, she can go home to start her senior year. In the meantime, she is going to use her persuasive skills to get the staff on her side.Then Lucy arrives. Lucy has her own baggage. And she may be the only person who can get Hannah to confront the dangerous games and secrets that landed her in confinement in the first place.

    She's got her friends - the fabulous Frankie and their sweet cohort Sadie. She's got her art - and her idol, the unappreciated 19th-century painter Edward Willing. Still, it's hard being a nobody and having a crush on the biggest somebody in the school: Alex Bainbridge. Especially when he is your French tutor, and lessons have started becoming, well, certainly more interesting than French ever has been before. But can the invisible girl actually end up with a happily ever after with the golden boy, when no one even knows they're dating? And is Ella going to dare to be that girl?

    Turtles All the Way Down is about lifelong friendship, the intimacy of an unexpected reunion, Star Wars fan fiction, and tuatara. But at its heart is Aza Holmes, a young woman navigating daily existence within the ever-tightening spiral of her own thoughts.In his long-awaited return, John Green shares Aza's story with shattering, unflinching clarity.