And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    A retelling of The Canterbury Tales

    The story portrays the political situation of Europe in the later Viking Age, Andalusia under Al-Mansur Ibn Abi Aamir, Denmark under Harold Bluetooth, followed by the struggle between Eric the Victorious & Sweyn Forkbeard of Denmark, Ireland under Brian Boru, England under Ethelred the Unready, the Battle of Maldon, all before the backdrop of the gradual Christianisation of Scandinavia, contrasting the pragmatic Norse pagan outlook with Islam & Christianity.

    The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.

    It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition is a work epic both in scale and, notoriously, in ambition. For nearly 350 years it has held generation upon generation of scholars, students and readers in rapt attention and its profound influence can be seen in almost every corner of Western culture.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

    In her works of fiction, Gilman sought to illustrate her ideas about the way American society squandered the talents and economic contributions of women. Based on the nervous breakdown she suffered during her own disastrous first marriage, The Yellow Wall-Paper is her classic story about a woman who goes mad when the rest-cure treatment she undergoes forbids her any kind of work.Herland, Gilman's most famous novel, is a feminist utopian comedy in which three men stumble upon a society of women that has banished men. Also included in this Penguin Twentieth-Century Classics edition is a selection of Gilman's poetry and other short fiction. Gilman scholar Denise D. Knight has written an enlightening Introduction that explores Gilman's use of the utopian form, satire, and fantasy to provide a critique of women's place in society and to propose creative solutions.

    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

    Nearly 100 stories from over 40 tribe-related myths of creation, tales of epic deeds, ghost stories and tales set in both the animal and human realms.Part of the Pantheon Fairy Tale and Folklore Library

    This classic of Japanese literature invites you to take your choice if you dare.In Ghostly Japan collects twelve ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.Whether you're looking to spot the demons that walk among us, or simply to enjoy the prose of a legendary craftsman, In Ghostly Japan affords countless delights. Stories include:"Fragment" about a young pilgrim who encounters a mountain of skulls"Ingwa-banashi" about a dying wife who bequeaths a rival a sinister legacy"A Passional Karma" about a spectral beauty who returns for her handsome samurai lover

    In the company of his faithful squire, Sancho Panza, his exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together, and together they have haunted readers' imaginations for nearly four hundred years.With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. The book has been enormously influential on a host of writers, from Fielding and Sterne to Flaubert, Dickens, Melville, and Faulkner, who reread it once a year, "just as some people read the Bible."

    Included in this selection are the "heroic poems" such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous 'riddles' from The Exeter Book; all the "elegies," including The Ruin, The Wanderer, The Seafarer, The Wife's Complaint and The Husband's Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.