The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the page-turning account of the feud that changed theater forever.

    From the Army's birth at the battle of Edgehill in 1642 to our current conflict in Afghanistan, this is history at its most relevant -- and most dramatic.

    But how did we get here? Exploring scores of previously sealed records, Family Secrets offers a sweeping account of how shame--and the relationship between secrecy and openness--has changed over the last two centuries in Britain. Deborah Cohen uses detailed sketches of individual families as the basis for comparing different sorts of social stigma. She takes readers inside an Edinburgh town house, where a genteel maiden frets with her brother over their niece's downy upper lip, a darkening shadow that might betray the girl's Eurasian heritage; to a Liverpool railway platform, where a heartbroken mother hands over her eight-year old illegitimate son for adoption; to a town in the Cotswolds, where a queer vicar brings to his bank vault a diary--sewed up in calico, wrapped in parchment--that chronicles his sexual longings. Cohen explores what families in the past chose to keep secret and why. She excavates the tangled history of privacy and secrecy to explain why privacy is now viewed as a hallowed right while secrets are condemned as destructive. In delving into the dynamics of shame and guilt, Family Secrets explores the part that families, so often regarded as the agents of repression, have played in the transformation of social mores from the Victorian era to the present day. Written with compassion and keen insight, this is a bold new argument about the sea-changes that took place behind closed doors.

    Sun cream; treatments for insomnia, dandruff, or warts; perfumes; and soaps are all as important today as they were 100 years ago and are stocked by the local pharmacist. This book takes a look at which products were on offer, whether they were effective, and how they are used today, showing that while the names of products on the pharmacy shelf have changed over time, consumers' hopes and aspirations remain much the same as their Victorian predecessors. This is also the story of the growth of the drugstore, and how families have come to rely upon them as dispensaries of healthcare.

    In the morning, a modern British army was swept aside by the onset of a seemingly unstoppable Zulu host at Isandlwana. Nearby, at a remote border outpost on the Buffalo River, a single company of the 24th Regiment and a few dozen recuperating hospital patients were passing another hot, monotonous day. News of the disaster across the river came like a bolt from the blue. Retreat was not an option. It seemed certain that the Rorke's Drift detachment would share the terrible fate of their comrades. Following on from How Can Man Die Better, Colonel Snook brings the insights of a military professional to bear in this strikingly original account. It is an extraordinary tale a victory largely achieved by the sheer bloody-mindedness in adversity of the British infantryman, fighting at the remarkable odds of over thirty to one. The heroics of all eleven VC winners are recounted in detail, and we are offered new insights into how the Zulu attack unfolded and how 150 men achieved their improbable victory. The author describes the remainder of the war, from the recovery of the lost Queen's Colour of the 24th to the climactic charge of the 17th Lancers at Ulundi. We return to Isandlwana to consider culpability, and learn of the often tragic fates of many of the war's participants. Like Wolves is a remarkable work, and the author's unbridled respect for the fighting qualities of British soldier and his abiding affection for the Zulu people shines through.

    Edna O'Brien focuses on the diverse and colourful women in Byron's life. Its narrative core is the triangular relationship between him, his wife and his half-sister that brought him timeless notoriety

    Abay's major work is The Book of Words (Kazakh: Қара Сөздер), a philosophic treatise and collection of poems where he encourages his fellow Kazakhs to embrace education, literacy, and good moral character in order to escape poverty, enslavement and corruption.

    A vital counter-interpretation of madness in women, showing how it is often a consequence of, rather than a deviation from, the traditional female role.

    Edited and translated by Paul Auster, this selection from Joubert's notebooks introduces a master of the enigmatic who seeks "to call everything by its true name" while asking us to "remember everything is double." "Joubert speaks in whispers," Auster writes. "One must draw very close to hear what he is saying."

    Open Me Carefully invites a dramatic new understanding of Emily Dickinson's life and work, overcoming a century of censorship and misinterpretation.For the millions of readers who love Emily Dickinson's poetry, Open Me Carefully brings new light to the meaning of the poet's life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive.

    But what vow could forestall their separate destinies or shield them from an age when innocence was overcome by violence and the force of history itself?Continents apart, they fought and loved the world over before coming to America and plunging into the gigantic maelstrom of the Civil War.Fred Mustard Stewart, author of such bestsellers as Ellis Island, Century, and The Glitter and the Gold, has woven a vast epic about a stunning, spirited woman, a proud, passionate man, and a chapter of history written in blood and bravery, tragedy and triumph.

    The notorious Captain Kidd was rumored to have left part of his treasure somewhere along here, and as McGinnis and two friends started to dig, they found what turned out to be an elaborately engineered shaft constructed of oak logs, nonindigenous coconut mats, and landfill that came to be known as the Money Pit.Ever since that summer day in 1795, the possibility of what might be hidden in the depths of a small island off the south coast of Nova Scotia, Canada, has made it the site of the world's longest, most expensive, and most perplexing treasure hunt. Author D'Arcy O'Connor recounts the fascinating stories and amazing discoveries of past and current treasure seekers who have sought Oak Island's fabled treasure for over two hundred years. It has baffled scientists and madmen, scholars and idiots, millionaires and get-rich-quick schemers, psychics, engineers, charlatans, and even a former president of the United States. The island has consumed the fortunes-and in some cases, the lives-of those who have obsessively set out to unlock its secret. Despite all their efforts, the mystery remains unsolved, and not a single dime of treasure has ever been recovered.The present-day search is an archaeological dig exceeding anything ever done anywhere for similar purposes, and it may well result in the discovery of one of the world's richest and most historically significant treasures. But this is also the story of individuals who have dedicated years of their lives to discover what was buried long ago beneath this strange island. They are driven by a lust for gold, by archaeological curiosity, and by their determination to outwit the engineer who was responsible for the Oak Island enigma.

    She highlights the leading role of black and white women-Helena Rubenstein and Annie Turnbo Malone, Elizabeth Arden and Madame C. J. Walker-in shaping a unique industry that relied less on advertising than on women's customs of visiting ("Avon calling") and conversation. From New York's genteel enameling studios to Memphis's straightening parlors, Peiss depicts the beauty trades that thrived until the 1920s, when corporations run by men entered the lucrative field, creating a mass consumer culture that codified modern femininity. Replete with the voices and experiences of ordinary women, Hope in a Jar is a richly textured account of how women created the cosmetics industry and cosmetics created the modern woman.

    For any lover, letter writing is an act of urgency: for the lesbian lover, it has often been an act of necessity. Collected here for the first time is a sampling of poignantly revealing and often breathlessly passionate love letters between women, written over the past 140 years, including intimate musings by such famous writers as Virginia Woolf, Emily Dickinson, and tatiana de la tierra. Illustrated with more than sixty full-color collages, Between Us is a landmark work, shedding light on lesbian love with candor, humor, and grace.

    Traces Henry Morton Stanley's three-year African expedition that was launched with the official intention of rescuing Emin Pasha, governor of the southern Sudan, in an account that reveals Stanley's secret agenda of territorial expansion.