Then his body is discovered. Her cousin Michael is found guilty of his murder and incarcerated in a secure psychiatric unit.Four years later, now divorced and back in the police force, Rachel discovers that Michael is being released to a less secure step-down unit, with his freedom a likely eventuality. Unable to cope with this, she decides upon revenge, assuming a new identity to hunt him down and kill him. However, as she closes in on her target, her friend Jonathan, a journalist, uncovers some unnerving information about her mother and others in her family and begins to suspect that Rachel’s perception of the truth might not be as accurate as she thinks – that she might be about to murder the wrong man…

    Stories of drugs and violent murders were something occasionally seen on the evening news and had not yet pervaded this somewhat remote part of the world. Their culture was not dramatically different from what it had been at the end of the Big War. But that was about to change drastically. When two barrels containing bodies that have been dissolved with acidic chemicals mysteriously turn up on an impoverished family’s farm, the people of Long Hollow are quick to jump to conclusions. Hugh Williams, who has never harmed anyone, is arrested and his destitute family become outcasts by almost everyone in the community. What the people don’t know is that a couple whose evil knows no bounds are the real culprits. They are extremely intelligent and feed off each others twisted, torturous proclivities. Now that the focus is on the unfortunate Williams family, they are free to carry on with their horrific torture and heinous murders, as well as other crimes. But the bodies in the barrels turn out to be just the tip of the iceberg, and George and Glenn are about to get caught right in the middle of this nightmare. A southern noir crime thriller filled with mystery, suspense, and very creative serial killers.

    Will Madeleine Hart discover the horrors hidden below, before it's too late?Bestselling writer Madeleine Hart has run away from her life in London and abusive ex Connor. Crumbling Lakeview Hall in the Armboth Valley, abandoned decades earlier, is the perfect Lakeland hideaway for Maddy to make a fresh start, finish her book and disappear from the world.But strange things start to happen. The house is too big and the fear that Connor has tracked her down soon becomes a terrifying reality. Enlisting the help of Seth, who runs the village pub to help solve the mystery of what's happening in the unloved mansion, she doesn't realise that the past and the present are about to collide in a fight to survive.

    Since then, the recurring nightmares, creepy hallucinations and overpowering fear are gone. That's good, right? I mean, no one in their right minds wants to feel like that. I am starting to wonder if I'm in my right mind anymore...When a lady in my neighborhood died, I couldn't help but stick my nose in, to see what happened. I should just get on with things–I've got some new friends, and a cool boy named Chris has taken an interest in me. Everyone is telling me to just leave this weird murder alone.But I can't stop myself. The more I find out about her death, the more twisted everything is.I think there’s a predator in Narrowdale. And now it’s hunting me…What have I gotten myself into?

    

    When Frank, Shelley and their two young children move into the home of their dreams, they discover a problem with the cellar.It doesn't take them long to find out why the house was sold at a knock-down price.

    America's most popular pulps--Dime Detective, Black Mask, and Detective Fiction Weekly--published hundreds of his stories. Classic films like Hitchcock's Rear Window, Truffaut's The Bride Wore Black and Mississippi Mermaid, Tournier's Black Alibi, and Siodmak's Phantom Lady, as well as dozens of other movies, were based on his work. Novels like Deadline at Dawn, Rendezvous in Black, and Night Has a Thousand Eyes have won him the epithet "father of noir." Every one of the countless many who have read and loved the work of Cornell Woolrich will welcome and applaud this publication of a new collection of tales--the first in nearly two decades--by the greatest writer of suspense fiction in the twentieth century. Woolrich lived a life of such deep despair and utter terror that he could do little except put those fears onto the printed page. In the masterfully wrought suspense of this volume's twenty stories, readers can enjoy works written at the height of Woolrich's powers, as well as many never before published in book form before now.

    It's a thrilling story of adventure and rescue, of escape and revenge, set in New England in the early days of Prohibition. Written in the great storytelling tradition, 'Warm Moonlight' has all the intensity of a got-to-hear-how-it-ends campfire yarn, but with a decidedly adult sophistication and sensibility. The ending is unique and satisfying, but leaves the audience, like one of the characters in the story, wondering - how much of it was true? How much invented? Can such things be? Maybe it's a ghost story or . . . . maybe it isn't.

    What was thought to be a new beginning for Julia soon devolves into an endless nightmare of hidden secrets and a troubled past best left unturned.The Haunting of Abram MansionA riveting new haunted house mystery that will keep you guessing until the end!When Peyton and Benjamin Fletcher inherit a dilapidated house in the quiet town of Falconwood, Connecticut from Peyton’s grandfather, all they want to do is get rid of it. Unfortunately, the will stipulates that the couple must live in the house for a minimum of six months before they sell it. As Peyton and Ben try to make the best of the situation, Peyton discovers the house is inhabited by ghosts, and they aren’t happy with the mansion’s new occupants.

    Tyler Gentry had it all planned out, but the death of his parents in a plane crash changed everything. When he discovered his father had left him a mountain of debt, piled on top of his own student debt, the offer from Dr. William Hall to join his group of surgeons seemed a perfect solution. But the night before he was to start, Tyler received a call that told him to get out while he could. Despite the salary and perks, Tyler found a curtain of mystery surrounding the surgical group. The only thing that made it worthwhile was the lovely operating room nurse, Ashley Wynn, with whom Tyler seemed to make an instant connection. But when their first date ended with his car exploding while she watched, Ashley seemed hesitant to continue their relationship. The stakes continued to rise while Tyler was faced with his dilemma: stay or go?

    Stories included: A Mother's Love Plane Crazy The Last Will & Testament of Norman Fielding Lost Love Road Rage

    From exploring an empty house with dreadful secrets to the account of an eccentric children’s ayah and from vengeful animals carrying a spirit to a bunch of anxious children in a stark landscape—these are some of the most interesting stories about the supernatural. Selected and compiled by Ruskin Bond, this collection includes stories by authors like Rudyard Kipling, Algernon Blackwood, R.L. Stevenson and Alice Perrin, among others.

    Betrayal. Rage. Paranoia. Lust. Revenge. Murder. Anthony Award–winning author Hilary Davidson’s short stories invariably lead to dark places.In “Stepmonster,” a jilted wife learns that the younger woman who stole her husband may be on the prowl again. In “Son of So Many Tears,” the mother of a criminal discovers the carnage left behind by her son. In “Anniversary,” a man prepares a very special meal for the girl of his dreams. In “Beast,” a wedding-obsessed woman refuses to accept a bad breakup. In “Undying Love,” a dead man with a fading memory tries to piece together the mystery of his own murder. In “Insatiable,” a wealthy old man watches his beautiful wife seduce a new lover. In “Fetish,” a father’s terror about the sick, twisted world his daughter inhabits leads him to take some terrible measures to save her. In “The Other Man,” a bar owner realizes his adulterous days may be numbered when a cuckolded husband starts stalking him. And in the title story, “The Black Widow Club,” a young mother discovers that murder may be a family tradition.Read The Black Widow Club: Nine Tales of Obsession and Murder at your own risk.

    Not only does it lack the word burglar in the title, but Bernie’s not the story’s viewpoint character. It’s told entirely through the spirited and enterprising young woman whose fate it is to walk in on our lad in mid-job, all in a near-empty office building in the middle of the night. That could be pretty frightening, but hey, it’s Bernie. She’s got nothing to be afraid of, and neither do we.The story originated in the late 70s, commissioned by a women’s magazine called Savvy, with a suite of offices in the huge old Port Authority building on Ninth Avenue in Chelsea. A couple of editors decided it was an intimidating location late at night, and thought it would be a good setting for a short story, even though they hadn’t yet run any fiction. One of them knew my work, and they got in touch.I wrote the story, and they loved it and paid a decent price for it, but they never seemed to find room for it in an issue of the magazine. They kept scheduling it and changing their minds, and it seems to me they changed editors in the bargain, and after a couple of years of this they went out of business. Which was a pity, because it was an interesting publication, except for the fiction—of which, alas, there wasn’t any. My agent got the story back, and I believe he sent it over to Cosmopolitan, and no end of online sources now assure me that it ran in that magazine’s May 1983 issue.And maybe it did. Except I don’t have a copy of the magazine, and don’t think I ever saw one. I’ve seen Cosmo’s May 1983 cover, it’s not hard to find online, and they blurbed eight or nine major pieces on it, and my story is not among them. Well, really, what difference does it make? It either ran there or it didn’t, and it’s been in short story collections of mine since, including my omnibus, Enough Rope. I had to read it closely in order to format the scanned story for ePublication, and I was pleased to find that I like it a lot. I can only hope, Dear Reader, that it works as well for you.