0-935906-02-9$5.00 / Javan Press

    With poems in the leading journals of the day -- American Poetry Review, Grand Street, Conjunctions, The Boston Review, to name just a few -- Gander plumbs the erotic depths of human interaction with the land. The poems in Science Steepleflower test this relationship with what Publisher's Weekly has called "an inbred (and often haunting) spirituality", bringing us to new vistas of linguistic and perceptive grace.

    The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    And we’re part of it,not just living on it. Earth is a battle ground where all species constantly face an invisible war. And we’re the main actor of growth, destruction, and peace. Someone’s precious is someone else’s garbage. Someone’s interest is someone else’s boredom. Someone’s principle is someone else’s violation. Someone’s contentment is someone else’s pressure. Someone’s recipe for immunity is someone else’s cause of death. Either you’re the “someone” or the “someone else”, it doesn’t matter because confusion will always bounce back to you, no matter how faryou’ve been running away from it. It’s about facing an empty page each day, it’s about waking up in the morning deciding to be alive,it’s about choosing which mistakes to avoid, it’s about considering what and who to ignore, it’s about crafting a self that’s truly your own, it’s about faking a smile to cure the pain of others, it’s about continuously moving forward because going back is never a choice, it’s about looking at the blue sky and having small talks with it, it’s about everything that feels small and unworthy, it’s about becoming buoyant, never being trapped between other people’s cacophonic agendas, it’s about counting your breath.

    From falling in love to overcoming adversity, celebrating a new born or learning to live with dignity: here is a book to inspire and to thrill through life's most magical moments. From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.

     The Truth About Magic builds on the pains and joys of romance explored in Love Her Wild and the New York Times bestseller, The Dark Between Stars—heartbreaks and falling in love, looking back and looking inwards—by taking a fresh, awakened journey outward. An adventure into the great unknown. It’s about finding ourselves, our purpose, and the simple joys of life. It’s about lavender fields, drinking white wine out of oak barrels on vineyards, laughing until you cry, dancing in old barns until the sun comes up, and making love on sandy beaches. The Truth About Magic is a vibrant, transcendent journey into growth, which will leave you energized and eager to explore the wider world.

    She didn’t realise just how difficult it’d be until things turn ugly. Damaged by a past that leaves her struggling with physical contact, her brave move to start afresh, soon turns into a nightmare. Afraid and vulnerable, Josie’s fragile independence threatens to unravel around her. That is until the two men who refuse to leave her thoughts show up in Melbourne. Caden Adams, “Pick” to his biker brethren, has had a hard life. His only light is Josie, who he loses when she leaves Ballarat for Melbourne. Dealing with day to day life without his heart is hard, especially with the darkness threatening to consume him. When MC President, Talon, informs him that Josie’s in trouble, he’s determined to make sure he’s there to protect her. Only, he won’t be doing it alone. Eli “Billy the Kid” Walker has never experienced love, not even from those who should have cared the most. Only Josie and Caden have ever come close to infiltrating his hardened heart. With Josie gone, he pushes Caden away, unwilling to take a risk, even if it’s something he wants. When given with the opportunity to prove to each other how they really feel, will they all be able to have the courage to fight for what their hearts desire? Above all else, will they survive the fallout when their secret’s out? Hiding Out What do you do when someone you trust threatens to sell you into slavery? Find the perfect place to hide out. Destitute and apathetic from the loss of her parents, Willow Demora is forced to accept any help thrown her way. Unfortunately, the only person willing to help is her cousin, a cousin who doesn't have a good bone in his body, and would do anything to stay out of the trouble he's in. Hawks MC enforcer, Trey “Dodge” Monroe is a renowned hard-arse, now living in Caroline Springs. There are only a few brothers he trusts with his life. The rest have to gain his respect while they learn not to screw with him, especially when he finds Willow and discovers he’s willing to do anything he can to save her. Even if it means he gives up his man-card, like the other love-sick members he's laughed at in the past, he’s ready to give it all. Down and Out Stricken by grief, Kalen “Dive” Brooks drifts away from his MC brethren, only having room in his life for his child. Worried for his son, he’ll do anything necessary to protect him, even if it’s admitting he needs help. Alone and vulnerable, Philomena “Mena” McAdams has lost it all: her parents, her husband, her job and her home. Living out of her car, she’s learned life isn’t worth regrets. When Mena takes the job of nanny and housekeeper for Dive, she doesn’t know what she’s getting into, but neither does Dive. Can they learn to love again when things are so down and out? Living Without For the past four years, Nary May’s heart belonged to Saxon “Vicious” Black. Despite the painful reality of unrequited love, her feelings never strayed, no matter what he did. But there comes a time when surviving means letting go. What she never expected was to find herself fighting for her life and trying to survive a new form of torment threatening to swallow her whole. Saxon was broken. Never feeling worthy, the last thing he ever wanted to do was taint the woman he loved.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    "But there is wisdom/ in the hour in which a boy/ sits in his room listening," says the first poem, and Lee's silent willingness to step outside himself imbues Rose with a rare sensitivity. The images Lee finds, such as the rose and the apple, are repeated throughout the book, crossing over from his father's China to his own America. Every word becomes transformative, as even his father's blindness and death can become beautiful. There is a strong enough technique here to make these poems of interest to an academic audience and enough originality to stun readers who demand alternative style and subject matter. — Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," New York

    Using the events of his life as starting points, Gerald Stern deals with time and loss, with the dichotomy of light and darkness, and—always—with the possibility of joy. This stunning collection moves from autobiography to the visionary in surges of memory and language that draw the reader from one poem to the next.

    It is also the story of a boy who, exiled from the island because he could not abide by its sexist laws, looks back with both nostalgia and bitterness and wonders: Why does God have to be a woman? Celebrated prose poet Nin Andrews creates a world both fantastic and familiar where all the myths, logic, and institutions support the dominance of women.Nin Andrews's books include The Book of Orgasms and Sleeping with Houdini.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    People, places, offhand memories, and imaginary things drift in and out of Ava's consciousness and weave their way through the narrative. The voices of her three former husbands emerge: Francesco, a filmmaker from Rome; Anatole, lost in the air over France; Carlos, a teenager from Granada. The ways people she loved expressed themselves in letters or at the beach or at the moment of desire return to her. There is Danilo, her current lover, a Czech novelist, and others, lovers of one night, as she sings the endless, joyous, erotic song cycles of her life, because "Dusk and the moment right before shapes are taken back is erotic. And the dark."The voices of her literary loves as well are woven into the narrative: Woolf, Eliot, Nabokov, Beckett, Sarraute, Lorca, Frisch, among others. These writers comment on and help guide us through the text. We hear the voices of her parents, who survived the Treblinka death camp, and of her Aunt Sophie, who did not. War permeates the text, for on Ava Klein's last day Iraq has invaded Kuwait. And above all we hear Ava's voice. Hers is the voice of pleasure, of astonishment, the voice of regret, the voice of gratitude as she moves closer and closer to the "music that is silence."AVA is an attempt, in the words of French feminist philosopher Helene Cixous, "to come up with a language that heals as much as it separates." The fragments of the novel are combined to make a new kind of wholeness, allowing environments, states of mind, and rhythms not ordinarily associated with fiction to emerge. AVA's theme is the poignancy of mortality, the extraordinary desire to live, the inevitability of death&amp—the things never done, never understood, the things never said, or said right, or said enough. Ava yearns and the reader yearns with her, struggling to hold on to all that slips away.