Lewis said that upon reading this astonishing 19th-century fairy tale he "had crossed a great frontier," and numerous others both before and since have felt similarly.In MacDonald's fairy tales, both those for children and (like this one) those for adults, the "fairy land" clearly represents the spiritual world, or our own world revealed in all of its depth and meaning. At times almost forthrightly allegorical, at other times richly dreamlike (and indeed having a close connection to the symbolic world of dreams), this story of a young man who finds himself on a long journey through a land of fantasy is more truly the story of the spiritual quest that is at the core of his life's work, a quest that must end with the ultimate surrender of the self.The glory of MacDonald's work is that this surrender is both hard won (or lost!) and yet rippling with joy when at last experienced. As the narrator says of a heavenly woman in this tale, "She knew something too good to be told." One senses the same of the author himself.Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

    Navigating the scarred and poisoned landscape that once was America and guided by a powerful talisman, Logan has sworn an oath to seek out a remarkable being born of magic, possessed of untold abilities, and destined to lead the final fight against darkness.Across the country, Angel Perez, herself a survivor, has also been chosen for an uncanny mission in the name of her ruined world’s salvation. From the devastated streets of Los Angeles, she will journey to find a place - and a people - shrouded in mystery, celebrated in legend, and vital to the cause of humankind . . .Meanwhile, in the nearly forsaken city of Seattle, a makeshift family of refugees has carved out a tenuous existence among the street gangs, mutants, and marauders fighting to stay alive. In time, all their paths will cross. Their common purpose will draw them together.As the legions of darkness draw the noose tighter, and the time of confrontation draws near, those chosen to defend the soul of the world must draw their battle lines and prepare to fight with, and for, their lives. If they fail, humanity falls.

    This compact disc is a record of that remarkable event. Douglas gives dramatic solo performances of episodes and passages from The Hitchhiker's Guide to the Galaxy, The Restaurant at the End of the Universe, and Life, the Universe and Everything. Including: How to Fly Arthur and the Irrational Sofa and much, much, .....more

    Lewis, J.R.R. Tolkien, and Charles Williams met regularly to discuss philosophy and read aloud from their works. Carpenter's account brings to life those warm and enchanting evenings where their imaginations ran wild.

    Tolkien was an early work completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.Suitable for tablets. Some special characters may not display correctly on older devices.We recommend that you download a sample and check the 'Note to the Reader' page before purchase.This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf 'snuffling in baffled rage and injured greed when he discovers the theft of the cup'; but he rebuts the notion that this is 'a mere treasure story', 'just another dragon tale'. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is 'the feeling for the treasure itself, this sad history' that raises it to another level. 'The whole thing is sombre, tragic, sinister, curiously real. The "treasure" is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.'Sellic Spell, a 'marvellous tale', is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the 'historical legends' of the Northern kingdoms.

    Villains take centre stage in nineteen dark and magical stories that will have you cheering for all the wrong heroes as they perform savage deeds towards wicked ends. And why not? They are the champions of their own stories—evil is a matter of perspective.Authors:R. Scott Bakker (The Second Apocalypse)Adrian Tchaikovsky (Shadows of the Apt, The Tiger and the Wolf)Michael R. Fletcher (Manifest Delusions)Shawn Speakman (The Annwn Cycles)Teresa Frohock (Los Nefilim)Kaaron Warren (The Gate Theory, Mistification)Courtney Schafer (The Shattered Sigil)Marc Turner (Chronicles of the Exile)Jeff Salyards (Bloodsounder's Arc)Mazarkis Williams (The Tower & Knife)Deborah A. Wolf (The Dragon's Legacy)Brian Staveley (Chronicle of the Unhewn Throne)Alex Marshall (Crimson Empire)Bradley P. Beaulieu (The Song of the Shattered Sands, The Lays of Anuskaya)Matthew Ward (Shadow of the Raven, Coldharbour)Mark Alder (Banners of Blood)Janny Wurts (The Wars of Light and Shadow, The Empire Trilogy)E.V. Morrigan (Glyph War world)Peter Orullian (The Vault of Heaven)Artists:Tommy Arnold (cover)Jason Deem (interior art)Shawn King (design)

    The stories are the perfect length for reading aloud in a classroom or at bedtime. With lots of humour and fantastic characters, these will appeal to newly confident readers to read alone as well as to younger children being read to.Enid Blyton remains one of Britain's favourite children's authors and her bumper short story collections are perfect for introducing her to the latest generation of readers.

    

    C.S. Lewis cites William Morris as one of his favorite authors and J.R.R. Tolkein admits to being influenced greatly by Morris' fantasies. The hero of this romance is named Golden Walter, son of Bartholomew Golden, a great merchant in the town of Langton on Holm. Tired of his mundane life, Walter sets out on a sea voyage, anxious to see and learn more of the outside world, eventually winning for himself the kingdom of Stark-Wall and the love of a beautiful maiden.

    R. R. Tolkien worked at creating plausibly realistic languages to be used by the creatures and characters in his novels. Like his other languages, Sindarin was a new invention, not based on any existing or artificial language. By the time of his death, he had established fairly complete descriptions of two languages, the "elvish" tongues Quenya and Sindarin. He was able to compose poetic and prose texts in both, and he also constructed a lengthy sequence of changes for both from an ancestral "proto-language," comparable to the development of historical languages and capable of analysis with the techniques of historical linguistics.In A Gateway to Sindarin, David Salo has created a volume that is a serious look at an entertaining topic. Salo covers the grammar, morphology, and history of the language. Supplemental material includes a vocabulary, Sindarin names, a glossary of terms, and an annotated list of works relevant to Sindarin. What emerges is an homage to Tolkien's scholarly philological efforts.

    The book's jacket design and page illustrations were by her sister, artist Vanessa Bell. More than sixty years later, The Hogarth Press at Chatto & Windus has published a lovely facsimile of that prized edition of 'Kew Gardens'. The lush and haunting story circles around Kew Gardens one hot day in July, as various odd and interesting couples walk by and talk, exchanging words but letting thoughts and memories float languorously above the glossy leaves and exotic blooms, while at their feet, a determined snail makes its way slowly across a mountainous flower bed. Elegantly produced, a precise replica of that 1927 special edition, with Vanessa Bell's jacket and decorative drawings, this is a rare treat for Bloomsbury devotees and all who love beautiful books.

    As the band of Companions fight to keep the nations united against the Dark Queen, an unlikely leader arises.

    Little do they realise that this is the very trinket dedicated to Stromfels – the ancient and evil Storm God – and he wants it back!Our two heroes are attacked by the god’s minions and the bracelet is taken from them, but a stubborn and determined Gotrek refuses to relinquish it without a fight. Venturing deep into the Marienburg marshes in pursuit of the thieves, Gotrek and Felix find themselves confronting the embodiment of the Storm God himself…

    The New International Version is the world's most popular Bible in modern English and is renowned for its combination of accuracy and clarity of language.

    And then she met the stranger from off-world. He said he was a Crystal Singer - one of the unique ones of the Galaxy - and when Killashandra tried to find out what a Crystal Singer was the answers were vague, obtuse. All she could discover was that they were special people, shrouded in mystery, and danger, and beauty and something altogether incomprehensible. It was then that she decided she too must try and become a Crystal Singer - with all the dangers and gruelling demands made of the elite and glittering ones of Ballybran. This is the story, of Killashandra and the mysterious exploits of the Singers.