A rebel inhabits a world where conformity and punctuality are top priorities and the Ticktockman cannot accept the Harlequin's presence in his perfectly ordered world.

    Then got out of bed and had a brisk rub down with the pumice stone. I opened the curtains and saw that the sun was shining brightly. (A suspicion is growing in my mind that the BBC is not to be trusted.)Margaret Hilda Roberts is a rather ambitious 14 � year old grocer's daughter from Grantham. She can't abide laziness, finds four hours of chemistry homework delightful and believes she is of royal birth - or at least destined for great things. But Margaret knows that good things never come to those who wait . . .These are the secret diary entries of a girl born into an ordinary life, yet who might just go on to become something really rather extraordinary, and she is brilliantly brought vividly to life by bestselling author Sue Townsend, Britain's favourite comic writer for over three decades.'Essential reading for Mole followers' Times Educational Supplement'Wonderfully funny and sharp as knives' Sunday TimesSue Townsend is Britain's favourite comic author. Her hugely successful novels include eight Adrian Mole books, The Public Confessions of a Middle-Aged Woman (Aged 55�), Number Ten, Ghost Children, The Queen and I, Queen Camilla and The Woman Who Went to Bed For a Year, all of which are highly acclaimed bestsellers. She has also written numerous well-received plays. She lives in Leicester, where she was born and grew up.

    Nightingale and Hugh Oswald meet up in London, during one of Oswald's rare trips to the city.Moments is a term used by Ben Aaronovitch for very short works of fiction, that he doesn't like to call short stories. He adds that they are not likely to be incorporated into any longer work.

    Later published online via Janet's email newsletter (August 2015).

    

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    It’s November and Marianne is having a wisdom tooth removed.Connell is driving her to the clinic because he’s her only friend with a car, and also the only person in whom she confides about distasteful medical conditions like impacted teeth. He sometimes drives her to the doctor’s office when she needs antibiotics for urinary tract infections, which is often.They are twenty-three.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    There, he begins to undergo a startling transformation from neighbourhood outcast to basketball superstar, and eventually to reluctant messiah of a ‘divided, downtrodden people’. A bombastic coming-of-age novel that has the uncanny ability to make readers want to laugh and cry at the same time,Beatty mingles horrific reality with wild fancy in this outlandish, laugh-out-loud funny and poignant vision of contemporary America.

    The weather had been extreme that month: days of drenching rain, sudden showers of hail, temperatures passing record highs. Local children whispered that an angel had fallen to earth in a thunderstorm. There were roving groups who swore they had found signs. Footprints in the grass, black feathers, a campfire in the woods behind the high school where there were sparks of shimmering ash. One neighborhood boy vowed that he had seen a man in a black cloak rise above the earth and walk on air, and although no one believed his account, mothers began to keep their children home. They locked the doors, called in the dogs, kept the lights on after dusk..."Alice Hoffman is the New York Times bestselling author of Practical Magic, The Dovekeepers, and The Marriage of Opposites. Hoffman’s work has been published in more than twenty translations and more than one hundred foreign editions. Her novels have received mention as notable books of the year by The New York Times, Entertainment Weekly, The Los Angeles Times, Library Journal, and People Magazine. She has also worked as a screenwriter and is the author of the original screenplay “Independence Day,” a film starring Kathleen Quinlan and Diane Wiest. Her teen novel Aquamarine was made into a film starring Emma Roberts. Her short fiction and non-fiction have appeared in The New York Times, The Boston Globe Magazine, Kenyon Review, The Los Angeles Times, Architectural Digest, Harvard Review, Ploughshares and other magazines.Flyleaf Journal Issue #15December 2014Illustrated by Timothy TangHand Lettering by Heidi Unkefer

    Neil Gaiman's contribution to Lovecraft's Cthulhu Mythos.Available from tor.com or neilgaiman.com

    Our bumbling hero is Tucker Case, a hopeless geek trapped in a cool guy's body, who makes a living as a pilot for the Mary Jean Cosmetics Corporation. But when he demolishes his boss's pink plane during a drunken airborne liaison, Tuck must run for his life from Mary Jean's goons. Now there's only one employment opportunity left for him: piloting shady secret missions for an unscrupulous medical missionary and a sexy blond high priestess on the remotest of Micronesian hells. Here is a brazen, ingenious, irreverent, and wickedly funny novel from a modern master of the outrageous.

    The journey, however, takes longer than expected thanks to their inability to continue driving past any liquor store en route. Not to mention the fact that the men have no idea which hospital their friend is in. After a variety of shootings, and a strip club brawl, it seems as though these men will not just be visiting their friend in the hospital.Part of the Storycuts series, this short story was previously published in the collection Ford County.

    High-school class reunions, in “The Walk with Elizanne” and “The Road Home,” restore their hero to youth’s commonwealth where, as the narrator of the title story confides, “the self I value is stored, however infrequently I check on its condition.” Exotic locales encountered in the journeys of adulthood include Morocco, Florida, Spain, Italy, and India. The territory of childhood, with its fundamental, formative mysteries, is explored in “The Guardians,” “The Laughter of the Gods,” and “Kinderszenen.” Love’s fumblings among the bourgeoisie yield the tart comedy of “Free,” “Delicate Wives,” “The Apparition,” and “Outage.”In sum, American experience from the Depression to the aftermath of 9/11 finds reflection in these glittering pieces of observation, remembrance, and imagination.

    It was first published in the September 1946 issue of Astounding Science Fiction and reprinted in the collections I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990).Many people choose to see Asimov's treatment of technophobia as an allegory to the antisemitism with which he was bitterly familiar; he wrote Evidence during Army service shortly after World War II.