These are some of the things we think about when we think about Japan. This small island nation looms large in the popular imagination, in often contradictory ways: as the epitome of refinement and tradition, and as an embodiment of a shiny, soulless future. What is Japan to those who really know it? This issue includes translated work from the most exciting Japanese writers today, alongside work in English. There will be contributions from the Man Asia-shortlisted Hiromi Kawakami, the Booker-shortlisted Ruth Ozeki, David Mitchell, David Peace, Richard Lloyd Parry and more.

    An outgrowth of a doctoral dissertation submitted to Stanford University in December 1965.

    In making their selections, the editors have chosen the voices of seventeen poets and translators (Paul Auster, Samuel Beckett, Cid Corman, Eugene Jolas, W.S. Merwin, William Carlos Williams, and James Wright, to name a few), in homage to a writer long held in highest esteem by the literary avant-garde.

    But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

    Deceptively simple, Ryokan's poems transcend artifice, presenting spontaneous expressions of pure Zen spirit. Like his contemporary Thoreau, Ryokan celebrates nature and the natural life, but his poems touch the whole range of human experience: joy and sadness, pleasure and pain, enlightenment and illusion, love and loneliness. This collection of translations reflects the full spectrum of Ryokan's spiritual and poetic vision, including Japanese haiku, longer folk songs, and Chinese-style verse. Fifteen ink paintings by Koshi no Sengai (1895-1958) complement these translations and beautifully depict the spirit of this famous poet.

    In 2005 it won the prestigious Naoki Prize, awarded semiannually for the best work of popular fiction by an established writer.Sayoko, a thirty-five-year-old homemaker with a three-year-old child, begins working for Aoi, a free-spirited, single career woman her own age who runs a travel agency-housekeeping business. Timid and unable to connect with other mothers in her neighborhood, Sayoko finds herself drawn to Aoi's independent lifestyle and easygoing personality. The two hit it off from the start, beginning a friendship that is for Sayoko also a reaffirmation of what living is about.Aoi, meanwhile, has not always been the self-confident person she appears to be. Severe classroom bullying in junior high had forced her to change schools, uprooting her and her family to the countryside; and at her new school, she was so afraid of again becoming the object of her classmates' cruelties that she spent most of her time steering clear of those around her.The present-day friendship between Sayoko and Aoi on the one hand, and Aoi's painful high school past on the other, form a gripping two-tier narrative that converges in the final chapter. The book touches on a broad range of issues of concern to women today, from marriage and childrearing to being single and working for oneself. It is a universal story about both the fear and the joy of opening up to others.

    AMY YAMADA ("Fiesta"), widely published overseas and with many fans among Western readers, offers us a sophisticated psychological portrait of a sexually repressed woman. TAMAKI DAIDO ("Milk"), winner of the Akutagawa Prize in 2002, and talented young newcomer RIO SHIMAMOTO ("Inside"), paint two very different pictures of teenage life. The trials of a busy working mother are depicted by SHUNGIKU UCHIDA ("My Son's Lips"), who shocked Japan in 1993 with the publication of her novel, Father Fucker. YUZUKI MUROI ("Piss"), a prolific, popular and outspoken essayist, novelist and TV commentator, tells the sexually explicit and very moving story of a young Tokyo prostitute. Winner of the 1999 Akutagawa Prize, CHIYA FUJINO ("Her Room"), delves into the relationship between two women, one divorced and one single, with a subtle and powerful tale. Well-known essayist, JUNKO HASEGAWA ("The Unfertilized Egg"), makes a first foray into fiction with a hard-hitting portrait of the single thirty-something lifestyle. NOBUKO TAKAGI ("The Shadow of the Orchid") is a highly respected member of the Japanese literary establishment, and winner of many prizes, including the Akutagawa Prize in 1984. Her short story is a sensitive depiction of a moment of crisis in the life of a fifty-year-old housewife.

    Set in a facetious near-future that is both mind-bendingly bizarre and achingly familiar. Sayonara, Gangsters is an inventive novel about language, expression and the creative process that unfolds through hilarious sketches. The peaceful if bizarre life of a poetry teacher is forever transformed by a group of terrorists called "the gangsters" in what is, incredibly, a semi-autobiographical novel. On this literary gonzo trip in which a man of letters finds out, too late, that flirting with extremist politics can have unsavoury consequences for one's mind, we encounter the likes of Virgil, the refrigerator (a memorable three-dimensional character) and "Henry IV" the feline aficionado of books. Endlessly resourceful, relentlessly erudite, but always accessible, Sayonara, Gangsters is a unique masterpiece of literary postmodernism that aims to entertain rather than to intimidate. From the outrageous beginning, which reads like an oblique reference to the war on terror but is no such thing (it was written more than twenty years ago), to the sobering, devastating end, through the lyrical, poignant middle, Takahashi's legendary first novel is candy for your brain. Sayonara, Gangsters is a must-read for all fans of world literature, available for the first time in English.

    A provocative, picaresque spin on a coming-of-age story, the novel tells of a young Japanese woman who wakes up one afternoon to discover that her big toe has turned into a penis. In learning to adjust to her new sexual organ, the heroine is forced to reconsider her body, her sexuality and her life. After fleeing from her homophobic fiance, she falls in love with a bisexual blind pianist who accepts her for whom she is, and together they join a troupe of performers--all sexually deformed and emotionally twisted men and women. Thus begins her apprenticeship.There are few novels that are equally praised by literary critics and scholars alike, and fewer yet that actually go on to become bestsellers, but The Apprenticeship of Big Toe P is both. It is a highly imaginative, intelligent work--first-rate as literature, as entertainment, and as a love story.

    In this, his Mishima Prize-winning masterpiece, Masatsugu Ono considers a fishing village on the Japanese coast. Here a new police chief plays audience for the locals, who routinely approach him with bottles of liquor and stories to tell. As the city council election approaches, and as tongues are loosened by drink, evidence of rampant corruption piles up--and a long-held feud between the village's captains of industry, two brothers-in-law, threatens to boil over.Meanwhile, just out of frame, the chief's teenage daughter is listening, slowly piecing the locals' accounts together, reading into their words and poring over the silence they leave behind. As accounts of horrific violence--including a dangerous attempt to save some indentured Korean coal mine workers from the Japanese military police and the fate of a group of Chinese refugees--steadily come into focus, she sets out for the Bay, where the tide has recently turned red and an ominous boat from the past has suddenly reappeared.Populated by an infectious cast of characters that includes a solemn drunk with a burden to bear; a scarred woman constantly tormented by the local kids' fireworks; a lone communist; and the "Silica Four," a group of out-of-work men who love to gossip--Echo on the Bay is a quiet, masterful epic in village miniature. Proof again that there are no small stories--and that History's untreated wounds, no matter how well hidden, fester, always threatening to resurface.

    At the core, the challenges of teaching are the same the world over. Kenjiro Haitani's charming and profoundly moving reminder to keep faith with the kids is finally out in English.It's a typical day at the elementary school when a beautiful young newlywed named Ms. Kotani, the new teacher, eagerly goes into class and leaves before the final bell sobbing. Her students include the silent boy Tetsuzo, whose hobby is collecting flies, and a girl, Minako, who could keep Ritalin in business all alone. Most of the school's teachers have never given these kids a chance, but Ms. Kotani will not give up so easily--even when her single-minded efforts start hurting her marriage.

    Believed to be Tezuka’s answer to the gekiga (dramatic comics) movement of the 60’s, Ayako should be considered one of the better early examples of a seinen (young adult) narrative to be published.Initially set in the aftermath of World War II, Ayako focuses its attention on the Tenge clan, a once powerful family of landowners living in a rural community in northern Japan.  From the moment readers are introduced to the extended family, it is apparent that the war and American occupation have begun to erode the fabric that binds them all together.  The increasing influence of political, economic and social change begins to tear into the many Tenge siblings, while a strange marriage agreement creates resentment between the eldest son and his sire.  And when the family seems to have completely fallen apart, they decide to turn their collective rage on what they believe to be the source of their troubles—the newest member of the Tenge family, the youngest sister Ayako.

    

    The authors tend towards near-zero emotional chill, stunned urbanity and a shiny kind of violence.

    Born into the burakumin -- an outcast class shunned in feudal Japan and still suffering discrimination today -- Nakagami depicts the lives of his people in powerful, sensual prose and stark, sometimes horrifying detail. The Cape is his breakthrough novella about a burakumin community in a small coastal city and their struggles with complicated family histories and troubled memories. Poverty, violence, suicide, and the harsh natural conditions of their home constantly disrupt their lives. Two more early stories, "The Burning House" and "Redhead, " continue these themes, relieved by small moments of profound tenderness.